06.03.2026 19:34
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Growing up I thought every piece of information ever was available on the Internet but in the past few years I've realized there are many bits of information about your niche interests that only exist in a book published two decades ago
I think this cover ALSO got revealed for Hello Darkness #20, from Boom Studios. This was a lot of fun hahah.
Fun stories about monsters and spaceships are cool and all but lately I've realized I've somewhat fucked my self over by not reading about real things that happened in our real world
Zeynep and Kawtar by Luana Saitta. A muscle-bound woman with a sword and a classic pinup beauty with a long braid.
A little sword and sorcery pinup @minillajovovich.bsky.social
love it or hate it you have to admit itβs really spooky that all the stuff in the song came true
it's Bandcamp Friday! please check out my music, which is kind of like my tweets but louder spraxheart.bandcamp.com/album/stark-...
I take a perverse pride in this being how I opened the first song I ever finished writing. it's like Dumb Momus
2016εΉ΄3ζ #ει³γγ―
Went to restock artist alley shop and was so hungry I got 2 burgers
#diary
#comic
And not in a "we're making a commentary on superheroes" way I just need Superman to be the exact same character but he kills one guy per issue
Superheroes need to go back to being weird and killing guys
there has never been a man living comfort eagle like travis bell
Post time-skip pigeon
a digital illustration of a woman wearing and holding a bunch of Shadow the Hedgehog merch. she's saying "I don't have 'brain worms.' There is nothing in my brain--except gray matter, which is supposed to be there."
Fangirl
As always your linework is amazing!
black and white analog ink drawing of a woman holding a red anthropomorphic cherry. the word "help" floats above the cherry, and the woman's hair is pulled up with a ponytail band attached to a cherry bead. she is wearing a polka-dotted bow.
Getting back to paper when I can
If I were living in the 40s where I didn't have access to internet porn I'd probably be writing a lot of letters to Henry Fonda
Old study
Cats are cool because they're the only pet that gives you haptic feedback
I kind of like the "snoozy" noirs, where you just sit back and the gangster voices carry you into a zen state. Makes it even better when they whip out the gunshots and bloodshed at the end
Comic Page. 1. Opening scene of Screws, a tough looking punk girl, with scars, tattoos and piercings, probably in her mid 30's. With her is Mira, a wholesome looking girly girl with a plumper figure, pigtails, early 20s. Screws is all leather and metal, Mira is more pinks and reds. At this moment the two have burst into a darkened hotel room, kissing and hugging. Screws has a canvas bag hanging from her shoulder. SCREWS: MMMM 2. The two lower themselves onto the bed. Undressing each other. Screws is on top. She's putting down the bag at the same time. MIRA: WOW YOU SEEM EAGER. LOOKING TO BLOW OFF SOME STEAM? SCREWS: UHH, YEAH, BEEN WORKING MY ARSE OFF ALL DAY. 3. View of the bag beside the bed, we see it filled with money and valuables, wads of notes, watches, rings, a revolver. MIRA (V/O): MUST HAVE BEEN AN EXTRAORDINARY DAY. SCREWS (V/O): NAH, IT WAS RUN OF THE MILL TO BE HONEST. 4. Flashback Another Establishing shot, this time a large grimy alleyway. Screws is in the foreground watching 3 other gang girls loading a plain van up with a variety of drugs, cocaine, heroin etc, the group are sporting pistols. MIRA (V/O): SO WHAT IS IT YOU DO?
1. Close up of Screws' head/upper body. She's lying on the bed now, Mira is on top. SCREWS: IS THIS A FUCK OR AN INTERROGATION? MIRA: PLAY NICE, AND MAYBE I'LL GIVE YOU A REWARD. SCREWS: OH MY! 2: Mira kisses Screws' neck. Screws closes her eyes and leans back. SCREWS: OH I'M *AHH* IN THE IMPORT EXPORT BUSINESS YOU KNOW? 3. Flashback. Screws' van driving into a large, empty warehouse, where rough looking mobsters and gang members wait. SCREWS (V/O): A VARIETY OF PRODUCTS, THIS *NGGGH* AND THAT, SOMETHING FOR EVERYBODY.
Have you read my short comic, One Hell of a Night, yet? It's a short, sexy, supernatural horror brought vividly to life by the incredible artwork of @comicnerdsam.bsky.social .
