Barbara Kruger

The Associates Fund in honor of Riva Castleman

My Pretty Pony http://www.moma.org/collection/works/11920

Untitled (Who is bought and sold?)

Untitled (Who is bought and sold?) https://www.wikiart.org/en/barbara-kruger/untitled-who-is-bought-and-sold-1990

The Associates Fund in honor of Riva Castleman

Double page plate (folios 1 verso and 2) from My Pretty Pony http://www.moma.org/collection/works/11929

Untitled (Memory is your image of perfection)

Untitled (Memory is your image of perfection) https://www.wikiart.org/en/barbara-kruger/untitled-memory-is-your-image-of-perfection

Untitled (Girl, Don't Die for Love)

Untitled (Girl, Don't Die for Love) https://www.wikiart.org/en/barbara-kruger/untitled-girl-don-t-die-for-love-1992

Untitled (Questions)

Untitled (Questions) https://www.wikiart.org/en/barbara-kruger/untitled-questions-1991

Untitled (We don't need another hero)

Untitled (We don't need another hero) https://www.wikiart.org/en/barbara-kruger/untitled-we-don-t-need-another-hero-1986

Untitled (Thinking of You)

Untitled (Thinking of You) https://www.wikiart.org/en/barbara-kruger/untitled-thinking-of-you-1999

Acquired through an anonymous fund

Untitled (You Invest in the Divinity of the Masterpiece) http://www.moma.org/collection/works/79334

The Associates Fund in honor of Riva Castleman

Double page plate (folios 29 verso and 30) from My Pretty Pony http://www.moma.org/collection/works/11925

Untitled (You are seduced)

Untitled (You are seduced) https://www.wikiart.org/en/barbara-kruger/untitled-you-are-seduced-1982

The Associates Fund in honor of Riva Castleman

Double page plate (folios 31 verso and 32) from My Pretty Pony http://www.moma.org/collection/works/11927

The Associates Fund in honor of Riva Castleman

Plate (folio 14) from My Pretty Pony http://www.moma.org/collection/works/11934

© Barbara Kruger

Untitled (We Are Notifying You of a Change of Address) https://www.brooklynmuseum.org/opencollection/objects/115071

Gift of Art Against Immigration Ban (Chitra Ganesh, Liam Gillick, Joan Jonas, Barbara Kruger, Julie Mehretu, Walid Raad, Rirkrit Tiravanija, Danh Vo, and Anicka Yi)

Untitled from Art Against Immigration Ban Letter Portfolio http://www.moma.org/collection/works/273971

The Associates Fund in honor of Riva Castleman

Double page plate (folios 30 verso and 31) from My Pretty Pony http://www.moma.org/collection/works/11926

Untitled (Not stupid enough)

Untitled (Not stupid enough) https://www.wikiart.org/en/barbara-kruger/untitled-not-stupid-enough

Untitled (You are a very special person)

Untitled (You are a very special person) https://www.wikiart.org/en/barbara-kruger/untitled-you-are-a-very-special-person

The Associates Fund in honor of Riva Castleman

Plate (folio 9) from My Pretty Pony http://www.moma.org/collection/works/11932

The Associates Fund in honor of Riva Castleman

Double page plate with colophon (folio 32 verso and endpaper) from My Pretty Pony http://www.moma.org/collection/works/11928

The Associates Fund in honor of Riva Castleman

Plate (folio 6) from My Pretty Pony http://www.moma.org/collection/works/11931

The Associates Fund in honor of Riva Castleman

Double page plate (front endpaper and folio 1) from My Pretty Pony http://www.moma.org/collection/works/11919

Untitled (Chessboard)

Untitled (Chessboard) https://www.wikiart.org/en/barbara-kruger/untitled-chessboard-2006

The Associates Fund in honor of Riva Castleman

Plate (folio 17) from My Pretty Pony http://www.moma.org/collection/works/11936

The Associates Fund in honor of Riva Castleman

Plate (folio 14) from My Pretty Pony http://www.moma.org/collection/works/11934

Barbara Kruger is known for photo- and text-based images in which she deconstructs representations of power generated by the commercial media, particularly as they affect women. Informed by her earlier profession as a graphic designer, her work typically combines iconography appropriated from 1940s and 1950s American film, television, and advertising with blunt slogans ripe with subtle insinuations. Kruger explained, “I’m interested in how identities are constructed, how stereotypes are formed, how narratives sort of congeal and become history.” By using the pronouns we and you and removing the identifying features of the figure, Kruger implicated the viewer, regardless of gender, in the objectification of this anonymous woman. Gift of Susan and Lewis Manilow

We Will Not Become What We Mean to You https://www.artic.edu/artworks/184209/

The Associates Fund in honor of Riva Castleman

Double page plate (folios 29 verso and 30) from My Pretty Pony http://www.moma.org/collection/works/11925

Untitled (Who is bought and sold?)

Untitled (Who is bought and sold?) https://www.wikiart.org/en/barbara-kruger/untitled-who-is-bought-and-sold-1990

The Associates Fund in honor of Riva Castleman

Plate (folio 12) from My Pretty Pony http://www.moma.org/collection/works/11933

Untitled (Buy Me)

Untitled (Buy Me) https://www.wikiart.org/en/barbara-kruger/untitled-buy-me-1984