Client: Seed Readers
Format: 240x170mm portrait, 40pp text + endpapers.
Materials: 150gsm Magno Satin for text, 300gsm for tip on, Colorado Colville Blue Cloth.
Method: Digital print CMYK, section sewn, case bind with cloth, plate sink cover, affix tip on and Matt Black foil.
Quantity: 100 copies.
Risograph printed postcard sets for last year's graduating students in MA Performance at CSM.
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Client: Central St. Martins.
Format: A6, double sided x 24 cards.
Materials: 300gsm Munken Lynx Rough.
Method: Risograph printed one colour to both sides.
Quantity: 200 copies of each.
We know we've posted about this already but we couldn't resist sharing some more lovely photos of this gorgeous 7 inch record box and inserts, crafted by @lrb.co.uk London Review of Books and produced by us, to celebrate the paper's 45th year in print.
POWER STATION poster/flyers.
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Client: Optimistic Productions.
Format: 276x366mm flat, folding to 138x183mm 8pp.
Materials: 80gsm Revive Natural 100% Recycled.
Method: Risograph Printed in two colours - Black and Fluorescent Pink.
Quantity: 1,000 copies.
'The Wild Goose Chase to Catch a Flying Fish'.
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Client: Goldsmiths BA Design 2025.
Format: 135mm x 90mm, 304 pages, Open Sewn.
Materials: 120gsm Arena Natural Rough throughout.
Method: Offset Litho printed in two Pantone colours throughout, PMS 021 Orange & Process Blue.
Quantity: 750 copies.
Designer Penny chose two of her favourite pieces in 2025 for Pollocks Toyshop since she’s designed every one of their new Paper Theatres. One was the rather eccentric 'Dancing Marquess' with illustrations from Lukas Palumbo, the other 'Tableaux', a collaboration with New York illustrator Tug Rice.
Risograph Printer Sam chose the Seasonal ‘Fruit and Vegetable Guide’ from Studio Forest for his Twelve days of Calverts. It’s a beautifully illustrated visual guide of what to eat throughout the year, so that you are eating seasonally and sustainably, with each season in different Riso colours.
For his Twelve days, press minder Neil chose a zine by fellow Arsenal fan Dan Evans, entitled “Sometimes Maybe Good”. The round cut corners are a nod to the 90’s football trading cards that inspired it, the content celebrating some of the most bizarre managerial appointments in football history.
Our firecracker of finance Roxanne chose love for 2025, in the form of a publication celebrating and chronicling 10 whole years of Choose Love, who support refugees & displaced people globally. It was digitally printed in full colour, perfect bound, with a debossed gold foil to the front cover.
For her fave job of 2025, production powerhouse Katie chose LRB 45s, a handmade box-set from London Review of Books @lrb.co.uk containing three 7-inch singles and an accompanying 40-page photographic booklet in a numbered, limited edition of just 360, to mark the paper’s 45th anniversary.
Joantoni, Calverts’ production co-ordinator extraordinaire, chose the work we did for “The Word for World: The Maps of Ursula K Le Guin” for his favourite job of the year, and more specifically the poster to accompany the exhibition on display at the Architectural Association school in London.
Production pro Cherry’s favourite job of 2025 was the official print of Kneecap’s Wembley gig back in September. Offset Litho printed in five spot colours, including a fluorescent Green, shown off here by a UV light we just happen to have kicking about the office!
Marcus, our offset print minder, chose ‘XXV’, a book celebrating 25 years of the International Network for Traditional Building, Architecture and Urbanism. The publication was printed in CMYK four-colour offset litho process and bound in sections with an exposed thread spine.
For his Twelve days, Arthur chose a personal project. Randomly found on Oasis' instagram, Arthur says “It’s a picture of my friend’s son, taken by an unknown photographer at Wembley Stadium. He’s a big Oasis fan and I think this image captures his love of the band perfectly.”
For his fave job of the year, Calverts repro master Jason chose the Athlyn 2026 calendar, designed by SM Studio, to celebrate and promote the Floral design service. The arrangements were all shot on film and every page is perforated so can be removed as a print or to make you own custom book.
Angie’s pick for our Twelve days of Calverts was the ‘Unseen Camden’ map which was designed by Calverts, Riso printed by our in house Riso printer DRUK and was produced as part of the London Festival of Architecture accompanying an installation in the heart of Camden Heart Street.
