@chriscolin3000.bsky.social
@chriscolin3000.bsky.social
Nate Dube’s passion is the art of manipulating microscopic algae to uncover their hidden beauty. Welcome to diatom arranging, an obscure craft that’s been obsessing a subculture of the ultra-meticulous for nearly two centuries. Read “Biology’s Unseen Craft,” written by Chris Colin: bit.ly/4brg5Zp
Ireland’s National Print Museum in Dublin was founded in 1996 by retired printers who couldn’t bear to watch their trades disappear without trace or fanfare. Volunteers are now dedicated to keeping the museum’s collection of historical printing machines from fading away: bit.ly/3L2MFoI
Brass, a material once prized across the Islamic world for its beauty and endurance, fell victim to industrial sameness. Now, against the tsunami of mass production, a handful of artisans are reviving the traditional designs and old techniques. Read “Cairo’s New Brass Revivalists”: bit.ly/4ct1DCj
Padmini Govind picked up the threads of her mother’s modest home business and grew it into a thriving cottage industry amid a multitude of local and global challenges. Read “The Little Block-Printing Workshop that Could,” written by Alden Wicker.
Read Story: bit.ly/3YxzcbG
In a postcard-perfect valley in southern Norway, Annemor Sundbø nurtures her life’s work: old garments, paintings, and other clues to the myths and meaning woven for centuries into Norwegian sweaters. Read "The Norwegian Sweater Detective," written by Sarah Pollock: bit.ly/3XM0TNr
Today’s featured article is the final installment of a three-part “mini series” by master craftsman and teacher Gary Rogowski. In this essay, he contemplates one of woodworking’s most seductive and self-defeating illusions: perfection.
Read “Woodworking vs. Perfection”: bit.ly/4kZlDP7
Contemporary ceramicists are continuing a long legacy of Black Americans working in clay. As they find new ways to tell their stories, the art world is finally catching up. Read "Black Artists Are Reshaping How We Think About American Ceramics," written by Ruth Terry: bit.ly/45w3TEC
Modern capitalism is what created today’s fractured work world, where so many people skip from job to job. And most schools aren’t helping matters, merely funneling more workers into a broken system that truly serves only a few. But all is not gloom and doom.
Watch short film: bit.ly/3ZgEybv
Did you know that in 1965—when America was experiencing one of its most robust periods of economic growth—the typical CEO got paid roughly 20 times what average wage earners earned? How did the wealth inequality that now plagues the U.S. get so bad?: bit.ly/4at2txx
The late congressman’s civil rights legacy of “good trouble” is well-known, but his inner circle also knew him as an art lover and avid collector, particularly of works by Black artists. Read "Congressman John Lewis’ Artistic Side" written by Melanie Eversley: bit.ly/40gMxXM
The N.Y. fabric artist Martha Mae Jones built a rich life by bouncing between art and political activism while traveling the globe. Throughout it all, her creations, and her life choices, have come from heeding inner voices. Read "An Artist Who Listens," written by Melanie Eversley: bit.ly/40rBQlF
Peter Steltzner’s bespoke, handcrafted skis are coveted by freeride skiing enthusiasts. His path to crafting a living this way has also been something of a freeride…. Read “Chasing Powder, and Hand-Carving Wooden Skis in the French Alps,” written by Anna Richards: bit.ly/4rmTjsk
As automation spreads, American sculptor Fred X. Brownstein proudly holds the barricades with the tools, techniques, and even the same Carrara marble source used centuries ago by Michelangelo. Which side will prevail? Read "The Sculptor vs. The Robots," written by Thomas Cooper: bit.ly/3JLiukT
Martha's Vineyard has long been seen as a summer retreat for the East Coast elite. The island’s reality, however, is a far more complex environment that has welcomed and inspired generations of Black Americans, including an artist and doll maker named Janice Frame: bit.ly/3YiHzZl
Contributing editor Jeff Greenwald, who excels at applying the lens of craftsmanship to unusual topics, offers a peek into the colorful and fascinating world of saltwater aquaria—specifically, home aquarists who grow and maintain corals.
