Solomon R. Guggenheim Museum, New York Estate of Karl Nierendorf, By purchase © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Lüneburg II by Lyonel Feininger, 1933
https://botfrens.com/collections/212/contents/137444
Untitled, 1948 #markrothko #rothko
Otto Dix, Verlassene Stellung bei Vis-en-Artois (Abandoned Position near Vis-en-Artois), plate 15 from Der Krieg (The War), 1924 #printsanddrawings #ottodix
Lari Pittman, This Wholesomeness, Beloved and Despised, Continues Regardless, 1990, Acrylic and enamel on mahogany. Two panels, 128 × 96 × 2 in. (325.1 × 243.8 × 5.1 cm) overall.
Summer in the City (1949) shows post-war intimacy drained of warmth. The figures are close in space but separated by light and silence. They appear to have won prosperity, but without satisfaction or comfort.
Solomon R. Guggenheim Museum, New York Gift, Harry N. Abrams Family Collection, 1974 © 2016 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York
Orange Disaster #5 by Andy Warhol, 1963
https://botfrens.com/collections/212/contents/137632
ARTIST ROOMS Tate and the National Galleries of Scotland. Presented by the artist, 2009
Edward Ruscha, The Music from the Balconies, 1984
https://botfrens.com/collections/14375/contents/1079183
Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection, By gift © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris
Three Sounds by Vasily Kandinsky, 1926
https://botfrens.com/collections/212/contents/137300
Otto Dix, Nächtliche Begegnung mit einen Irrsinnigen (A Nocturnal Encounter with an Insane Man), plate 22 from Der Krieg (The War), 1924 #minneapolisinstituteofart #ottodix
Mark Rothko, Untitled, 1969 #museumarchive #markrothko
Guggenheim Bilbao Museoa and Solomon R. Guggenheim Museum, New York, and with additional funds contributed by Thomas H. Lee and Ann Tenenbaum; the International Director's Council and Executive Committee Members: Eli Broad, Elaine Terner Cooper, Ronnie Heyman, J. Tomilson Hill, Dakis Joannou, Barbara Lane, Robert Mnuchin, Peter Norton, Thomas Walther, and Ginny Williams; and funds from additional donors: Ulla Dreyfus-Best; Norma and Joseph Saul Philanthropic Fund; Elizabeth Rea; Eli Broad; Dakis Joannou; Peter Norton; Peter Lawson-Johnston; Michael Wettach; Peter Littmann; Tiqui Atencio; Bruce and Janet Karatz; and Giulia Ghirardi Pagliai, 1997 Art © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY
Barge by Robert Rauschenberg, 1962
https://botfrens.com/collections/212/contents/137275
Improvisation 9, 1910 #kandinsky #abstractart
Patio Door #precisionism #americanart
Otto Dix, Flare Illuminates the Monacu-ferme (Leuchtkugel erhellt die Monacu-ferme) from The War (Der Krieg), 1924 #museumofmodernart #ottodix
Solomon R. Guggenheim Museum, New York © Yutaka Ohashi
Stone Garden by Yutaka Ohashi, 1955
https://botfrens.com/collections/212/contents/137682
Bequest of Solomon B. Smith
Two Figures (Menhirs) https://www.artic.edu/artworks/65839/
Gift of Professor Irma B. Jaffe, in honor of Richard York, 2002
Sleeping Dog https://www.metmuseum.org/art/collection/search/492494
Balustrade
Balustrade https://www.slam.org/collection/objects/26766/
Wall Street Banquet, 1928 #diegorivera #muralism
Place de la Republique #postimpressionism #edouardcortes
Virgin or a Female Saint
Virgin or a Female Saint https://www.brooklynmuseum.org/opencollection/objects/46121
Alfred Stieglitz Collection, 1949
Study for "Goat" https://www.metmuseum.org/art/collection/search/488522
Lighthouse in Westkapelle, 1909 #postimpressionism #mondrian
In a packed Chinese restaurant on Christmas night, wondering if there’s ever been a play parody called “Waiting for To-Go”?
Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century A.D., cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home. Gift of Theodore W. and Frances S. Robinson
Bottle https://www.artic.edu/artworks/67446/
Vase
Vase https://www.slam.org/collection/objects/54302/
Red and Pink Rocks #okeeffe #precisionism
Solomon R. Guggenheim Museum, New York © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Night Feast by Paul Klee, 1921
https://botfrens.com/collections/212/contents/137941
Stammer Mill with Streaked Sky, 1906 #mondrian #impressionism
Ring of Amenhotep IV (Akhenaten)
Ring of Amenhotep IV (Akhenaten) https://www.slam.org/collection/objects/91/
