A love story in two images. Bugs proposing marriage to Elmer.
Elmer in a wedding dress, to the delight of Bugs.
Rabbit of Seville (1950, Directed by Chuck Jones, Animation by Phil Monroe, Ben Washam, Ken Harris, Lloyd Vaughan, Emery Hawkins)
A wide shot revealing the entire stage. Elmer is off to the side of the stage, looking confused.
Bugs standing in front of the "Barbero de Sevilla" barber set.
Bugs as barber.
Bugs now in drag, wearing a green dress and red lipstick, singing opera to Elmer.
Rabbit of Seville (1950, Directed by Chuck Jones, Animation by Phil Monroe, Ben Washam, Ken Harris, Lloyd Vaughan, Emery Hawkins)
Elmer Fudd walking through the woods, gun in hand. An autumnal scene, orange and red leaves on the trees. A Looney Tunes cartoon.
Elmer left of screen hiding in front of a tree.
Bugs Bunny in open mouthed surprise, fingers in his ears.
A shot of the autumn scenery, looking up at a large tree, two yellow and birds sitting high up on a thin branch.
A Wild Hare (1940, Directed by Tex Avery, Animation by Virgil Ross, Robert McKimson, Charles McKimson, Rod Scribner, Sid Sutherland, Paul J. Smith, Rev Chaney)
Bugs Bunny standing behind Elmer Fudd with has hands over his eyes, who's smiling. A Looney Tunes cartoon.
Elmer reaching into the rabbit hole, with Bugs pulling him down in and kissing him on the lips.
A Wild Hare (1940, Directed by Tex Avery, Animation by Virgil Ross, Robert McKimson, Charles McKimson, Rod Scribner, Sid Sutherland, Paul J. Smith, Rev Chaney)
Bugs pretending to be dying, in Elmer's arms. A Looney Tunes cartoon.
Bugs pretending to be dying, in Elmer's arms. A Looney Tunes cartoon.
Bugs is seemingly dead, off to the side, legs pointing up. Elmer is crying, leaning into a tree.
Bugs is laid flat on the ground, legs pointing up, tongue sticking out of his mouth, with one eye open to take a peek at Elmer (who is off-screen)
A Wild Hare (1940, Directed by Tex Avery, Animation by Virgil Ross, Robert McKimson, Charles McKimson, Rod Scribner, Sid Sutherland, Paul J. Smith, Rev Chaney)
Bugs Bunny in the background of a nature shot, mid frolic, arms wrapped around a large tree.
A Wild Hare (1940, Directed by Tex Avery, Animation by Virgil Ross, Robert McKimson, Charles McKimson, Rod Scribner, Sid Sutherland, Paul J. Smith, Rev Chaney)
A series of images of Bugs Bunny in her iconic Valkyrie Brünnhilde persona in the ultra decadent Chuck Jones classic. The first two she's relaxing atop her fat horse, then she's dancing with Elmer, then she's lounging. Queen.
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
Bugs Bunny in her green dress, as she dances around Elmer, snipping off his pants with her scissors.
Rabbit of Seville (1950, Directed by Chuck Jones, Animation by Phil Monroe, Ben Washam, Ken Harris, Lloyd Vaughan, Emery Hawkins)
The opening sequence with its Gothic ambiance, mountains, jagged shapes, blues, and Elmer evoking a massive shadow against a cliff wall inspired by Fantasia's Night on Bald Mountain.
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
A series of images of Elmer in his viking outfit running up and down a series of impossibly shaped hills and staircases, from slanted angles, in pursuit of Bugs Bunny.
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
Bugs Bunny on a rough day, standing under a tree, drops of water falling on his head.
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
More of Phillip DeGuard's background shots throughout What's Opera, Doc?
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
Bugs peering out of his rabbit hole, hands clasped, with a worried look on his face as he stares into the camera.
Bugs standing upright with arms posed, mouth open, as he sings opera.
Bugs looking perplexed, with his finger under his chin.
A silhouetted image during a rainstorm. Bugs is standing under a tree, but is nonetheless still getting soaked by the rain.
What's Opera, Doc? (1957, Directed by Chuck Jones, Animation by Ken Harris, Abe Levitow, Richard Thompson)
Distressed Elmer Fudd looking down at Bugs Bunny who appears to be dead.
The Wabbit Who Came to Supper (1942, Directed by Friz Freleng, Animation by Richard Bickenbach)
Off model Bugs and off model Elmer in Elmer's house. there's a distinct painting on the background in each of these frames.
