Paul Cowdell's Avatar

Paul Cowdell

@paulcowdell

I research, write on, & talk about folklore. Happy to have been variously described as an 'expert in morbid eschatology' and a 'cannibalism celebrity'.

1,947
Followers
862
Following
1,517
Posts
20.09.2023
Joined
Posts Following

Latest posts by Paul Cowdell @paulcowdell

A beautiful sea mist is rolling up the street. This is my favourite thing about living here, and it makes me so happy.

04.03.2026 14:56 πŸ‘ 5 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Stupendous staring

03.03.2026 11:25 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Call for Papers: Performing Evil, The Mediation and Display of Diabolic Spectres, 1700-2000 (4/5 June 2026, Leuven).

This conference explores the tangled histories of supernatural, diabolic evil and all kinds of spectral apparitions in the last three centuries. Specifically, it is interested in how and why ghosts, spirits and related apparitional phenomena were framed as diabolic, demonic or malign manifestations from the afterlife.

This conference is an initiative of Fabula Velata, a growing international and interdisciplinary research network for the historical study of occult performance. We hope to foster new connections between scholars working across history, performance studies, religious studies,
media studies and related fields.
Send abstracts (c.250 words) and bios (c.100 words) to kristof.smeyers@kuleuven.be
before 21 March 2026. Please do get in touch if you have any questions.

Call for Papers: Performing Evil, The Mediation and Display of Diabolic Spectres, 1700-2000 (4/5 June 2026, Leuven). This conference explores the tangled histories of supernatural, diabolic evil and all kinds of spectral apparitions in the last three centuries. Specifically, it is interested in how and why ghosts, spirits and related apparitional phenomena were framed as diabolic, demonic or malign manifestations from the afterlife. This conference is an initiative of Fabula Velata, a growing international and interdisciplinary research network for the historical study of occult performance. We hope to foster new connections between scholars working across history, performance studies, religious studies, media studies and related fields. Send abstracts (c.250 words) and bios (c.100 words) to kristof.smeyers@kuleuven.be before 21 March 2026. Please do get in touch if you have any questions.

Just seen this ace CfP from the excellent @kristofsmeyers.bsky.social. Slightly regretting that I'm already booked at a conference at the same time.

03.03.2026 11:18 πŸ‘ 6 πŸ” 5 πŸ’¬ 0 πŸ“Œ 0

The 'new antiquarian' label may actually be helpful in pointing to those problems, but only if it is applied critically. Otherwise it just contributes to complicity perpetuating them.

03.03.2026 10:27 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

The question for folklorists is how to accommodate/incorporate this turn of interest while also working to inform it of current work and not lose our own development in it. That's essentially a reflexivity issue. (3/3)

03.03.2026 09:27 πŸ‘ 2 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

I've had to spend a long time explaining to US colleagues (especially) about the antiquarian cast of some popular takes on folklore. These takes, sometimes deliberately, are theoretically regressive. The antiquarianism isn't just artefactual, it's (disciplinary) historiographical. (2/3)

03.03.2026 09:27 πŸ‘ 3 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Preview
The popularity of β€œnew antiquarianism” challenges how we understand research impact - LSE Impact Research in the humanities is not confined to academic institutions. Particularly in history & archaeology where "new antiquarianism" creates public research.

As a folklorist (in England particularly), the 'new antiquarianism' question resonates. Some of the defensive reactions (that's public archaeology! that's snobbish!) have seemed unreflexive, when (for folklorists) the unreflexivity of the antiquarian turn is itself a complicated matter. (1/3)

03.03.2026 09:27 πŸ‘ 3 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0

It also makes up for finding myself /not/ cited in articles where I probably should be (grumble grumble)

02.03.2026 16:51 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

I think Queer Gothic is perhaps a locus of resistance

02.03.2026 16:39 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Oh, that may also have happened on occasion. I'm a generally optimistic sort of chap, so wry amusement may not be as properly cheering but it does also work.

02.03.2026 16:23 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

It was certainly welcome after getting a targeted flier inviting me to see Nigel Falange at the IoW's Junior Nuremberg event.

02.03.2026 15:53 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Finding (accidentally) that I have been cited in a chapter on 'Queer Displacement in American Folk Horror' has proper cheered me up.

02.03.2026 15:51 πŸ‘ 7 πŸ” 0 πŸ’¬ 3 πŸ“Œ 0
Preview
Buy tickets – Tis Tales Presents: World's Weirdest Folktales – Ventnor Library Tis Tales Presents: World's Weirdest Folktales – Ventnor Library, Sat 14 Mar 2026 - Mirror, mirror on the wall, who’s the weirdest of them all? Once upon a time there were three storytellers who never...

#IsleofWight #storytelling alert - this one looks a lot of fun, three terrific local storytellers www.tickettailor.com/events/merlf...

