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The Magnetic Monster movie

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The Magnetic Monster movie

The Magnetic Monster movie

The Magnetic Monster movie

Earnest atomic scientists are in a race against time to transport it to Canada where the only instrument powerful enough to destroy it is located. A seemingly credible scientific explanation also works well. The climax, with electricity surging and sparks flying is actually thrilling.

Dr. Stewart (Richard Carlson) finds a dead man, killed from radiation. In fact, the whole place is radioactive. Some object is much more magnetic and dangerous. The powerful substance is so powerful that it threatens to destroy the planet unless something is done quickly.

The Magnetic Monster is a better than average sci-fi/horror film. They manage to make the story seem possible, and much of it is because it is told in a semi-documentary style. This is entertainment when combined with the taut, fast-paced story line, excellent performances and exciting climax.

This is very good 1950's science fiction with tale where the use of a particle accelerator causes magnetism to go crazy. It results in implosions that could eventually end all life on earth. It's up to Richard Carlson and King Donovan to come up with a solution.

The Magnetic Monster (1953) is an exciting film. Transport yourself back to the time when science was young and naïve. The "monster" is an isotope created by a mad scientist. It will, if not destroyed, eventually engulf the world.

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The Dark Knight

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The Dark Knight moves the genre into deeper waters. They realize, as some comic-book readers instinctively do, that these stories touch on deep fears, traumas, fantasies and hopes. And the Batman legend, with its origins in film noir, is the most fruitful one for exploration.

The Joker attempts to humiliate the forces for good and expose Batman’ secret identity, showing him to be a poser and a fraud. Heath Ledger has a good deal of dialogue in the movie. It’s psychologically more complex, outlining the dilemmas he has constructed, and explaining his reasons for them.

The movie was shot on location in Chicago, but the director presents the city as a wilderness of skyscrapers, and a key sequence is set in a still-uncompleted Trump Tower. Through these heights, the Batman moves at the end of strong wires, or sometimes actually flies, using his cape as a parasail.

Because the actors are so powerful, and because the movie does not allow its spectacular special effects to upstage the humans, we’re surprised how deeply the drama affects us. They focus on the expected explosions and catastrophes, and have some superb, elaborate chase scenes.

Throughout the film, The Joker devises ingenious situations that force Batman (Christian Bale), Commissioner Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to make impossible ethical decisions.

The key performance in the movie is by the late Heath Ledger, as the Joker. His clown’s makeup is more careless than before, his cackle betraying deep wounds, he seeks revenge, he claims, for the horrible punishment his father exacted on him when he was a child.

In The Dark Knight. Batman poses a more complex puzzle than usual: The citizens of Gotham City are in an uproar, calling him a vigilante and blaming him for the deaths of policemen. The Joker is a Mephistopheles whose actions are fiendishly designed to pose moral dilemmas for his enemies.

Christopher Nolan’s The Dark Knight (2008) leaps beyond its origins and becomes an engrossing tragedy. It creates characters we come to care about. The performances. The direction. The writing. Because of the superlative technical quality of the entire production.

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Director Heckerling walks a fine line between satire and put-on, but she finds it, and her dialogue could be anthologized. You have to like a movie with lines such as: “Searching for high grades in high school is like searching for meaning in a Pauly Shore movie.”

Alicia Silverstone and Stacey Dash display the knack of suggesting that their characters are not limited by their airhead dialogue and teen queen behavior. They talk that way, and do those things, but with a sly humor that suggests they’re putting themselves on.

Cher explains her party strategy: Pretend to be having a good time, pretend not to notice the guy you’re interested in, and laugh and dance a lot. Also, “sometimes you have to show a little skin. This reminds guys of being naked, and then they think of sex.”

She is not discouraged. She knows that happy teachers give higher grades and convinces each teacher that the other is a secret admirer. “You negotiated your way from a C to an A?” her dad asks. “Honey, I couldn’t be happier than if they were based on real grades.”

Cher and Dionne live in Beverly Hills and go to one of those high schools where the students look like they’ve posed for the cover of Sassy. They have longsuffering teachers such as Mr. Hall (Wallace Shawn) and Miss Geist (Twink Caplan), who both give Cher bad grades.