www.nytimes.com/2026/02/04/b...
25.02.2026 03:50
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Without her parents’ knowledge, her portrait was entered as a prank in a contest in 1935 to represent the ideal Aryan infant — and she won. www.nytimes.com/2026/01/09/w...
A behind the curtains look at how NY Times photo editors decide what images to publish in an age where the AI generated images are ubiquitous, including images originating with the president. www.nytimes.com/2026/01/04/i...
Matt Weber is a talented NYC street photographer who recently had a stroke. He's working hard on his recovery but is facing financial challenges since he can't work or access his photos. If you can, consider donating to his GoFundMe gofund.me/2f636d716
Daniel Arnold on his new book, 'You Are What You Do' and his life in photography. www.youtube.com/watch?v=wL37...
Informative interview with photographer Christopher Anderson about his recent portraits of Trump's inner circle for Vanity Fair wapo.st/49ixYtq
Bill Callahan is a great musician and songwriter - what a gift to see his music paired with scores of photographs from the brilliant NYC street photographer, Daniel Arnold in Callahan's new video, Lonely City. www.youtube.com/watch?v=8H9o...
NANCY BY ERNIE BUSHMILLER P1- SLUGGO HAS JUST CAUGHT A VERY SMALL FISH P2-SLUGGO GOES OVER TO NANCY’S SLUGGO: NANCY ---CAN I BORROW YOUR DOLL HOUSE ? NANCY: SURE P3- SLUGGO: WAIT’LL BOYS SEE THIS SLUGGO HAS HUNG THE SMALL FISH OVER THE FIREPLACE IN THE LIVING ROOM OF NANCY’S DOLLHOUSE AND HAS TAKEN A PICTURE OF IT
Nancy By Ernie Bushmiller
November 25,1953
If the wedding photography doesn't work out...https://www.npr.org/sections/goats-and-soda/2025/10/13/g-s1-92391/landmines-hilton-humanitarian
Great discussion around photo sequencing with photographer Reuben Radding and a workshop student of his (and strong photographer!) Marshall Scott. www.youtube.com/watch?v=WFFu...
Critic Parul Sehgal explores the ethical challenges artists and writers face when they use their children as subjects or source material for their art or words. No matter where you land on these knotty issues, I think artists have to ask themselves the questions. www.nytimes.com/2025/09/12/m...
Mann, 74, is now publishing her second memoir, “Art Work: On the Creative Life,” a front-porch chatty reminiscence for artists and writers seeking their footing, by “an old woman,” Mann writes, “close to handing in my dinner pail.” www.nytimes.com/2025/09/09/a...
Katy Grannan talking about a new body of portrait work made in California's Humboldt County, and opening in an exhibition at the Fraenkel Gallery in San Francisco this week. vimeo.com/1109521177
Advice to artists: “If I could say one thing, it’s to always have another body of work waiting in the wings that you’re equally excited about,” she says. “It’s so easy to get discouraged when you finish a body of work, you think you’ll never do anything as good. www.theguardian.com/artanddesign...
"I understood from the beginning that a camera doesn’t point, it frames. I also understood the gap between the world of the photograph and the world we experience – the world of the photograph has to make sense on its own, out of context.” www.theguardian.com/artanddesign...
www.nytimes.com/2025/08/23/a... (with pictures of Shore by Daniel Arnold)
Suggests something about the possible power of photographs? www.smithsonianmag.com/smart-news/t...
Be the photographer for the U.S. Senate. Applications close in two days! www.usajobs.gov/job/841791600
Sebastian Siadecki breaks down all the components commonly used in contemporary (and a few vintage) photobooks in this great video. Super helpful if you think you might make one someday! www.youtube.com/watch?v=yhb8...
Untitled, Providence, Rhode Island, 1976 - Francesca Woodman A contact sheet with an image of a blurred figure in a light background dancing. Drawn marks on the contact sheet make it appear as if the figure is leaping or moving through portals
"In a photograph, a girl rapidly transforming into an adult can pause her own evolution, if only for a frame. Nearly all photos contain this illusory stillness, despite the unrest of the actual. But Woodman denies us this temporary serenity." openspace.sfmoma.org/2012/01/gann...
"Salinger wanted “In My Room: Teenagers in Their Bedrooms” to be seen in an art context. But she also didn’t want her work, in which she shot teens from the early eighties into the nineties, to be inaccessible to the kind of young people whose lives it portrayed" www.newyorker.com/teen-agers-i...
