Untitled
Untitled https://www.wikiart.org/en/sam-gilliam/untitled-2002
10.03.2026 16:25
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Untitled
Untitled https://www.wikiart.org/en/sam-gilliam/untitled-2002
Cubes
Cubes https://www.wikiart.org/en/sam-gilliam/cubes
Artist's multiple
Untitled https://collections.artsmia.org/art/7723/
Close to Trees
Close to Trees https://www.wikiart.org/en/sam-gilliam/close-to-trees-2011
From a suite of five prints.
Buoy Landscape II https://collections.artsmia.org/art/43175/
Plow
Plow https://www.wikiart.org/en/sam-gilliam/plow
This Time
This Time https://www.wikiart.org/en/sam-gilliam/this-time-2008
A Spring Thaw
A Spring Thaw https://www.wikiart.org/en/sam-gilliam/a-spring-thaw
Water Surface
Water Surface https://www.wikiart.org/en/sam-gilliam/water-surface-1993
Icon
Icon https://www.wikiart.org/en/sam-gilliam/icon-1
Pearlie
Pearlie https://www.wikiart.org/en/sam-gilliam/pearlie
Fog In The Hollow
Fog In The Hollow https://www.wikiart.org/en/sam-gilliam/fog-in-the-hollow-1974
St. Albans
St. Albans https://www.wikiart.org/en/sam-gilliam/st-albans-1976
From a suite of five prints.
Buoy Landscape V https://collections.artsmia.org/art/43178/
Pink Flutter
Pink Flutter https://www.wikiart.org/en/sam-gilliam/pink-flutter-1969
Light Fan
Light Fan https://www.wikiart.org/en/sam-gilliam/light-fan-1966
Color run for published print
Coffee Thyme I https://collections.artsmia.org/art/58659/
Maquette using leftover fragments from Coffee Thyme project, taped together
Study for "Lattice" https://collections.artsmia.org/art/28043/
A Warmth, A Lightness, A Glow and Then
A Warmth, A Lightness, A Glow and Then https://www.wikiart.org/en/sam-gilliam/a-warmth-a-lightness-a-glow-and-then-1968
Coffee Thyme
Coffee Thyme https://www.wikiart.org/en/sam-gilliam/coffee-thyme-1980
Coffee Thyme I
Coffee Thyme I https://collections.artsmia.org/art/58751/
Untitled
Untitled https://www.wikiart.org/en/sam-gilliam/untitled-1968
From a suite of four prints.
Lattice IV https://collections.artsmia.org/art/58757/
Horses Upside Down
Horses Upside Down https://www.wikiart.org/en/sam-gilliam/horses-upside-down-1998
In the early 1960s Sam Gilliam began to experiment with brushless painting—staining or dying his canvases rather than applying paint more traditionally, a technique associated at the time with Color Field painting. By the end of the decade he broke with tradition in another way, abandoning the taut, stretched canvas of typical easel painting to treat his canvases sculpturally—bunching, folding, or draping them in space. The fluidity of the cloth seems to echo the fluidity of the paint, and vice versa. A quintessential work like “A” and the Carpenter I is a painting on a grand scale and yet, like a stained drop cloth slung across two sawhorses, it summons the residues of an artist’s studio, or even the remainders of another kind of work site. Twentieth-Century Purchase Fund
"A" and the Carpenter I https://www.artic.edu/artworks/45860/
Color run for published print
Coffee Thyme I https://collections.artsmia.org/art/58658/
Bluest
Bluest https://www.wikiart.org/en/sam-gilliam/bluest-1998
Lot and Square
Lot and Square https://www.wikiart.org/en/sam-gilliam/lot-and-square-2007
Purchase
Fire http://www.moma.org/collection/works/66787
Blue Line
Blue Line https://www.wikiart.org/en/sam-gilliam/blue-line-2004