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Richard Palmer

@rd-palmer

Tech Lead in Digital Media at the V&A, but not speaking for them. Waiting for the return of Usenet but until then testing out all the social media platforms to find the least worst.

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28.11.2023
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Latest posts by Richard Palmer @rd-palmer

University College Cork Vacancies

#jobklaxon
Lecturer in #digitalhumanities at @ucc.ie
Salary: €42,102 - €72,452 (Scale B) / €44,169 - €68,942 (Scale A).
Applications must be submitted online via the University College Cork vacancy portal (ore.ucc.ie).
Maybe of interest to the
@digitalmedievalist.bsky.social community!

06.03.2026 17:37 👍 15 🔁 11 💬 0 📌 1
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📢 REMINDER: We're hiring a #DigitalHumanities Scientist to join our interdisciplinary DH Lab in Rome!

🔎 Focus: Digital art history, AI & machine learning, cultural heritage data, collaborative research

⏳ April 30, 2026

🔗 www.biblhertz.it/en/opportuni...

09.03.2026 19:37 👍 1 🔁 1 💬 0 📌 0

Congratulations on all the inspiring projects from Smithsonian, advance congratulations on your future projects, and in-between those two, best wishes on the retirement!

06.03.2026 20:58 👍 1 🔁 0 💬 0 📌 0
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Born-Digital Collections Coordinator #00220 - Richmond, Virginia, United States Title: Born-Digital Collections Coordinator #00220 State Role Title: Library Specialist III Hiring Range: $78,000 - $88,000 Pay Band: 5 Agency: The Library of Virginia Location: The Library of Virgini...

Apply to join my team by 3/16!

Be the Library of Virginia's born-digital collections coordinator, leading planning and management of electronic gov/manuscript records. We're looking for a techie archivist type who can help improve access to our born-digital wonders.

$78k-$88k in Richmond VA.

04.03.2026 15:34 👍 63 🔁 70 💬 1 📌 9
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Release v6.0.0 · openseadragon/openseadragon NEW BEHAVIOR: OpenSeadragon Data Pipeline Overhaul (#2407, #2643, #2718, #2739, #2775, #2762, #2816, #2863, #2858, #2871 @Aiosa) DEPRECATION: Properties on tile that manage drawer data, or store d...

We have released OpenSeadragon 6! This new version brings a powerful new data pipeline and two new tile sources, along with many additional improvements. Congrats to all of the contributors who made it possible! 🎉 github.com/openseadrago...

27.02.2026 17:55 👍 5 🔁 3 💬 0 📌 0
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Lost 19th century film by Méliès discovered at the Library | Timeless Library conservators recently made a startling discovery in a batch of decaying film reels -- a long-lost 1897 film by early cinema icon George Méliès. The French magician-turned-filmmaker's

In September, a box of old film reels was donated to the Library's National Audio-Visual Conservation Center. One of them was a nearly 130-year-old, long-lost film by iconic French filmmaker George Méliès. It had not been seen by anyone in likely more than a century. 🧵
blogs.loc.gov/loc/2026/02/...

26.02.2026 17:32 👍 390 🔁 140 💬 9 📌 45
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Love Data Week 2026 Matthew Phillips Discovering Collections as Data at University of Southampton Library-20260213_120637-Meeting Recording

It's been a long time in the making, but here's the new Library Data Lab at Southampton, giving dataset and API access to digitised collections.

Currently in beta: all comments welcome.

Intro from my colleague Matt: southampton.cloud.panopto.eu/Panopto/Page...

Service datalab.library.soton.ac.uk

23.02.2026 13:15 👍 15 🔁 6 💬 0 📌 0
The British Library acquired the Percy Hours, a rare late-13th-century book of hours from York, in March 2019. This acquisition reunited it with the Percy Psalter (acquired by the library in 1990), forming a complete single-volume psalter-hours, which had been separated for roughly 200 years.  It is one of the few surviving 13th-century English devotional books for the laity and likely the only one from York. The manuscript includes a calendar, the Hours of the Virgin, and the Office for the Dead, highlighting early developments in private prayer books.

The British Library acquired the Percy Hours, a rare late-13th-century book of hours from York, in March 2019. This acquisition reunited it with the Percy Psalter (acquired by the library in 1990), forming a complete single-volume psalter-hours, which had been separated for roughly 200 years. It is one of the few surviving 13th-century English devotional books for the laity and likely the only one from York. The manuscript includes a calendar, the Hours of the Virgin, and the Office for the Dead, highlighting early developments in private prayer books.