Comic Page 1. View of Mira kneeling up, now mostly undressed to her underwear. She is looking slightly sinister in the dark now. Her eyes are lacking pupils. Her skin is grayer now. Her hair seems more dominant, pigtails rising into the shape of horns. MIRA: GOOD GIRL. SEE THAT WASN'T SO HARD WAS IT? SCREWS: WHY DON'T I GIVE YOU A LITTLE Q&A? MIRA: WHEN YOU'VE JUST BEGUN TO SOUND SO INTERESTING? 2. Screws leans up and starts caressing Mira's sides with her hands. SCREWS: YEAH, I GUESS I DO HAVE MANY TALENTS. 3. Flashback, Screws and co have exited the van to converse with the mobsters. They're squaring up aggressively. SCREWS (V/O): THERE ARE TIMES WHEN I FIND MYSELF IN DEEP. MIRA (V/O): OOOOH SCREWS (V/O): IT'S NOT JUST ABOUT SELLING THINGS. MIRA (V/O): N.. NO? 4. Flashback. We see Screws and one of the men from the other group, a suave Rastafarian gentleman in a slick suit, shouting at each other, both waving their guns about. SCREWS (V/O): NAH, ITS ABOUT MAKING SURE YOU STICK THE RIGHT PEG IN THE RIGHT HOLE.
Comic Page 1. Flashback. Screws now has the other man up against the wall as a hostage, a pistol to his head, as the other group bring the bag full of cash to her. SCREWS (V/O): ITS ALL ABOUT TECHNIQUE. MIRA (V/O): AH! SCREWS (V/O): LETTING THEM GET A FEEL FOR YOUR OFFER. 2. Screws and Mira kiss, Screws running her hand through Mira's hair, as she does, we start to see horns protrude from Mira's head. SCREWS: ANY FURTHER QUESTIONS? 3. Flashback. We see Screws getting angry at the other group, who start to remove watches and other valuables to place them in the bag with the money. MIRA (V/O): SO HOW DOES ONE *MNF* LET THEM KNOW ITS GOOD DEAL EXACTLY? SCREWS (V/O): YOU SHOW THEM THE CONSEQUENCES OF *AHH* GOING WITH CHEAPER ALTERNATIVES.
Comic Page 1. Flashback. Screws now has the other man up against the wall as a hostage, a pistol to his head, as the other group bring the bag full of cash to her. SCREWS (V/O): ITS ALL ABOUT TECHNIQUE. MIRA (V/O): AH! SCREWS (V/O): LETTING THEM GET A FEEL FOR YOUR OFFER. 2. Screws and Mira kiss, Screws running her hand through Mira's hair, as she does, we start to see horns protrude from Mira's head. SCREWS: ANY FURTHER QUESTIONS? 3. Flashback. We see Screws getting angry at the other group, who start to remove watches and other valuables to place them in the bag with the money. MIRA (V/O): SO HOW DOES ONE *MNF* LET THEM KNOW ITS GOOD DEAL EXACTLY? SCREWS (V/O): YOU SHOW THEM THE CONSEQUENCES OF *AHH* GOING WITH CHEAPER ALTERNATIVES. Page 5 1. Flashback. Policemen and riot cops burst through the warehouse doors. MIRA (V/O): SO THATS IT THEN? YOU REAP THE PROFIT? SCREWS (V/O): NAH BABE, IT DON'T END THERE. THERES ALWAYS COMPETITION. SOMEONE BIGGER. 2. Flashback. The cops open fire, Screws is hit in the chest, the Rastafarian in the head. SCREWS (V/O): A TOP DOG THAT'LL DO ANYTHING TO STAY ON TOP. 3. Screws is now lying back on the bed, exhausted, we can now see a bullet hole in her chest, her eyes are milky white. Mira is still on top, now looking more demonic than before, and there appear to be wings beginning to sprout from her back. The POV of this panel should focus on that. We don't see all of Mira at the moment. SCREWS: AND THATS *HHHH* ABOUT ALL THERE IS TO IT. MIRA: WELL IT SOUNDS AS YOU REALLY DO DESERVE SOMETHING FOR YOUR HARD WORK. 4. View of the bag of money again, now on fire. MIRA: I DON'T KNOW IF I CAN REPLACE WHAT YOU'VE LOST. 5. Final shot. POV is of Mira on top of Screws, looming over her menacingly. Screws is lying on the bed, we can now see the bullet wound clearly through her midsection. We can now see Mira in full sexy but terrifying glory. MIRA: BUT I CAN PROMISE YOU ONE HELL OF A NIGHT.
Have not been able to stop thinking about how that big mafia goon in Some Like It Hot says "my mashie!"
full of ourselves, second drawing of 2026
digital comic: two people, a newbie and a long-term player, play magic the gathering. they are in behind small figures that represent creatures on a playing field. newbie: hmm newbie: Ok. I attack your creatures. long-term: I already told you: you don't attack creatures. long-term: You attack me, and my life total. Not my creatures. newbie: Ok. newbie: I attack your life total. long-term: Nice try. I block, so you don't hit me. You simply attack my creatures.
ok last one
Kid Eternity No. 10 - Small Wages
by Ann Nocenti and Sean Phillips
Im procrastinating on work