The Wabbit Who Came to Supper (1942, Directed by Friz Freleng, Animation by Richard Bickenbach)
Bugs Bunny wearing a towel, standing in the bathroom by the sink, looking into the mirror, a finger in his mouth pushing down his lip so he can observe his gums.
The Wabbit Who Came to Supper (1942, Directed by Friz Freleng, Animation by Richard Bickenbach)
A sign with the hand-written word "help" burns in a fireplace
Is My Palm Read (1933, Directed and Animated by Dave Fleischer, David Tendlar, William Henning)
Koko and Bimbo worshipping a black shadowy figure on the wall.
A cruise ship is lifted by the hands of the ocean and turned upside down, with many people falling out of it and into the water.
A house with an evil looking face has arms that are reaching towards Betty Boop.
Betty is inside a building, looking at the fireplace, while a ghost is behind her.
Is My Palm Read (1933, Directed and Animated by Dave Fleischer, David Tendlar, William Henning)
A circle peephole view of Betty Boop in a white dress, gloves and hat.
Betty applying her lipstick: a tiny creature lives inside her lipstick, and has paints and is painting her lips for her.
Betty lifting up the ends of her dress before she walks through a mysterious entrance which magically manifested.
Betty is in the middle of the room which has gone dark, but a spotlight peers over her, showing off the shape of her legs from under her dress. Bimbo and Koko look on.
Is My Palm Read (1933, Directed and Animated by Dave Fleischer, David Tendlar, William Henning)
Betty Boop and Bimbo holding each other in fright.
Betty Boop and Bimbo holding each other in fright, same image, but with the black and whites of the image reversed.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Betty Boop and Bimbo are running away in the night as an assortment of witches and ghouls chase after them.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Two images from the scene where a Walrus-like ghost is rotoscoped to dance like Cab Calloway as he sings the sing "Minnie the Moocher". He is in a cave and there are giant skull formations behind him.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
A scene plays out across these four images of a ghost who flips the switch that "kills" three ghosts on electric chairs, who are shown to die, only to wake back up, singing.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Bimbo is looking down into a well. In the reflection in the water deep down below is three frightened looking Bimbos staring back up at him.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Betty Boop is arguing with her parents. Her father's head has been replaced with a gramophone.
Betty Boop is talking to a pair of lips that have appeared on her napkin.
Betty and Bimbo are running away. It is late at night, and there are mysterious dark shadowy figures frightening them.
Betty and Bimbo, worry on their faces, as they are about to head into a cave.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Betty Boop and Bimbo are in a dark scary cave, both are looking off towards something off-screen.
Betty Boop and Bimbo are looking ahead at three skeletons drinking mugs of beer in unison.
Close-up of the three skeletons drinking from their mugs, their white bones are turning black.
The three skeletons are white again, and they've fallen to the floor, drunk, a smile on their faces.
Minnie the Moocher (1932, Directed and Animated by Dave Fleischer, Willard Bowsky, Ralph Somerville)
Angry bear looks at Bugs, as Bugs is laying on top of Elmer, as Elmer is reaching for his gun.
Elmer is running away from the bear, as the bear's giant mouth is open, Elmer's head is partially inside of the bear's mouth.
Smear animation frame of the bear and Elmer chase, with the colours of Elmer and the Bear bleeding into the background, to convey speed.
Elmer's head looking out from behind a tree, trying to find the bear. The bear's head, slightly lower, is looking out from the behind the same tree, in a different direction, trying to find Elmer.
Wabbit Twouble (1941, Directed by Bob Clampett, Animation by Sid Sutherland, Virgil Ross, Rod Scribner, Charles McKimson, Robert McKimson, Rev Chaney)
Bugs Bunny briefly inflates his body to mock Elmer Fudd's obesity. The kids call this Bugs "Big Chungus".
Wabbit Twouble (1941, Directed by Bob Clampett, Animation by Sid Sutherland, Virgil Ross, Rod Scribner, Charles McKimson, Robert McKimson, Rev Chaney)
Close-up of Bugs on top of Elmer, screaming loudly in his face. Elmer's face is bright red, open mouthed grin showing off his teeth.
Wabbit Twouble (1941, Directed by Bob Clampett, Animation by Sid Sutherland, Virgil Ross, Rod Scribner, Charles McKimson, Robert McKimson, Rev Chaney)
Bugs Bunny is eating Elmer's foot. Elmer's dimensions are off kilter, he appears squished in this frame.
Wabbit Twouble (1941, Directed by Bob Clampett, Animation by Sid Sutherland, Virgil Ross, Rod Scribner, Charles McKimson, Robert McKimson, Rev Chaney)