In 2019 the British Library acquired the Percy Hours, a late 13th-century Book of Hours produced in York, reuniting it with the Percy Psalter, purchased in 1990. The two manuscripts were originally a single psalter-hours volume. The Percy Psalter-Hours is one of the very few

22.02.2026 14:59 👍 27 🔁 6 💬 1 📌 1
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Beyond the Visual | The Henry Moore Institute This groundbreaking exhibition allows visitors to experience sculpture through more than one sense, including sound, smell and the often-forbidden act of touch.

Please touch!

A major sculpture exhibition in Leeds where blind and partially blind practitioners are central to the curatorial process and make up the majority of participating artists.

Includes 10,000 digestive biscuit casts embossed with Braille
henry-moore.org/whats-on/bey...

21.02.2026 11:01 👍 21 🔁 5 💬 3 📌 3
A horizontal dot-and-line chart titled "AI completions of historical poems bias emotion toward positivity and away from arousal." The x-axis shows percentage difference, ranging from -10 (more present in original poem) to +11 (more present in AI completion). Sixteen emotional categories are listed vertically, each with a source framework, an example poem excerpt, and an AI completion excerpt.
Positive, low-arousal emotions such as Pleasant-Subduing-Relaxation (+11.0%), Positive Low Arousal (+10.2%), Joy (+5.3%), and Calmness (+5.3%) are shifted substantially to the right, indicating they appear more frequently in AI completions than in the original poems. Mid-range emotions like Aesthetic Appreciation (+3.8%) and Anxiety (-1.3%) cluster near zero.
High-arousal and negative emotions are shifted to the left, appearing more in the original poems: Sadness (-4.6%), Pleasant-Arousing-Strain (-3.9%), Negative High Arousal (-11.1%), and Unpleasant-Arousing-Strain (-11.8%) show the largest negative differences. Data points are color-coded from green (positive shift) to red (negative shift).

A horizontal dot-and-line chart titled "AI completions of historical poems bias emotion toward positivity and away from arousal." The x-axis shows percentage difference, ranging from -10 (more present in original poem) to +11 (more present in AI completion). Sixteen emotional categories are listed vertically, each with a source framework, an example poem excerpt, and an AI completion excerpt. Positive, low-arousal emotions such as Pleasant-Subduing-Relaxation (+11.0%), Positive Low Arousal (+10.2%), Joy (+5.3%), and Calmness (+5.3%) are shifted substantially to the right, indicating they appear more frequently in AI completions than in the original poems. Mid-range emotions like Aesthetic Appreciation (+3.8%) and Anxiety (-1.3%) cluster near zero. High-arousal and negative emotions are shifted to the left, appearing more in the original poems: Sadness (-4.6%), Pleasant-Arousing-Strain (-3.9%), Negative High Arousal (-11.1%), and Unpleasant-Arousing-Strain (-11.8%) show the largest negative differences. Data points are color-coded from green (positive shift) to red (negative shift).

AI completions of historical poems bias emotion toward positivity and away from arousal.

LLMs prompted with an emotion taxonomy and a poem, for 3 taxonomies x 3K human poems [Chadwyck-Healey sampled for poet DOB 1600-2000] + 3K AI poems [9 LLMs completing first 5 lines of human poem].

20.02.2026 14:24 👍 22 🔁 7 💬 5 📌 3
A close-up picture of Sophie Koonin from Monzo with a large screen behind her, projecting a Monzo card in hot coral pink.

To her right is a large round white circle with the words "Hey!" inside of it, known as the logo to Hey! Presents.

Over the top is text reading "Join us for one last time" with a link to heypresents.com/ten underneath it.

A close-up picture of Sophie Koonin from Monzo with a large screen behind her, projecting a Monzo card in hot coral pink. To her right is a large round white circle with the words "Hey!" inside of it, known as the logo to Hey! Presents. Over the top is text reading "Join us for one last time" with a link to heypresents.com/ten underneath it.

Join us for one last time at All Day Hey! 2026, a curated conference for curious developers, designers, and technology leaders.

With speakers from Google, Firefox, Deno, Webflow and Tetra Logical, you'll find plenty of practical takeaways for you and your team.

05.02.2026 15:30 👍 1 🔁 3 💬 1 📌 3
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Attention fellow museum nerds; I built a GPT to help construct usable queries for @artinstitutechi.bsky.social's public API. It saves me a bunch of time, and I hope others find it useful as well. chatgpt.com/g/g-695edcd0...

18.02.2026 22:54 👍 6 🔁 2 💬 1 📌 0
Specifications The Distributed Text Services (DTS) Specification defines a Hypermedia-Driven Web API for working with collections of text as machine-actionable data.

