PAESE 3.0 is part of the "Digital Provenance and Collection Research" Science Space, funded by Niedersachsen & the VolkswagenStiftung, as a joint effort b/ Leuphana, the Universities of Oldenburg & Hannover, Jade Hochschule, Landesmuseum Oldenburg, Deutsches Schifffahrtsmuseum.
agustina.andreoletti As part of the PAESE 3.0 project, we're updating the PAESE provenance research database of objects from colonial contexts in Lower Saxony, Germany. We are looking for perspectives from people connected to the communities these * objects * come from (indigenous and non-indigenous community members, digital specialists, colonial and global historians, researchers, activists, museum professionals). If any of these describe you or someone in your network, we'd love for you to take the survey and help shape this important work. Survey: https://forms.office.com/e/MqrJE5ybZA Deadline: March 17, 2026 Please share widely. The more perspectives, the more meaningful it becomes. The contributions will be published in a Working Paper and will inform and guide how we move forward. PAESE 3.0 is part of the "Digital Provenance and Collection Research" Science Space (Wissenschaftsraum-Initiative), funded by the Land Niedersachsen and the VolkswagenStiftung, as a joint effort between Leuphana University of Lüneburg, Carl von Ossietzky University of Oldenburg, Leibniz Universität Hannover, Jade Hochschule, Landesmuseum für Kunst und Kulturgeschichte Oldenburg -, the Deutsches Schifffahrtsmuseum, and the Netzwerk Provenienzforschung in Niedersachsen.
We're updating the PAESE provenance research database of objects from colonial contexts in Lower Saxony, Germany.
We are looking for perspectives from people connected to the communities these objects come from.
Survey: forms.office.com/e/MqrJE5ybZA
Deadline: March 17!
AfD will Provenienzforschung abschaffen. Meine Einordnung im #Deutschlandfunk.
www.deutschlandfunk.de/rolle-der-pr...
Here's a little write-up of our very successful Coding Provenance Workshop from our university's press office. Such good times were had! Look out for news about the second iteration of the workshop at the Getty in LA later this year.
One week left to apply for this position with the Provenance Lab!
⚠️ Job Alert ⚠️
We are looking for a Post-Doc in Provenance Studies (till Dec 31, 2027, FT, TV-L 13). German language fluency essential.
Deadline: January 22, 2026.
More info at the link.
Thank you for sharing and spreading the word.
🙏🏼
#jobalert #provenancestudies #leuphana
CFP: "We invite proposals for a forthcoming edited volume that critically examines the infrastructures of art markets in Central and Eastern Europe during and after the socialist era."
Deadline: November 30.
person standing at a lectern next to a screen with a slide.
Lab team member Coco Amy Rufer presenting her research on price arguments in restitution cases at the 3rd Fachforum Kunsthandel der Moderne at Berlinische Galerie. 👏🏼
Are you a provenance researcher with no coding experience but curious about computational techniques? In collaboration with the Getty Provenance Index, we’re launching Coding Provenance, a workshop series specially designed for provenance researchers.
Dec 18-21 in Lüneburg Germany.
JOB: 2 Research Associates, Leuphana University Lüneburg
https://arthist.net/archive/49557
Job!
The @provenancelab.bsky.social is seeking research associates with computational experience and/or experience working with collections from colonial contexts (3 years, full-time.)
If you know anyone who might be interested, please share.
And distribute wherever you deem appropriate. Thx!
Art historians, digital humanists, data scientists - explore the new Getty Provenance Index! A vast trove of high quality data about relationships between artists, dealers, collectors, and institutions. The new resources provide many opportunities for research and teaching with more to come.
In "Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums" (2022), we have laid out a detailed vision for how museums should begin addressing the transformation of their provenance records into PLOD - Provenance Linked Open Data.
#DigitalProvenance #PLOD
The Next Horizon of Museum Practice: Voluntary Repatriation, Restitution, and Reparations The Future of Provenance: Digital Cataloguing as Reparative Practice
Check it out!
Our latest text from the Provenance Lab is out!
#digitalprovenance #cataloguing #reparation
