@facundonehuenlopez
Argentine Comic Author & Fantasy Illustrator / Saint Seiya Lover 🖼️ Prints: http://inprnt.com/gallery/nehuen 📖 Sundari on Webcomic Mutante (ESP) / Manga Plus Creators (ENG) 📖 Tsubame, The Solar Parliament and Ashes on Métal Hurlant (FR)
I still don’t have it in my hands yet, but Métal Hurlant #18 – 'Transhumanisme: Upgrade ou Crève' has just been released in France, in which I published another short comic with my own script: The Brain of God (Le Cerveau de Dieu), produced last year. A few panels 🧠
The Kickstarter for Cole City has launched! A comic created and written by @fasterthanshaun.bsky.social, for which I worked on the interior pages, cover, and concept art. Cole City is a stylized city that evokes Fritz Lang’s Metropolis and the turbulence of the early 20th-century labor struggles 🛠️
For those of us who have read Vagabond and the work of Inoue-sensei, we are always attentive to any news or notes regarding his physical and mental health and the continuation of his work. This blog compiles all the interviews in which he was asked about his hiatus.
Totalmente Esmi, totalmente. Para mí Katara siempre fue como una hermana mayor para Aang.
A few more panels from The Shadow in the Jungle. Broken Rock about to encounter the greatest danger in The Forbidden Forest. Script by Aaron Shaps.
A few pages away from finishing this project, the coloring stage is very satisfying because everything finally comes together compositionally. I realized that I find it quite difficult to draw vegetation in an organic way, so it was pretty challenging. Script by Aaron Shaps.
Segundo mes de la bitácora de producción de viñetas en Substack 🙂 Volví a la práctica del Croquis Café y sigo trabajando en tres historietas al mismo tiempo 🙇
Tremendo manga Real.
I am completely against generative AI, but Gurney is not a tech bro trying to destroy art; he's an old painter trying to understand the present. His newsletter is full of knowledge about art. You're blowing this out of proportion. It's a little sad to see how people are mocking him in the comments.
Tremendas tintas!
Arena, the Magician of the Desert, imprisoned by the almighty Khanef, the Alchemist Sphinx. One more treasure in her Impossible Collection.
Impressive. Love the morphology of this Deity.
My first Black Lotus! One of the most expensive printed cardboard on Earth, ha. Another beauty illustrated by the same artist as Granite Gargoyle: Christopher Rush.
I’m playing Magic Shandalar for the first time and came across a beautiful card I didn’t know about, Granite Gargoyle. I’m trying to build a red deck around this creature because the artwork is so evocative (basically because it looks like a sphinx 😏)
Some of the tubes I used while painting Khanef. For the blue of the sphinx, I used two Blue Nicker: Light and Cerulean. For the rest of the painting, I worked with Daler Rowney and Pébéo gouaches with a very limited palette: Yellow Ochre, Naples Yellow, Primary Yellow, Burnt Umber, and Primary Blue.
Nuevo posteo en mi Substack sobre témperas, el proceso de Khanef, la Esfinge Alquimista, y también un poco sobre Magic Shandalar, el juego clásico del 97' 💫
The Doomed Magicians: Khanef, the Alchemist Sphinx, the first creator of the Athanor Kiln, an alchemical device capable of fusing hydrogen atoms with the power of the sun, transmuting them into the coveted element with atomic number 79, gold.
Nueva entrada en mi Substack dedicada al proceso de la cuarta témpera de la serie Los Magos Condenados, titulada “Horus”, y a cómo el juego de cartas chileno Mitos y Leyendas encendió la chispa que dio origen a esta saga de ilustraciones:
Working on the colors for Ringbreaker #2 these days, painting Revnah and her relentless ferocity. Script by Alan Bahr.
My copies of Métal Hurlant #16 just arrived 😤 Featuring my story The Uterus of God (l’Utérus de Dieu). "Trapped in a state of perpetual childhood and dependent on the uterus to survive, the Christ Child suffers the weight of his own creation".
Last week was all about wrapping up production cycles. Besides finishing the inks for Ringbreaker #2, I also completed the layouts for The Shadow in the Jungle written by Aaron Shaps. Now it’s time to go over everything, make some adjustments, and dive into the inking process across these 22 pages.
"This is the Light of my Soul, a sacred territory that no one can profane". #evangelion30th #エヴァ30周年
Fire Blossom unleashing her full aura to save the day. Just three more pages and I’ll be done drawing The Shadow in the Jungle, this self-contained issue written by Aaron Shaps.
Broken Rock about to prove his worth in the Forbidden Forest. Just a few pages away from finishing the pencils for The Shadow in the Jungle. Written by Aaron Shaps.
It's almost a constant that Buddhist iconography seeps into the comics I create. Here are the concept designs of the Christ Child and the Buddha Child, the main characters of The Uterus of God (l'Utérus de Dieu), published in Métal Hurlant #16.
I do, this, as well as Frank Miller’s Ronin, which in turn was inspired by Lone Wolf and Cub by Goseki Kojima and Kazuo Koike. A mamuschka of influences, ha.
Designing minimalist buildings and imagining New India, one of the locations where The Uterus of God (l’Utérus de Dieu) is set, published in Métal Hurlant #16.
"It is said that dying in the Ganges stops the wheel of reincarnations". Another panel from The Uterus of God (l’Utérus de Dieu), published in Metal Hurlant #16.
It's a shame; they've recently started publishing several of their books in French, but not in English. You'll have to visit Argentina and pick up everything we have here (although it's in Spanish, of course), or have a cup of coffee with him; he speaks perfect English.
It is without a doubt my favorite work by the Mazzitelli-Alcatena duo.