Just wait until you get to the point where you can't really remember pre transition.
Just wait until you get to the point where you can't really remember pre transition.
Based?
How to win in November
It's pretty fucked up when the cooler combo does less damage.
God damn I love Street Fighter. I really gotta stop letting the dooming in the fgc keep me from just enjoying a game I love.
Finally, finally made it to Master in SF6. I can now say I know how to play.
Final(?) issue of The Power Fantasy has me shook. I'm not sure it could have gone any other way and yet I still felt my heart lurch in my chest. What a series.
Holy shit The Power Fantasy has been an absolutely wild ride. Thank you so much what an arc @casparw.bsky.social @kierongillen.bsky.social
But the streets. They call to me.
I don't know what to do with all this anger.
I had the exact same thought.
I do want to play Deadlock but I'm not as good at street fighter as I want to be yet.
Oh that looks great!
Holy hell girl! ๐
So good right??
Jesus Christ. This is horrifying.
Whew. Thank God. Thanks for the answer.
Wait, not like Daily Wire Matt Walsh? Surely not???
Trying to actually get a demo of my game finished.
Throw 300 on that pile too.
Remember if you watch this show or buy this merch, no trans person will like or trust you ever again. Sorry but those are the rules.
I skipped too. Same boat.
Bio in pronouns
Is this anything?
So true
Chrono is truly the most Goku a man can be without being Goku
Aura Battler Dunbine: A painting depicts a large, insect-like mecha in white armor with translucent wings plunging a glowing red sword into a green reptilian dragon. The mecha stands atop the dragon's neck as the creature recoils with its mouth open. In the bottom right corner, two smaller armored knights with shields and swords stand on stone stairs, witnessing the battle within a dark, cavernous setting.
Aura Battler Dunbine (1988) illustration of Sirbine by Yoshiyuki Takani.
Sweet! I'll keep an eye out ๐
How is it so far? I feel like I've heard mixed things.
Satoshi Kon talks about how Requiem for a Dream took from his film Perfect Blue (1997)
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