Read “Raising Corals in the New Age of Aquaria” bit.ly/3M6w6eF
A profusion of dolls, sculpture, jewelry, clocks, paintings, and artifacts from around the globe cohabitate at Kimberly Camp’s Galerie Marie in Collingswood, NJ. More than 200 artists are represented in the storefront space. Read "For Lifelong Artist Kimberly Camp, Art is Life": bit.ly/3Rmxloi
Calligrapher Hunter Saxony III imbues his work with layers of meaning that he intentionally leaves open to interpretation—a departure from the more literary (and literal) traditions of an age-old art form. Read "San Francisco's 'Last Black Calligrapher' Invites You to Go Deeper": bit.ly/3SsyomZ
Jeff Greenwald, takes us behind the scenes at Outpost Studio in San Francisco, where a father and son team of Foley artists demonstrate how Foley is traditionally created, why it is critical to good filmmaking, and which parts of their craft can’t easily be replaced by digital tools: bit.ly/4rmwrss
Many cultures enjoy the playful freedom one feels when donning a mask. But no place has taken these toys for grownups to greater extremes, both elegant and diabolical, than Venice. Read "Venice and the High Art of the Mask," written by Erla Zwingle: bit.ly/40sWdij
Strip-mining human labor isn’t sustainable. The values of craftsmanship have much to teach us about ensuring fair wages and a more equitable tax system, and creating an economy that's built to last. Read "The Craft of a Sustainable Economy, Part 1," written by Todd Oppenheimer: bit.ly/4rehKry
When Hohner, the world’s largest harmonica manufacturer, changed its flagship model (and in the process, its signature sound), a few musicians and harp customizers waged a quiet rebellion—and won. Read or listen to "The Return of the Harmonica," written by Ben Marks: bit.ly/3XyjZIH
Gary Rogowski, a master woodworker and furniture designer (and longtime Craftsmanship collaborator) reflects on how his first handmade bench came into being. We hope you’ll enjoy reading “My First Design,” by Gary Rogowski. Now available for all of our readers to enjoy—free of charge: bit.ly/4sEdTW5
Behind the scenes at Lisbon's Museu Nacional de Azulejo, an institution dedicated entirely to the craft of traditional Portuguese tilework, historians, scientists, and restoration experts are fitting together the pieces of Portugal's long history, one handpainted tile at a time: bit.ly/44z5xox
Deep in Colorado’s Rocky Mountains, sits an old mining town that provided marble for some of America’s most famous memorials. Abandoned and revived over and over through the years, the town of Marble is now enjoying another new life, in both industry and the arts: bit.ly/3w0Ls8G
Inside a 250-year-old house in Cairo, patient teachers and traditional Islamic patterns offer students powerful lessons in craft, cultural knowledge—and math. We hope you’ll enjoy reading, “How Cairo’s Kids Learn Geometry: With a Chisel,” written by Pauline Bartolone: bit.ly/3Nfo17y
For Beatrice Thornton, an artist, photographer, and archivist based in Oakland, CA, nature is more than a muse: It's also a source of sustainable materials she uses for developing analog film. Read “Reviving the Craft of Plant-Based Photo Developing,” written by Jeff Greenwald: bit.ly/3L9xhJH
Driven primarily by health, Black vegan restaurateurs are creating plant-based versions of soul food that avoid meat, salty fats, and other bodily evildoers, while still retaining the flavor, texture, and succulent richness of those beloved old family recipes: bit.ly/3GfD0HF
A pen, a notebook, a vintage typewriter, some art supplies: A writer’s quest to reclaim her love of the craft opens up a new creative chapter (so to speak). We hope you’ll enjoy reading “Rediscovering the Craft of Slow Writing,” written by Jennifer Berney: bit.ly/4qCiGph
"Planned Obsolescence"—the Made-in-America practice of making goods that are not meant to last—has left the U.S. with the world's largest waste stream. Why do we keep feeding this destructive cycle by buying more and more stuff? Read "Throwaway Nation," written by Julia Scheeres: bit.ly/3RjiLQb