01.03.2026 14:55 πŸ‘ 9 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Headline: Isle of Wight man who stabbed ex's washing machine jailed

Headline: Isle of Wight man who stabbed ex's washing machine jailed

Sometimes it's better not to find out more.

27.02.2026 17:12 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Edward Gibbon for the elegant scholarly complaint: β€˜β€¦ in a prolix work … he has omitted everything that posterity desires to learn. I have tediously acquired, by a painful perusal, the right of pronouncing this unfavourable sentence’.

26.02.2026 15:53 πŸ‘ 4 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
Post image
18.02.2026 22:00 πŸ‘ 4509 πŸ” 1954 πŸ’¬ 37 πŸ“Œ 78

This issue also includes my review of @odavies9.bsky.social and @cerihoulbrook.bsky.social's Folklore: A Journey through the Past and the Present

24.02.2026 12:32 πŸ‘ 13 πŸ” 3 πŸ’¬ 1 πŸ“Œ 0

Made myself a cup of herbal tea. I think I put the teabag in the food recycling bin - the bin's open, bag's not in the cup - but I just can't see where it went. I licked my finger to see if it tasted of teabag. All it proved was that I'd been using Pritt. That teabag could be anywhere...

23.02.2026 18:12 πŸ‘ 4 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

This makes me so happy. Hearing John Henderson on other scholars was one of the great delights of my undergrad experience.

23.02.2026 17:56 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

I'm so sorry. Sending love

23.02.2026 17:18 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Followed today by Japanese food while Chinatown's New Year street festivities drummed their way past. Most satisfactory trip!

21.02.2026 20:37 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Cast picture of ENO production of Brecht/Weill's The Rise and Fall of the City of Mahagonny, pic Β© Tristram Kenton

Cast picture of ENO production of Brecht/Weill's The Rise and Fall of the City of Mahagonny, pic Β© Tristram Kenton

Just back from a late birthday treat. Full-on Bert and Kurt magnificence from the ENO at the Coliseum. (Pic by Tristram Kenton)

21.02.2026 20:24 πŸ‘ 2 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0
Select tickets – Self-advocacy at Work and Navigating Uncertainty – Zoom Self-advocacy at Work and Navigating Uncertainty – Zoom, Wed 25 Feb 2026 - This is the fourth instalment of theΒ Dreaming up a Disability Inclusive Workplace webinar series hosted by the Wellcome Anti-...

There is still time to sign up for the free webinar with @unembarrassable.bsky.social on Wednesday 25 February!
buytickets.at/wellcomeanti...
Time: 12-13:30 GMT
Proudly by and for disabled people. A Wellcome Anti-ableist Research Culture event, supported by the @wellcometrust.bsky.social

20.02.2026 10:19 πŸ‘ 2 πŸ” 3 πŸ’¬ 0 πŸ“Œ 0

A friend asked 'Is this a rage bait website?' Partner said 'It's a rage bait island'

20.02.2026 12:18 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Post image

Only a week left to catch our Winter Sale, with 30% off across our backlist until February 28th...

Including Lost Envoy: The Tarot Deck Of Austin Osman Spare.

See what else is on offer πŸ”— strangeattractor.greedbag.com/dept/~winter...

20.02.2026 12:01 πŸ‘ 6 πŸ” 4 πŸ’¬ 1 πŸ“Œ 0

A friend and I have been talking regrets at books not bought. I hadn't seen myself as bibliomanic, but the exchange exposed some unhealthy truths. (I still rue a Thucydides I didn't buy at 17). Her summary is spot on:

We are the folk whose unbought books will forever whisper to us "Never let me go"

20.02.2026 12:00 πŸ‘ 5 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Screenshot: 'New dates for documentory [sic] film nights'

Screenshot: 'New dates for documentory [sic] film nights'

Aaaah, dear god, I've just tried to navigate my way round their dysfunctional website. It doesn't work, the notion of navigable links seems a step too far for them, and the content is a Tim Messenger tribute board.

19.02.2026 18:50 πŸ‘ 3 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Screenshot: 'Tackle the fear of the black page'

Screenshot: 'Tackle the fear of the black page'

Comms is a problem for small local arts venues, I get that. One in particular here fares spectacularly badly, in part because of its refusal to recognise that copy might need checking. That said, finding this on a post for a writing bootcamp carried even more dread than seemed intended

19.02.2026 18:45 πŸ‘ 5 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

πŸ€£πŸ‘ I dress nice, don't I lady? Quick, an' all...

19.02.2026 11:54 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Indian 1 rupee stamp (1974) commemorating Friedrich Max MΓΌller

Indian 1 rupee stamp (1974) commemorating Friedrich Max MΓΌller

Today's webinar is on the Victorian folklorists. Yet again, I will have to resist the temptation to shout 'MΓΌller's the name, lady, there'll never be another'. Only one person has ever laughed

19.02.2026 11:44 πŸ‘ 6 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0