We are pleased to announce the official release of Distributed Text Services (DTS) v1.0 — a stable specification, ready for broad adoption.

This release is the result of years of collaborative development, and community feedback.

The specification are available at: dtsapi.org/specificatio...

16.02.2026 13:08 👍 15 🔁 11 💬 1 📌 0
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Document Details

World Intellectual Property Organization (WIPO) has released a draft of the WIPO Toolkit on Access to Copyrighted Works in the Collections of Cultural Heritage Institutions: Libraries, Archives, and Museums. Stakeholders invited to comment on draft by March 22, 2026.

14.02.2026 17:01 👍 4 🔁 4 💬 0 📌 0
The Melsonby Hoard is thought to be the largest collection of Iron Age metalwork ever discovered in the UK. It was found in December 2021 by amateur metal detectorist Peter Heads in a field near the village of Melsonby, North Yorkshire. The hoard consists of over 800–900 artefacts dating back approximately 2,000 years (late 1st century BC to mid-1st century AD). Image: Gareth Buddo/York Museums Trust

The Melsonby Hoard is thought to be the largest collection of Iron Age metalwork ever discovered in the UK. It was found in December 2021 by amateur metal detectorist Peter Heads in a field near the village of Melsonby, North Yorkshire. The hoard consists of over 800–900 artefacts dating back approximately 2,000 years (late 1st century BC to mid-1st century AD). Image: Gareth Buddo/York Museums Trust

🧵 (4 posts) More than 800 Iron Age objects discovered at Melsonby in North Yorkshire are to go on public display for the first time in a major new exhibition. Chariots, Treasure and Power: Secrets of the Melsonby Hoard will run at the Yorkshire Museum from 15 May 2026 to summer 2027, offering 1/4

13.02.2026 07:24 👍 49 🔁 13 💬 3 📌 0
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Cambridge Digital Library is home to 130 collections containing 1.5 million images of 160,000 items (6593 of which have transcription), that originate from at least 2000 places around the globe...
👀 Have you ever wondered what that looks like? 😮
Enjoy some data fireworks! - cudl.lib.cam.ac.uk

11.02.2026 09:35 👍 24 🔁 10 💬 2 📌 0
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📣 NEW! I’ve just released the BIGGEST and perhaps most creative project I’ve ever worked on!

“Searching for Birds” searchingforbirds.visualcinnamon.com 🐤

A project, an article, an exploration that dives into the data that connects humans with birds, by looking at how we search for birds.

12.02.2026 10:02 👍 476 🔁 176 💬 25 📌 49

It's time for Interop 2026! This is a cross-browser effort where we agree on a set of focus areas to improve compatibility.

Here's how things went in 2025, and what we're taking on for 2026: hacks.mozilla.org/2026/02/laun...

12.02.2026 17:07 👍 31 🔁 4 💬 2 📌 1
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GitHub - Digital-Scholarship-Oxford/crowdsourced-data-tools: Crowdsourced data tools Crowdsourced data tools. Contribute to Digital-Scholarship-Oxford/crowdsourced-data-tools development by creating an account on GitHub.

'AI tools developed at the University of Oxford for analysing ... text collections. They enable the identification of keywords, topics, and categories of terms' - particularly in crowdsourced / community archives github.com/Digital-Scho...

09.02.2026 13:13 👍 2 🔁 2 💬 0 📌 0
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Openness in the arts, humanities and social sciences: Documenting open research practices beyond STEM (A MORPHSS Project Report) Conceptual frameworks of 'Open Science' and their implementation by funders, journals, institutions and other organisations have been criticised on the grounds that they are tailored primarily to quan...

In the MORPHSS report **Openness in the arts, humanities and social sciences: Documenting open research practices beyond STEM**, we explore the narrow focus of existing frameworks of open research & propose more inclusive ways of accommodating the diversity of open practice across all disciplines.

09.02.2026 09:28 👍 20 🔁 18 💬 1 📌 1
Select tickets – Appropriated Intelligence: Making AI Training Fair - Ed Newton-Rex – Embankment Room, Strand Campus, King’s College London Appropriated Intelligence: Making AI Training Fair - Ed Newton-Rex – Embankment Room, Strand Campus, King’s College London, Wed 11 Feb 2026 - In this not-to-be-missed event, Ed Newton-Rex will draw on...

📣 Public talk: Appropriated Intelligence — Making AI Training Fair

Ed Newton-Rex (Fairly Trained) on unlicensed AI training, creators’ rights, and what fairness could look like.
Chaired by @markgotham.bsky.social

📅 11 Feb, 17:30
📍 KCL Embankment Room
Register www.tickettailor.com/events/digit...

