Ein kluger Dokumentarfilm, der nicht nur das Werk der Meisterin des psychologischen Thrillers in den Blick nimmt, sondern vor allem ihre lesbischen Beziehungen, die sie Zeit ihres Lebens verstecken musste: LOVING PATRICIA HIGHSMITH läuft heute Nacht auf Arte. Die TV-Tipps: tinyurl.com/yem3jkdw
You see it, you have to share it. Them's the rules, I didn't make them.
“We were stunned [about the prescience] for a while, but we’ve really gotten to the point where it’s really sad. It’s just sad how predictable and lame and obvious and wrong it all is. Fascism is just a total fail in the end.” www.hollywoodreporter.com/tv/tv-featur...
Hell yeah!
Ginger Rogers and Fred Astaire on roller skates, gliding to George and Ira Gershwin’s “Let’s Call the Whole Thing Off” in Shall We Dance (1937). Inventive, effortless, and utterly magical. 🎶✨ #ClassicHollywood #FredAndGinger #ShallWeDance
On the one hand, this is marginally unfair to some stuff that's just "normal bad."
On the other hand, it's a speedrun toward mortally injuring the economic viability of AI as a product and harming the career prospects of people who "work" in AI, so do it as much as possible 👍
Hedy Lamarr for National Innovation Day.
Lamarr co-invented frequency-hopping spread spectrum technology during WWII, which laid the groundwork for modern wireless technologies, including Wi-Fi, GPS, and Bluetooth.
Rogers, Berlin and Astaire walking arm-arm down a studio alley. Rogers and Berlin are looking at each other, with Rogers smiling brightly.
Nothing like the magic of Ginger Rogers and Fred Astaire. Here they are with Irving Berlin during production of “Carefree” (1938)
I spent way too much time putting together an oral history of “Scotty Doesn’t Know” from EUROTRIP that had been erased from the internet, but now it’s back, with some added commentary
Actor and comedian Joe E. Brown — dressed in a dark-coloured suit, tie and trilby — captured facing the camera while glancing to the right, very animated, his right hand gripping a CBS-inscribed microphone as he points upward with his left, mid-recording, in a black-and-white medium close-up shot taken during production of the radio series Those Websters
Joe E. Brown in a promotional still for the radio series Those Websters, 1945
Carole Lombard by Ernest A. Bachrach, 1939.
Criterion releasing K Pop Demon Hunters is a net benefit for everyone - those who like the movie will get a really good home release of it, those who don’t care about the movie will benefit from Criterion having a certified money maker that they can use to help fund more obscure/niche releases
Andrzej Zulawskis "Possession" (1981) steht für einen Monat in der Arte-Mediathek.
Man darf mir doch nicht solche Flöhe ins Ohr setzen...
Animation by Milt Kahl* | The Aristocats (1970)
#penciltest #sakuga #genga #2danimation
Generative-KI-Begeisterte meinen gern zu Vernünftigen: "Du hättest damals auch über den Buchdruck gemeckert!"
Dabei lässt sich GenKI viel eher mit Asbest vergleichen: Toxischer Dreck, den einige Firmen überall verbauen wollen, und der im Nachhinein teuer und mühselig entfernt werden muss.
Fred Willard as Shelby Forthright, CEO of the Buy n Large Corporation and President of Earth, smiles and gives peace signs while appearing on a large screen in a scene from the movie WALL-E.
"The Dow is over 50,000!"
Gore Verbinski wollte ein Sci-Fi-Funk-Musical machen, aber die Welt war einfach nicht bereit dafür...
www.hollywoodreporter.com/movies/movie...
Louise and James Hall from a still for the lost film Rolled Stockings (1927).
Closeup of Stanwyck straightening Cooper’s bow tie as they smile at each other.
Gary Cooper and Barbara Stanwyck in “Meet John Doe” (1941)
Caballeros Hive, you gotta vote!
Simple, really. To create good art you need to have empathy for other people.
Actors Audrey Hepburn and William Holden — both in costume, Hepburn dressed in a black sweater and capri pants, Holden in a dark-coloured suit and striped tie — captured together as they stand in front of a camera dolly, speaking to a crew member who holds the camera stand, his foot resting on the dolly in preparation for filming, the wall behind them covered in signs inscribed with in-film "Larrabee" company names in a full-length black-and-white shot taken outside a building on Broad Street in Manhattan, New York City, during a break from location filming for Sabrina (1954)
Audrey Hepburn and William Holden on location in New York City during production of Sabrina (1954)
Pinscreen animation in HERE AND THE GREAT ELSEWHERE, a modern silent short film.
Pinscreen uses the light and shadow of a pinboard made of thousands of steel pins. It is destructive, one frame must be at least partially destroyed for the next one to be created.
Heute vor 10 Jahren verstarb Roger Willemsen.
Seine Stimme, Klugheit und Fähigkeit die Menschen zu fesseln, fehlt noch immer.
Ein Knuffelfilm!
