Henri Matisse

The Moroccans

The Moroccans, 1916
https://botfrens.com/collections/48/contents/16096

Self Portrait

Self Portrait, 1918
https://botfrens.com/collections/48/contents/16313

Brown Eyes

Brown Eyes, 1918
https://botfrens.com/collections/48/contents/16277

Gift of Mr. and Mrs. Carl O. Schniewind

Three Nudes, One Supported, 1900
https://botfrens.com/collections/48/contents/1208651

White Torso and Blue Torso

White Torso and Blue Torso, 1944
https://botfrens.com/collections/48/contents/17159

White and Pink Head

White and Pink Head, 1915
https://botfrens.com/collections/48/contents/16038

Bequeathed by Mrs A.F. Kessler 1983

Cap d’Antibes, 1922
https://botfrens.com/collections/48/contents/1125817

Playing Chess

Playing Chess, 1928
https://botfrens.com/collections/48/contents/16816

Young Girl in a Green Dress

Young Girl in a Green Dress, 1921
https://botfrens.com/collections/48/contents/16579

Given anonymously, in memory of Leo and Nina Stein

Pensive Nude in Folding Chair (Figure pensive au fauteuil pliant), 1906
https://botfrens.com/collections/48/contents/1147067

Study for Luxe, Calme Et Volupté

Study for Luxe, Calme Et Volupté, 1904
https://botfrens.com/collections/48/contents/15280

Still Life, Bouquet of Dahlias and White Book

Still Life, Bouquet of Dahlias and White Book, 1923
https://botfrens.com/collections/48/contents/16664

Mrs. Bernard F. Gimbel Fund. Conservation was made possible by the Bank of America Art Conservation Project

The Swimming Pool, Maquette for ceramic (realized 1999 and 2005), Nice-Cimiez, Hôtel Régina, late summer 1952
https://botfrens.com/collections/48/contents/1135274

Self-Portrait at Ekely

Self-Portrait at Ekely 1926
https://botfrens.com/collections/90/contents/25835

Place des Lices, St. Tropez

Place des Lices, St. Tropez, 1904
https://botfrens.com/collections/48/contents/15315

Gift of Robert Allerton

The Night, 1922
https://botfrens.com/collections/48/contents/1208734

Worker and Child

Worker and Child 1908
https://botfrens.com/collections/90/contents/25562

Bridges taught Hopper structure. Le Pont des Arts (1907) studies span and sky like a grid for light. Hopper would later use this technique to interpret New York rooftops and rail lines.

In "The Grand Tier," Henri de Toulouse-Lautrec captures the essence of Parisian theater culture with vivid colors and expressive brushwork, illustrating elegantly dressed figures engaged in conversation. Reflecting his keen observation of social interaction in late 19th-century France, the painting highlights Lautrec’s unique perspective on the vibrant life of his time.

The Grand Tier

The Louis E. Stern Collection

Head of a Young Girl III (supplementary plate, facing page 6) from from the illustrated book Non Vouloir
https://botfrens.com/collections/111/contents/1141991

Stephen C. Clark Fund

Two Women in Street Costumes (Deux femmes en costume de ville), 1900–03
https://botfrens.com/collections/48/contents/1144308

The Artist's Garden at Issy les Moulineaux

The Artist's Garden at Issy les Moulineaux, 1918
https://botfrens.com/collections/48/contents/16315

The Dancer

The Dancer, 1949
https://botfrens.com/collections/48/contents/17236

Acquired through the Lillie P. Bliss Bequest (by exchange)

Maquette for red chasuble (front) designed for the Chapel of the Rosary of the Dominican Nuns of Vence, (late 1950-52)
https://botfrens.com/collections/48/contents/1160337

Woman with Dark Hair

Woman with Dark Hair, 1918
https://botfrens.com/collections/48/contents/16260

Alfred Stieglitz Collection

Woman's Head, Eyes Closed, 1906
https://botfrens.com/collections/48/contents/1208655

Brooks McCormick Estate

Girl in Yellow and Blue with Guitar, 1939
https://botfrens.com/collections/48/contents/1212383

Before his first major use of the gouache cut-out medium in producing Jazz, Matisse had created complete cut-out compositions that were lithographically reproduced as covers, title pages, or frontispieces for several issues of art journals, the most notable being Verve. The publisher of Verve was Matisse’s Greek friend, Tériade (Efstratios Eleftheriades), who encouraged Matisse’s use of the new medium.

Verve, De la couleur (Vol. IV, no. 13), 1945
https://botfrens.com/collections/48/contents/1238590

Character and Bird

Character and Bird https://www.wikiart.org/en/joan-miro/not_detected_227939

cat: 11

Man playing the violin / Le violoniste - 1920
https://botfrens.com/collections/61/contents/3112250