Fringe! 2025 kicks off THIS WEEKEND 🚨 🏃
Set the mood for what’s cumming with a peek at our lush trailer 👀
Head to our site to book your tix for all the films featured in the trailer + many more 💙💜💛
Trailer: Stephan Bless
Music kindly provided by: Tom Rasmussen - There’s A Lot To Be Happy About
Had to take a step out of my sports writing comfort zone this week to say a thing that needed to be said.
www.theguardian.com/commentisfre...
ah yes, much like my style of public speaking
A still from the film A Body to Live In showing two white figures in profile resting their foreheads against each other. Both of them have large ear piercings
A still from the film A Body to Live In showing a black and white photograph of a person wearing lose black trousers suspended from above with ropes which are connected to a harness around their chest. This photograph is placed in front of a background showing grey clouds
A still from the film A Body to Live In showing an extreme close-up of three faces viewed from above. Each person has a large hoop septum piercing which have been linked together in a chain connecting the three people. The image is in black and white
🚨 JUST ANNOUNCED
We’re showing Angelo Madsen’s A BODY TO LIVE in, a lush study of photographer, performer & body mod pioneer Fakir Musafar
⛓️Come w ur finest studs, hoops & rings + stay for a Q&A w the filmmaker
📍Genesis Cinema
📅 Sun 23 Mar 6pm
🎟️ @ the link👇
www.genesiscinema.co.uk/event/96479
Graeme Arnfield: Zero-Gravity Resistance Lecture Performances & Screening. May 29th, 18:30h - Barbican Cinema, London expcinema.org/site/en/even...
A still from Maeve Brennan’s SITICULOSA showing a rocky landscape with a sunset behind it, viewed through from an opening in a dark cave
We’re delighted to announce the Opening and Closing Night films for our 15th edition!
Open City 2025 will open with Maeve Brennan’s SITICULOSA which will screen with AN EXCAVATION (2022) with the films part of Brennan’s ongoing careful study into the international traffic of looted antiquities.
my perennial answer to this is carly rae jepsen because of course she should
🚨 🏳️⚧️ SUBMISSIONS ARE OPEN 🏳️🌈 🚨
We want your filthiest, fruitiest, fabbest and (of course) queerest films for our fifteenth edition that will take place in London from 13-21 September 🎉
Find out more about + submit 👇
www.fringefilmfest.com
had some time today to check out the Gregg Bordowitz show at Camden Arrs Centre and found loads to chew on in the midst of it all.
words, image, meaning all thrown up in the air and rethought queerly
extra screening added on 8th feb due to popular demand!!
there’s something for everyone, from insights into queer activism in east Germany, to twinks in denim 👖
A Dalmatian dog with brown sports stood on a bed looking out beyond the camera
my supervisor is micromanaging my progress getting through my inbox while I’m wfh
#SaveThePCC
Some of you may have read about the situation regarding our new landlord wishing to add a new redevelopment break clause, with only 6 months notice to our lease.
For now, we're simply asking you all to share & sign the petition below;
you.38degrees.org.uk/p/princechar...
Then from Friday, Marble Ass is a truly wild, semi-documentary centred on Merlinka, a pioneer of Belgrade’s queer scene fighting wartime violent masculinity along her fellow sex workers
East Germany’s Coming Out is, despite its title a really nuanced portrait of sexuality and the city and also has an amazing backstory which you will have to endure me recount at tomorrow’s screening where i’ll be intro’ing
hadn’t really considered this could be somewhere to promote my work but i suppose it needs to be so with that said, 2 films from the Queer Cinema from the Eastern Bloc programme i co-curated are coming to London’s ICA over the next week 👇
sometimes all it takes is one sunset for me to love london again!
A church graveyard with a deep orange sunset in the background
stuck with my training plan and ran the entire distance i was meant to today and was rewarded with this lush sunset in the final minutes
realising that the only social networks i actually enjoy using are strava and letterboxd and think they both work because they’re tied to specific activities and friends/followrs only?
something web 1.0 about a closed-ish space to discuss something specific which feels much better
didn’t think you could get onto hinge from a new york city jail
“Because there remains – even in this warped, fucked fairground mirror of a world – a thing called right and a thing called wrong.”
amp.theguardian.com/sport/2024/n...
was reminded of the existence of the bulletproof coffee fad and felt mildly sick at the thought that people melted butter into black coffee
watched (most of) saltburn this morning and this critique seems to get at a lot of what irked me about it, namely that glamour and the occasional sharp line can’t make up for horrendous pacing, let alone be the backbone for the class critique that some people seem to think this is