06.02.2026 17:26 👍 2 🔁 1 💬 0 📌 0
The front page of the Daily Graphic newspaper published Saturday 25 August, 1917, featuring portraits of 'Women in the Order of the British Empire', including Lady Byron, the honourable Mrs Alfred Lyttelton, Her Majesty the Queen.

The front page of the Daily Graphic newspaper published Saturday 25 August, 1917, featuring portraits of 'Women in the Order of the British Empire', including Lady Byron, the honourable Mrs Alfred Lyttelton, Her Majesty the Queen.

Apply for our PhD placement scheme to get involved in extraordinary research at the Library. There are eight available placements exploring a variety of themes including war poetry, 21st-century digital tools, illustrated newspapers and decarbonisation.

Find out more: link.bl.uk/PhDPlacements

04.02.2026 10:55 👍 98 🔁 75 💬 0 📌 7
Digital Preservation Practices Survey - 2026 The LOCKSS Program at Stanford University is conducting research to assess current digital preservation practices, capacity, and needs. This research expands on a survey conducted in 2019 as part of t...

The #LOCKSS Program is surveying memory institutions to assess #DigitalPreservation practices, capacity, & needs. Results will help identify gaps and opportunities for community-owned preservation infrastructure. Anyone working with born-digital or digitized collections is encouraged to participate.

04.02.2026 22:03 👍 1 🔁 1 💬 0 📌 0
IIIF Community Call: IIIF Illustration Detector, Wednesday, February 11 (9am PT / 12pm ET / 5pm UTC

IIIF Community Call: IIIF Illustration Detector, Wednesday, February 11 (9am PT / 12pm ET / 5pm UTC

Join us Feburary 11 for a demo of @danielvanstrien.bsky.social's IIIF Illustration Detector.

Zoom on the IIIF Community Calendar: iiif.io/community

03.02.2026 19:45 👍 3 🔁 5 💬 0 📌 2
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Ethnic minorities in online museum collections: skews and bias in digital material culture Abstract. As gateways into accessing the past, and catalogues of the cultures—and their biases—that we inherit, there are various research possibilities an

New paper! Ethnic minorities in online museum collections: skews and bias in digital material culture. With Inna Kizhner , Daniil Skorinkin, Yael Netzer, and Moshe Lavee. Analysis of how Jewish and Armenian ethnic minorities are represented by digital online collections of major historical museums.

03.02.2026 13:53 👍 16 🔁 7 💬 1 📌 0
liiive splash page image

liiive splash page image

Screenshot of the annotation interface, with toolbars (top-left, top-right, bottom-left), live user cursors and a medieval manuscript image with three annotations.

Screenshot of the annotation interface, with toolbars (top-left, top-right, bottom-left), live user cursors and a medieval manuscript image with three annotations.

I can finally share the happy news 🚀 liiive.now — my tool for real-time collaborative annotation of #IIIF images — is going open source!

First code is available here: github.com/rsimon/liiive

Self-hosted setup coming by end of February.

#OpenSource #DigitalHumanities

30.01.2026 09:35 👍 43 🔁 16 💬 2 📌 1
KC Champions – About Knowledge Commons

ICYMI we announced KC Champions this morning! 📣

If you'd like to support your favorite non-profit, academy-owned project that is free to everyone and doesn't steal user data or profit from sketchy policies, you can learn more here: about.hcommons.org/kc-champions/

27.01.2026 20:47 👍 2 🔁 3 💬 0 📌 0
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A little stop motion video I made of an almanac in the University of Rochester collection to try and give viewers an idea of how it functions 😊

(Video of RCL cod. a.1, a late 14th century folding almanac from England, likely Oxford)

27.01.2026 18:04 👍 89 🔁 38 💬 1 📌 8
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Workshop: Linking Data and Digitizations for Medieval Manuscripts Linking Data and Digitizations for Medieval Manuscripts

📅 #Workshop: 'Linking Data and Digitizations for Medieval Manuscripts' | 3./4. Februar 2026, @unifr.bsky.social #medievalsky @fragmentarium.bsky.social

27.01.2026 12:51 👍 13 🔁 10 💬 2 📌 0
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USAJOBS connects job seekers with federal jobs across the United States and around the world as the official employment site for the federal government <p>The National Gallery of Art welcomes all people to explore art, creativity, and our shared humanity. Nearly four million people come through our doors each year&mdash;with millions more online&mdas...

Job posting: Library Technology and Systems Architect @ National Gallery of Art. Closes: 02/02/2026; Salary
$121,785- $158,322/yr (GS13)

27.01.2026 01:54 👍 4 🔁 1 💬 0 📌 0