I’ve spent every day and night of the last two months in the writers’ room trying to work out how to do Pettin’ in the Park 2026… I think we’ve almost cracked it
I’ve spent every day and night of the last two months in the writers’ room trying to work out how to do Pettin’ in the Park 2026… I think we’ve almost cracked it
but why? he didn’t do anything!
BABY BABY
BABY BABY
BABY BABY
BABY BABY
writing some more of it as we speak
the Sugar Man problem! also the Hip Priest problem
they’d make a million bucks!!!!
Hello friends I am sick and I cannot work. I am dealing with frequent seizures, my vision is screwed, walking just ain’t happening much of the time, and I feel lousy, lemme tell ya. Lousy! So please consider buying some art or just giving me money. Why not! Thanks.
ko-fi.com/bachelor_soft
listening to Minami Deutsch right now and this is JUST what I needed THANK YOU
its kinda comforting that this behavior is not bound by language
New essay by me about filmmaking and AI the.vane.fyi/p/the-future...
what suburb was the house from Johnson and Friends in? what’s the median house price there at the moment? how much could I get for the opal from Genie From Down Under now vs 30 years ago?
that’s the ingredient that makes the dish work yes. I mean how does “works at a court, fronts a band & dabbles in standup comedy, loves playing soccer and rock climbing, cinephile with a particular taste for critically acclaimed films where someone gets shot in the head at the end” sound without it
Naruto-running towards the new Mahler conductor
imagining a new American country pop crossover guy named Skase Christopher
they’re calling Snickers one of the year’s most essential prestige candy bars. because it’s so tasty
strange combination of being very unhappy but doing well. just sadly kicking goal after goal
out of all the songs that you could potentially hear ANYWHERE you hear music — any bar, any club, any restaurant, any clothing store, any venue, any passing car — Daft Punk’s One More Time has maybe been the best one for 25 years running now
I *work* with people who weren’t born yet when you and I became friends. I mostly tell them what the internet used to be like
really enjoyed seeing just this post with no other context and knowing exactly which film and which shot you were referring to
40 today ❤️🏹
Scott Walker, quivering, afraid: 🎶 addicted……
[string section descends agonisingly slowly, cicada loop pedal choir intensifies, the most normal yet most fucked up bass drum you’ve heard in your life beats once every eight seconds]
Scott Walker, menacing, an octave lower now: 🎶 ……to the SHIN-dig
felt like it had some big overt themes (humanity and technology? sexuality and injury?) that maybe (maybe!) didn’t land for me like they were supposed to, but there was so much else going on in its philosophy and as a sensory experience that it’s still one of the best I’ve ever seen
couple of years late on this one but who wants to talk about CRASH (1996) with me. watched it last night and can’t get it off my mind
still means a lot to hear this. it was such a relief to consciously move from “so grateful to be tolerated and accepted by my peers, which I’m sure must be a challenge and a strain for them” to “we are GOOD for the world, we are good for every life and family and workplace and community we’re in”
🎶 IIIII WANT TO KNOW MY BODY / IIIII WANT THIS OUT NOT IN ME
Blixa clutching his copy of the script in gleeful anticipation waiting for his line
from “The Secret Public” by Jon Savage
🎶 well, if they follow you
don’t look back
like Midler in the bathhouse
did you ever hear about the people who fucked so vigorously on a work trip that it became a frequently cited legal authority on the topic of what does and doesn’t constitute an injury arising out of, or in the course of, an employee's employment
www8.austlii.edu.au/cgi-bin/view...