🌟"PRETTY PRETTY PLEASE I DON'T WANT TO BE A MAGICAL GIRL" EPISODE 2 🌟
"I Want to be a Normal Girl"
SATURDAY, JANUARY 31ST @ 11AM PST!!!!!!!!!!!!
28.01.2026 08:30
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🌟"PRETTY PRETTY PLEASE I DON'T WANT TO BE A MAGICAL GIRL" EPISODE 2 🌟
"I Want to be a Normal Girl"
SATURDAY, JANUARY 31ST @ 11AM PST!!!!!!!!!!!!
A bump in the night
Anime style study. Trying to get better at digital.
It's funny you should say that, because my first thought drawing the chimaeras was "how do they get around on the ground?" As I should have known, I soon discovered that Toriyama already had an answer for that.
Oh no, did someone mistake him for a bird on a hunting trip and shoot him in the face?
If you see this post a sward.
I mean otherwise it's "Feels so good" but Chuck's work has been posted a bunch this week. RIP a true jazz man.
With "Lady Fingers" from the same album lined up for the zoom away from my corpse after I die and the credits start rolling.
Drawing of Terry Pratchett’s elderly barbarian leaping through the air. His pendulous ballsack is dead centre. You can’t miss it.
Cohen the Barbarian.
(blame @ericafails.bsky.social)
Show me how you draw armor! ⚔️🛡️
I love drawing armor.
PUNCH PUNCH FOREVER episode 3 "Toothless Aggression" is OUT NOW!!! ⚠️
link in the replies! ⬇️
Seeing an artist adapt their faith is always a fun way to find out what they believe.
Oh yeah, it's May. I've never done #mermay before. Is this mermay? Do these count?
#mermay2025
If you see this, post a monster.
Okay, here's a MEGA THREAD of all my zines that you could download for free in either one of my stores:
ohotnig.gumroad.com
ohotnig.itch.io
I'm gonna make this into my pinned post, and your shares of it are highly appreciated, as my economy strongly relies on humble donation for my free goodies %)
PANEL ONE: A smoky, dilapidated city street. There is an apocalyptic feel to it, a desolate wrongness. 1.) NARRATION (upper left corner): Your skin still recalls the touch of fire. 2.) NARRATION (lower right corner): Your lungs still feel the smoke. PANEL TWO: In this run-down urban landscape we see a closed door. It looks ornate but worn, hinting at past glories but only hinting. 3.) NARRATION (upper left corner): You cry out for shelter, and it finds you. 4.) NARRATION (lower right corner): You long for a welcoming voice, and the warmth of mine blankets you. PANEL THREE: We come closer to the door and it opens, though we cannot yet see what lies beyond it. 5.) NARRATION (upper left corner): In my hand did your world come into being. 6.) NARRATION (lower right corner): By my hand will it go the way of others before it. PANEL FOUR: We can see through the doorway now: inside is a glorious, expansive temple. It has a marble shine to it, a sheen of the untouched. 7.) NARRATION (upper left corner): I am keeper of broken things… 8.) NARRATION (center of panel): I am absence and presence… 9.) NARRATION (lower right corner): and my house can be yours.
PANEL ONE: We can see the main hall of the temple, with an altar far off in the distant center. An inset panel on left-hand side depicts the silhouette of a hand gripping the blade of a sword and bending it with ease as if it were paper. 1.) NARRATION: Stay, and know for once how it feels to be holy, to be whole. PANEL TWO: We can see the holy scriptures, hidden behind glass, open to a page written in a script we cannot read. 2.) NARRATION: Stay, and let your touch heal all earthly wounds. PANEL THREE: A row of statues displays prophets, saintly and wise. An inset panel on the left-hand side shows a royal feast. 3.) NARRATION: Stay, and live as the word and the arm of a law undying. PANEL FOUR: A shot of the temple's altar, situated directly under a square hole in the ceiling for the sun to shine through. 4.) NARRATION (upper left corner): Stay within me— 5.) NARRATION (lower right corner): or begone.
PANEL ONE: A marble mannequin wears the vestments of a prophet. The blank head of the mannequin is streaked with blood, and the vestments are torn in places. 1.) NARRATION: Leave, and a hundred thousand jaws shall be set upon you. PANEL TWO: A shot of the dark catacombs beneath the temple. In an inset panel on right-hand side we can see the silhouette of a man's torso; around the silhouette's neck, fully rendered, is a barbed whip, with blood flowing around it. 2.) NARRATION: Leave, and you shall know the pain that only the shadows know. PANEL THREE: One room of the temple is full of plants. Only barely can we see their true nature: they are growing out of now-rotten corpses. 3.) NARRATION: Leave, and your blood shall paint the sky on that day of days. PANEL FOUR: Again we can see the altar; around it kneel skeletons begging for mercy. An inset panel shows only red, angry skies above a dark desolate valley. 4.) NARRATION: Leave, and learn how limited your imaginings of hell have been.
PANEL ONE: A ceremonial candle, burning weakly. 1.) NARRATION: Will your name ascend to veneration? PANEL TWO: The ceremonial candle burns, its flame a bit bigger now. 2.) NARRATION: Or will your skin line the pathways of the eternally condemned? PANEL THREE: The candle flares for a moment, its flame much bigger. 3.) NARRATION: Think on this, and think well—a door, once closed, cannot open. PANEL FOUR: The flame is small again. 4.) NARRATION: The choice, of course, is yours.
This was a long time coming and I'm glad we finally made it happen. Words, including the actual lettering, by @dialhforhagai.bsky.social , pictures by me
I did it and I can't refute it but now I'm more sad. Which I guess tracks...
AAARGH!
Missing that nostalgic 3am adult cartoon feeling? Give Monkey Wrench a shot! #indieanimationday
It's been a minute since I've been busy at my day job. But here's a little guy and some wall skeleton.
I love this short film by Andrew Foerster very much, and was very happy to be asked to design the titular guy. Check it out!
I was close but someone was faster.
Real dumb visual from a @thedollop.bsky.social episode, I don't remember which one but basically a dude thought wearing a pillow case would deter the press.
I really wanna do some sort of disaster ttrpg where these kind of dudes are basically the wepon drops.
Twitter post/pohoto from JK Rowling who sits on what looks like yacht, taking a puff of what looks like a cigar. She holds a cocktail close to her face and looks smug as fuck. Text on tweet: I love it when a plan comes together. #SupremeCourt #WomensRights.
Text on screen: our.moral.imperative British billionaire JK Rowling has posted several gloating tweets today after the UK Supreme Court ruled that only 'biological women' legally count as women, excluding trans women from legal protections and safeguards. Rowling's vicious smear campaign against trans people in Britain has been going on for several years now and has played a major role in cultivating the extremely hostile and toxic environment that exists in the country towards trans people, particularly in the name of liberal 'feminism'. @fight_for_a_future @rowllingofficial
You all need to treat Harry Potter IP like we’re treating the Tesla brand.
Human Merchant of the future selling space vacuums ship to ship.
