Why people make friends? What makes friend a friend? Where do enemies come from? The Catalan philosopher Marina Garcés is after this sort of clarity in her essay here: europeanreviewofbooks.com/the-passion-...
Why people make friends? What makes friend a friend? Where do enemies come from? The Catalan philosopher Marina Garcés is after this sort of clarity in her essay here: europeanreviewofbooks.com/the-passion-...
@senarclens.bsky.social
Vanessa de Senarclens' essay starts with a journey to the University Library in Łódź, Poland, and a book that doesn’t want to behave like a regular library book: a German Bible with a bullet hole in its spine. europeanreviewofbooks.com/looted-libra...
« The meaning of the essay changed from draft01 to draft10, as did the world order. As did everything, » wrote Oksana Forostyna, revisiting the essay she first drafted in 2021 and rewrote again and again as Russia’s full-scale invasion unfolded 4 years ago. europeanreviewofbooks.com/ukraine-yest...
I wrote a special letter for @europeanreview.bsky.social readers. It is a special magazine and I know it has special readers around the world. It is like letters I’ve written in Nation of Strangers and I’m expecting replies;) Your letters will be published as well. Perhaps it is time we connect. 🕊️
« I've written many letters to the strangers of this world we are living in. This one is special to ERB readers, who I know feel like strangers to our times, the cruelty and the insanity of it. » A letter from @ecetemelkuran.bsky.social, everyone: europeanreviewofbooks.com/a-letter-from/
Paragraph of text with the word paradoxical in focus. It starts with a special p, unlike other words, like place, in the same paragraph, indicating it must be a deliberate choice of the typographer
Bookmark and page ripper in one on sunlit-strewn page 53 of issue 10 of the ERB
ERB is always a delight in both content and form. Love stumbling across typographical easter eggs like the paradoxical 𝒫 here
Also issue 10 comes with a gorgeous celebratory bookmark & page ripper
#EuropeanReviewOfBooks @europeanreview.bsky.social
George Prochnik’s piece « Saving the Angel » links Israel-Palestine’s broken geography, Paul Klee’s angels, and Walter Benjamin’s philosophy of history. Past catastrophe surges into the present. europeanreviewofbooks.com/saving-the-a...
In « A Woman in Tangiers », Ines Weizman gives us a sneak peek into her practice of Documentary Architecture: the art of examining archival images for what they tell us about a vanished time or place. It's here for you to read: europeanreviewofbooks.com/a-woman-in-t...
Who have you been dreaming about? Even asleep, we remain citizens. Christy Wampole’s review essay « The Political Life of Dreams », from Issue Ten, addresses exactly that. europeanreviewofbooks.com/the-politica...
In his review-essay, Martin Gelin puts the kulturkanon alongside Henrik Berggren and Lars Trägårdh’s Är svensken människa? (« Is the Swede Human? », 2006). So we start by figuring out who « a Swede » is. Is the Swede human? Apparently. europeanreviewofbooks.com/what-sweden-...
In her review-essay of The West: The History of an Idea (by Greek historian Georgios Varouxakis) Oksana Forostyna is mapping The West's West and the rest's West.
europeanreviewofbooks.com/the-wests-we...
Can AI have a headache? That’s the question @sanderpleij.bsky.social opens Issue Ten with — an essay that wonders what AI and the Vatican might have to say to one another. europeanreviewofbooks.com/can-ai-have-...
ISSUE 👏 TEN 👏 IS 👏 OUT! Black on white, with a glint of copper. Already available for our circle of members.
europeanreviewofbooks.com/issues/issue...
Here’s a fragment of a dual-text poem by Karim Kattan, a Palestinian novelist, essayist and poet from Bethlehem who lives in France. « Alors, tue-le » is an exquisite wrenching poem raw with internalized self-violence. Read it all both in English and French. europeanreviewofbooks.com/so-kill-him-...
Borders, walls, cages, swimming pools, bullets, ears, pickaxes: in Gonçalo Tavares’s fable of a « liquid Europe », Europe's hopes for order, beauty or mercy end up as new ways of control. It's a story of traps. europeanreviewofbooks.com/fables-of-wi...
MEET THE ERB TEAM. The Issue 10 will come out soon, so we're getting in the Jubilee vibe already. In fact, we’re looking for more readers to join our peculiar Europe's stage of ideas, essays, pearls, vignettes and more. Support us – we bring gifts: europeanreviewofbooks.com/ten-issues-in/
In « The plant whisperers » is sort of a plant-travelogue, in which Kapka Kassabova follows the foragers, herbalists, and mushroom-hunters of Bulgaria — people who speak « plant language ». What a journey: europeanreviewofbooks.com/the-plant-wh...
Russian state media seized on the moment, turning her into a propaganda icon of supposed Ukrainian oppression.
But « Babushka Z » was not a Russian patriot, but a scared and confused great-grandma trying to appease soldiers by waving a Soviet flag. Here: europeanreviewofbooks.com/babushka-z-c...
Names carry their own geographies — small worlds of language, memory, and resistance. In his essay, Szabolcs László writes about one such name — his own, and the history it refused to lose. europeanreviewofbooks.com/my-untransla...
So interesting and reminds me of the time I took a German English teacher friend to see Letter to Brezhnev / He understood hardly any of it…Am so enjoying @europeanreview.bsky.social
Here are six poems by Ukrainian poet Olesya Mamchych on war's long arc — from over hundred years of imperialism flowing over the border, to the war in Donbas in 2014, and full-scale invasion in 2022. Alongside that comes the persistence of love.
europeanreviewofbooks.com/honorable-me...
10.000 — help! we have success ✨
Our newsletter just passed 10,000 readers (now 10,600!) — from Europe, Canada, India… hello India! 🇮🇳
So happy.
We focused on quality writing + design, then got new team members, and now we’re growing fast — I may need to come back soon with a second crowdfunding…
In this one, Jonas Hassen Khemiri re-visits Kahlil Gibran’s The Prophet. It is, more generally, also about re-visiting (or pointedly not re-visiting) those books that happened to stamp themselves on our earlier selves.
europeanreviewofbooks.com/carry-the-pr...
Cinema history meets medieval art history meets a theologico-metaphysical question about sound itself. Here's an essay by Marisa Libbon. europeanreviewofbooks.com/of-trotting-...
Your Spanish, my Spanish, our Spanish — along with that r curling off the tongue. Nora Muñiz’s essay asks what happens when a language translates itself into different versions — and somehow lands as the European Review of « Coge The Bus ». europeanreviewofbooks.com/my-tongue-is...
What kingship does to a little dude, and what a little dude does to kingship? « Child Kings », a pearl by Marek Maj.
europeanreviewofbooks.com/short-kings/
In war-torn Ukraine, trains still run like clockwork. How can such an impossibly efficient system hold together while Russia bombs cities and infrastructure daily? That’s the story in « Glory to the rails » — a review by Oksana Forostyna. Read here: europeanreviewofbooks.com/glory-to-the...
The Doomsday Clock once meant nuclear war. In After Midnight, Alexander Etkind & Johanna Gautier-Morin trace catastrophic learning and how today’s « pluralistic » disasters arrive « without a bang but with a thousand whimpers ». Read it here: europeanreviewofbooks.com/after-midnig...
Latest issue of @europeanreview.bsky.social has interesting piece on learning from catastrophe by @sashaetkind.bsky.social and @johannagautier.bsky.social with a letter in response from me #ClimateResponsibility #Louisiana #climateimpacts