Beginning with our press minder Alan, for his favourite job of 2025, he chose the Robin and Rowan Garland from the wonderful Cambridge Imprint. This gorgeous pack contains die-cut decorations, printed offset litho in three spot colours, housed in a custom-made wallet, designed by Calverts.
Back this year a little later than usual but, as per tradition, we posted our “Twelve days of Calverts” over the Christmas break, in which each of our twelve co-op members picked their favourite job of the past year. So here are a few of our favourite jobs from 2025...
We've been printing these pocket sized Hanuman Editions since their inception a couple of years ago, and here are some photos of the second series. This box set, similar to the other sets, collect six books of contemporary, avant-garde literature from authors and poets both past and present.
Produced for Friendly Pressure, a company who craft gorgeous bespoke loudspeaker systems, to launch STUDIO ONE.
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Client: Friendly Pressure
Format: A3 flat folding down to A6.
Materials: 120gsm Munken Pure Rough.
Method: Risograph printed one colour, Burgundy, both sides.
Quantity: 100 copies.
'WILD HUNT'
Format: A6, 76pp + endpapers + cover, section sewn and case bound.
Materials: Cover on 120gsm Colorplan Bark, inners on 140gsm Arena Ivory Rough, endpapers on 140gsm Sirio Anthracite.
Method: Digital Black throughout, covers foiled in Foilco Gold and Red.
Quantity: 122 copies.
Client: Sparks x Gen B TV
Format: 198x140mm, 16pp text + 4pp cover, saddle stitched.
Materials: Cover on 135gsm GF Smith Colorplan Fuchsia Pink, inners on 115gsm Cyclus Offset 100% recycled.
Method: Risograph printed one colour, Black, throughout.
Quantity: 300 copies.
Gorgeous news here from design and print co-op @calverts.bsky.social , who we've supported - they've just created 10 catalogues for the David Bowie Centre, a new permanent home for David Bowie’s archive, and a bookable creative workspace
Scroll down and read it here 👉 buff.ly/iOENI6B
Riso printed cards for Central Saint Martins as part of a package to congratulate their newest successful students.
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Client: Central St. Martins.
Format: A6, double sided.
Materials: 300gsm Old Mil Bianco.
Method: Risograph printed four colours to front, two to reverse.
Quantity: 1,500 copies.
...and here is more of the job, reprint of "Tracking the Heritage" map.
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Client: Camden Highline
Format: 16pp, A3 flat folding down to A6.
Materials: 110gsm Horizon Offset.
Method: Offset Litho CMYK to both sides; crease, trim and fold.
Quantity: 3,500 copies.
A lovely testimonial from a client, Camden Highline, from a job that we have just recently reprinted.
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"They have been so well received! We love them. Thank you for doing such a great job with them! It was a pleasure to work with you and the team, so thank you!"
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Alex Ross,
Camden Highline
Client: @royalcollegeofart.bsky.social
Format: 180x110mm, 54pp + 4pp cover x 2, bound in 8pp double gatefold wrap.
Materials: Books on 115 & 190gsm Cyclus, wrap on 350gsm Cairn Ivory Straw.
Method: Offset Litho "Algae Ink" Black text/covers, Pantone 2371 to wrap + matching Foil.
Quantity: 150.
Client: Richeldis Gallery.
Format: 300x150mm, 32pp text + 4pp covers, singer sewn.
Materials: Inners printed on 120gsm Arena Ivory Rough, Covers on 330gsm Les Naturals Grès, with matching binding thread.
Method: Digitally printed CMYK, covers printed in Black only.
Quantity: 50 copies.
Client: Utter & Press
Format: 161x112mm Portrait, 200pp text + 8pp double gatefold cover.
Materials: 80gsm Arena Smooth Ivory for text, 270gsm Colorplan Matcha with Fabric embossing for cover.
Method: Offset Litho print Black only, with a Spot Pantone to two pages.
Quantity: 10,000 copies.
Client: Nick Meek
Format: 16pp concertina 196x1040mm Flat size, 196x130mm folded, 2x double sided cards, die-cut slipcase.
Materials: 350gsm Arena Smooth White, 330gsm Gmund Heidi Dull Black.
Method: Offset Litho CMYK printed cards and concertina, Pantone Silver to slipcase.
Quantity: 300 copies.
