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Joana Jacob Ramalho

@jori-saudade

Lecturer (Teaching) at University College London | PhD in Film Studies | Aznavour fan with a love for classical musicals and all things dark and Gothicky.

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21.05.2025
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Latest posts by Joana Jacob Ramalho @jori-saudade

The Eyes in Close-Up

The Eyes in Close-Up

December 2025 marked Battleship Potemkin's 100th anniversary. Read my new article on eyes, surveillance, and political control in Eisenstein's Strike, Potemkin & Ivan the Terrible. Inspired by @uclssees.bsky.social Julian Graffy's 2009 lectures @uclselcs.bsky.social #OpenAccess

www.mdpi.com/3721912

10.02.2026 13:12 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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From morose misery to moderate merriment: sniffles, suicide & sadistic, self-immolating trees offered an alternative take on Christmas @oldwoollen.bsky.social. With masterful emceeing by @quantum-sauce.bsky.social, the night moved swiftly from virology to musicology to ecology @uclselcs.bsky.social

04.12.2025 16:38 πŸ‘ 7 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

Hi! I've sent it out, so it should make its way to you soon. Thanks for coming along!

04.12.2025 15:11 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

The Quantum Quartet was wonderful and truly made the whole evening come together! I still can't get over the 'Have Yourself a M-i-s-e-r-a-b-l-e Christmas' β€” that verse will be playing in my head for the next month or so. Dark Qristmassy earworms!

04.12.2025 14:45 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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😒Embrace the #Christmas blues!

From Blue Christmas to Wonderful Life,we’re spreading Christmas #catharsis & some festive feel-good!Join @jori-saudade.bsky.social for a Quantum Qristmas speak at #Farsley @oldwoollen.bsky.social.

Dec 2nd,tix at tinyurl.com/ye5dwtm5.Bring your brain & pull up a pint!

31.10.2025 09:04 πŸ‘ 2 πŸ” 2 πŸ’¬ 1 πŸ“Œ 0

Interested in laughter, 19th century clowns, and 1920s cinema? Check out my paper 'The Politics of Laughter: The Afterlives of Clowns Joseph Grimaldi and Jean-Gaspard Deburau in 1920s Cinema'. @uclselcs.bsky.social #Grimaldi #Deburau #clowns #laughter www.mdpi.com/3594520

18.11.2025 15:06 πŸ‘ 3 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

β€œThings I once thought were funny are scary now. I often feel like a resident of Pompeii who has been asked for some humorous comments on lava” (2013). Academic and musical satirist Tom Lehrer exposed hypocrisy, vices, and prejudices through song like no other.

09.08.2025 09:44 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
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A brilliant end to the term! UCL's Celebration of Humanities Education was expertly organised & brought together a range of exciting, inspiring & innovative approaches to education. Proud to have contributed as a member of the Centre's Languages Stream! @ucl-che.bsky.social @artshumsucl.bsky.social

11.06.2025 21:42 πŸ‘ 6 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
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Professor Alexander Samson delivering his fascinating inaugural lecture on 28 May: 'Time Frames: Marking the Early Modern'. @samsonaws.bsky.social @uclearlymodxcha.bsky.social #MarianEngland #UniversalClockTime #EarlyModern

11.06.2025 20:40 πŸ‘ 6 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0

Amazing, congratulations!

11.06.2025 20:36 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Shirley MacLaine as Ginny in Some Came Running (V. Minnelli, 1958).

Shirley MacLaine as Ginny in Some Came Running (V. Minnelli, 1958).

My article, β€˜A Wounded Cinema: Failed Utopias, DΓ©cor Leitmotifs, and the Homo Minnellianus’, is published in MOVIE: A Journal of Film Criticism.

Among other misfits in Vincente Minnelli's films, I write about one of my favourites: Ginny from Some Came Running (1958).
warwick.ac.uk/fac/arts/sca...

23.05.2025 21:46 πŸ‘ 7 πŸ” 1 πŸ’¬ 0 πŸ“Œ 0
Preview
Memory and the Gothic Aesthetic in Film This open access book traces the origins & development of the Gothic cinematic aesthetic, focusing especially on 3 key concepts: migration, memory, objects

πŸ“š My book, "Memory and the Gothic Aesthetic in Film", explores the #Gothic (1920s-1950s) as an aesthetic of memory and exile. Includes chapters on memory-objects, hands, pianos, and amnesia. Download it for free from #PalgraveMacmillan #OA @uclselcs.bsky.social link.springer.com/book/10.1007...

23.05.2025 18:06 πŸ‘ 20 πŸ” 9 πŸ’¬ 0 πŸ“Œ 0