New issue of The Journal of Egyptian Archaeology Vol. 111, Nos. 1-2 (2025) journals.sagepub.com/toc/egaa/111... @suzannearnold.com @christianknoblauch.bsky.social @richardbott.bsky.social
New issue of The Journal of Egyptian Archaeology Vol. 111, Nos. 1-2 (2025) journals.sagepub.com/toc/egaa/111... @suzannearnold.com @christianknoblauch.bsky.social @richardbott.bsky.social
I remember that glass portrait well. I think I found one offered through a jeweller too...
Worth noting that some reports suggest around 70% of seized 'antiquities' in that part of the world are now fakes. I'd be surprised if this is authentic. Almost an exact copy of the kylix. Bar one missing and another misplaced leaf, even the placement of the leaves and bunches of grapes match).
My new article, βMiscellaneous Fragments' and 'Specimens of the Faker's Art'
Fake Papyri and the British-American Papyrus Syndicate, is out
An ancient manuscript. Along the left margin is a drawn-on octopus whose tentacles point out important sentences on the page.
In the 14th century, someone who didn't have a highlighter handy thought to use octopus tentacles to mark the most important parts. I love it so much
(Manuscript from the Bankcroft library, UC Berkeley)
"Recent investigations, however, have revealed that the skull fragments belong not to a Neanderthal but to a human from the early Middle Ages, making them much less significant"
news.artnet.com/art-world/ar...
An interview with the Director of Sudan Museums regarding the recent looting: theconversation.com/sudans-natio... - by myself & Richard Bott (Macquarie)
Little late to the party, but could I be added too please?
Our interview with Dr Ikhlas Abdel Latief, Sudanβs director of Museums, about the recent looting of the Sudan National Museum
theconversation.com/sudans-natio...
How far through his files have you gone? From memory he has photos of the papyri offered (including a number of forgeries) but not screenshots of the actual listings
www.occrp.org/en/news/ital...
βThe cross-border investigation uncovered additional workshops, yielding more than 1,000 counterfeit artworks and over 500 fake certificates and stamps of authenticity.β
A friendly reminder that βcertificates of authenticityβ provide little actual security