This week’s conversation on my Substack is with Gregory Eddi Jones. We talk about creative hiatus, making art in a content-saturated world, and what it means to choose invisibility in an era that rewards constant output.
danielleezzo.substack.com/p/rare-and-r...
In this week's Substack, I reflect on what I've learned through the conversations I've had to date about the concerns and curiosities of artists engaging with technology. I discuss two recent @anthropic.com and Metalabel research studies.
danielleezzo.substack.com/p/the-mess-o...
I know, right? I never get tired of her work.
This week’s conversation on my Substack is with Natasha Chuk. We talk about her new book Photo Obscura: The Photographic in Post-Photography published by @intellectbooks.bsky.social
danielleezzo.substack.com/p/photograph...
I'm approaching the final months of Psychic Telephone, the multiyear collaboration w. Marin Sardy. If you're interested in catching up, check out her Substack. Here are a few images I've made along the way. Lots of circles, holes, ellipses, and portals. marinsardy.substack.com
This week’s conversation on my Substack is with Evan Hume. We talk about his new book Critical Collection, bureaucratic secrecy, and what it means to teach photography at a moment when its truth claims are increasingly unstable.
danielleezzo.substack.com/p/the-afterl...
First Substack of 2026 ✨ Carlo Van de Roer and I discuss managing uncertainty in photographic processes, the role of long-duration research in shaping one’s pursuits, and what it means to keep photographic thinking as an embodied practice.
substack.com/home/post/p-...
FWIW, the jury is still out on Gen AI being good at text summaries. Because it shortens & emphasizes text based on distribution, not meaning, it’s less of a summary (ie, salient points highlighted) than a compression (ie, the most frequently asserted terms in the distribution). Not the same thing!
A modest EOY update/website revamp. Notably, my academic paper 'Time, Memory Retrieval, and Speculative Storytelling' will be published in the peer-reviewed journal photographies with Taylor & Francis (April, 2026) about my practice-led research. 🦾
www.danielleezzo.com/writing
This week’s Substack is with Liliana Farber. We discuss the illusion of objectivity in cartographic images, the real ecological and political costs of “immaterial” infrastructures like the cloud, and fictional servers on flagless boats. Enjoy.
danielleezzo.substack.com/p/phantom-is...
This week’s conversation on my Substack is with Chaitanya Harshita Nedunuri Kahn. We discuss her curatorial ethos, empathy as an instrument of collective consciousness, and the political stakes of how we make, show, and think with art today.
danielleezzo.substack.com/p/anti-solut...
This week’s interview on my Substack is with Dan Estabrook. We talk about nostalgia, the air gap between artist and audience, and his debut monograph Forever & Never.
danielleezzo.substack.com/p/anachronis...
I've posted another engaging conversation on my Substack. This time with Maria Mavropoulou, discussing what’s lost in the translation from the physical to the digital, novelty-seeking as a cultural phenomenon, and more.
danielleezzo.substack.com
Ooo!
I've posted another engaging conversation on my Substack. This time with @travisleroy.bsky.social about the invisible labor of image production, CERN, and the challenges of balancing a creative and commercial practice.
danielleezzo.substack.com/p/the-compre...
I reviewed David Alekhuogie’s exhibition, highlifetime, at Yancey Richardson for Dear Dave Magazine.
deardavemagazine.com/deardaverevi...
My first Substack post, a thoughtful conversation with Aimee Walleston, about risk is live. Have a look or follow along if that's your thing.
danielleezzo.substack.com
Lately, I’ve been thinking about what’s at stake for us creative folks when the ground beneath us feels uncertain.
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
From the opening of ‘Current States of Being: Exploring AI’s Influence on Memory, Identity, and Creativity,’ curated by Sarah Knobel. It was a pleasure to exhibit two bodies of work side-by-side, and to be in such good company alongside @cyberneticforests.bsky.social and Ameera Kawash.
Eryk Salvaggio, bearded man with black glasses, in blue shirt on stage in front of a projected slide of an abstract image with “pollen x diffusion” written on the slide.
This week I spoke at St Lawrence University with @danielleezzo.bsky.social and Ameera Kawash as part of the Brush Art Gallery show, “Current States of Being,” examining AI’s impact on memory, identity and creativity. artgallery.stlawu.edu/current-stat...
I'm honored to be a Lumen Prize finalist in the Still Image category for An Incantation in Twelve Prompts, a poem paired with camera-born images about falling out of love with photography.
Hats off to all the other artists this year!
I'm thrilled to finally share that Psychic Telephone is going to Indonesia for JIPFest this September. The 22 artist lineup includes two of my favorite working photographers right now, Mackenzie Calle and Nikita Teryoshin, among others.
phmuseum.com/festivals/ji...
I wrote about Raque Ford's exhibition ‘The Barkeeper’s Friend’ on view at Greene Naftali for @ocula.com. The show is on view until August 8th. A big thank you to Aimee Walleston for the invitation.
ocula.com/magazine/spo...
On the front page of @thetransmitter.bsky.social
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
My favorite time of the year is when I start printing my work, getting exhibition-ready, and inviting people into the studio for private viewings before things ship off, which is what I'm busy with all this month. From the series Psychic Telephone, UV prints on metal, 16x20"
Oh hey @nytopinion.nytimes.com
I’m over the moon to share with you my first @nytopinion.nytimes.com assignment. “Squashing Spotted Lanternflies Will Get Us Only So Far. We Need Wasps.” by Andrew Zaleski, about managing invasive bug species using biocontrol. An enthusiastic thank you, Elana Schlenker 🐞 Link in bio.
My story traces the phantom presence of a man I’ve never met—my biological father—through inherited photo albums, a vintage brooch, and pixelated home videos. Part speculative memoir, part forensic investigation, it follows the trail of objects and memories across family lines.
I wrote a personal story for the forthcoming book Double Feature from Saint Lucy Books, which pairs vernacular photos from artist Patrick Pound's collection with texts that play into the theme of doubling.
Preorders coming soon: saintlucybooks.com
This is especially interesting.
