🎬 The Making of “Short and Sweet”❄️
@irsculpts.bsky.social made the yeti in #ZBrush. @actionmoviedad.bsky.social rigged, textured, and animated him in #Cinema4D with #Redshift lighting and #RedGiant finishing.
💙 Big snowball, tiny yeti, brought to life with #MaxonOne.
👉 https://maxonvfx.com/48JI9Hn
This is all traditional AE comping of footage with @actionvfx.bsky.social and @productioncrate.bsky.social made WAY cooler utilizing locally-processed ML Depth Passes (no gen AI). For real, go get the free trial and just see what you can do: maxon.net/en/product-detail/red-giant/vfx/depth-generator
Re-Light Footage with AE Lights
oh no the lights went out
Spatial warping of footage
Even Crazier 3D Extrusions
Depth up the Bass
Depth Defying Transitions
Friends - if you're not getting creative with @maxonredgiant.bsky.social 's Depth Generator yet here's a random thread of stuff you can do:
state of the world has me broken because this is the funniest thing I've ever seen.
if I gotta make ads, it'll get weird
if I gotta make ads, they will pun
if I gotta make ads, they will be chaos
Decided to make something out of only solids with fractal noise in After Effects. I hope you're well.
Wait for it...
🍔🥞🥓 Layer anything together with #Supercomp
Some guy at the airport just now had the Knight Rider theme song as his ring tone and answered the call with, “Yo.” So now I know who I want to be when I grow up.
Dude... I have no words. 😭 The work you put into this!!! We're definitely just gonna loop it on Friday's episode, copyright strikes be damned. Sincerest thanks for creating a beautiful mountain out of our mashed potatoes.
Image of Michael Caine as Alfred Pennyworth in The Dark Knight Rises as he laments his failures and promises to his family followed by gravestones onto which the three hosts' names of VFX and Chill's are badly photoshopped in Jokerman, Comic Sans, and Papyrus fonts.
I got my soon-to-be vintage and rare VFX and Chill hat and mug and I'm ready/not ready for the end.
@vfxandchill.bsky.social
@actionmoviedad.bsky.social
@sethworley.bsky.social
@thegreatszalam.bsky.social
@maxonvfx.bsky.social
@maxonredgiant.bsky.social
The greatest VFX-based internet show of all time is ending this week. I fashioned this tribute out of my tears.
@sethworley.bsky.social @actionmoviedad.bsky.social @thegreatszalam.bsky.social @maxonvfx.bsky.social @maxonredgiant.bsky.social @vfxandchill.bsky.social
youtu.be/Xs7vMlWvzes
Come watch our Series Finale on May 23rd: youtube.com/live/2SKT7bxtpVM
VFX and Chill is coming to an end
All Good Things...
Just VFX and Chill is ending - Seth Michael and I will still be Maxon-ing it up
We're not around much longer. Get your requests in now. maxonvfx.com/vfxandchillsuggestionbox
Folks, he loves it!
We expanded this shot to Portrait mode, as Kubrick intended. [FULL SCREEN]
For real I wanna discuss this in a few hours. Come give us your opinions: If you have opinions, please come voice them with us today (in ~2 hours): youtube.com/watch?v=ZMTnVQZymN0
As a VFX artist, I need you to understand how much work this digital expansion was. Yes, a lot of AI is present, but in the end I have to imagine this is a ton of digital assets, tracking, and reconstruction with traditional workflows.
The intimidating Rainmaker is reimagined with digital AI technology
Scenes featuring Rainmaker have been "digitally reimagined to amplify the live theatrical experience and bring a consistency to the GCU (Grisham Cinematic Universe)"
Google AI and Paramount are partnering to bring "The Rainmaker" to the Las Vegas Sphere. Over 1,300 shots have been enhanced and expanded by generative AI to create the immersive 16K experience.
Police car gets sliced in half
Bwaaaaaaaaam
