Moa Eriksson Krutrök

“The algorithm loves the war”: ambivalent visibility in content creator practices during war Content creators in war zones are critical in shaping global perceptions of conflict. Through social media, they document real-time events and reach audiences beyond the traditional news frameworks...

New publication alert: The algorithm loves the war”: ambivalent visibility in content creator practices during war"
www.tandfonline.com/doi/full/10.... with the amazing duo @tomdivon.bsky.social and @moaerikssonkrut.bsky.social !! findings below >>>

Great read, thanks so much for this resource! 📝

From Ukraine🇺🇦 to Gaza🇵🇸, Syria🇸🇾, Lebanon🇱🇧, and now India🇮🇳 & Pakistan🇵🇰, creators use SM platforms to make their conflicts more visible. They're curators, eyewitnesses, and living archives of atrocity. @moaerikssonkrut.bsky.social & I call them *War Influencers*; OA in @platformsnsociety.bsky.social 🧵

TikTok & Grief: Keynote 1 YouTube video by TikTok Cultures Research Network

It was lovely to keynote the TikTok + Grief Symposium! The full vid is here: m.youtube.com/watch?v=fwHB...

Opinion: The ‘playful trauma’ bringing war to your social feeds Young people are using social media in new ways to tell the world what it means to live in the midst of conflict, and reshaping perceptions of war in real time

“For creators in Gaza, posting to social media is a vital act of resilience in a media landscape where their voices are often marginalized, and portrayals, particularly from Israeli outlets, tend toward dehumanization.” Moa & I on our playful trauma concept ❤️‍🩹 www.theglobeandmail.com/opinion/arti...

Lund is such a lovely city! Thank you for hosting me, Sociological dept at Lund university!

Definitivt, mycket har pekat åt det hållet redan.

Sen är själva forskningsläget ett annat. Jag studerade Twitter i många år, men med förändrade villkor för access för forskare blev det svårare.

Nej, det verkar ha hållit i sig som essentiell plattform för många trots protester i början. Många emigrerade, bland annat hit, men vi har inte haft samma kommunikationsmöjligheter här.

Jag använde Twitter dagligen sen 2014 fram till Elon tog över det, som protest. Men nu saknar jag mitt community.

How long until I rejoin Twitter? (I’ll be deadnaming it continuously.)

Thank you to the #ICA24 team, what a great collation of research represented from the field. I’ve been inspired and in awe, and had so much fun. Please reach out to me and keep in contact if we only met in brief!

We had a lovely pre-conf in local Brisbane yesterday, and I’m heading out to the main #ICA24 conference tomorrow. See you there? 🐨☕️

I’m a bad TikTok researcher 🪦💀

I have to confess. I only saw five parts of the ReesaTeesa series.

(PDF) TikTok(ing) Ukraine: Meme-based Expressions of Cultural Trauma on Social Media PDF | As digital media pervades every aspect of our lives, the ways in which we record, view and respond to wars are being shaped by these technologies.... | Find, read and cite all the research you n...

our new publication lands at symbolic times: exactly 2y since the invasion of Ukraine 🇺🇦 💛 in a timely edited volume, "Media and the War in Ukraine" (Peter Lang), @moaerikssonkrut.bsky.social & I explore TikTok's unique features of war & trauma storytelling; www.researchgate.net/publication/... see🧵

Postdoc position to study digital disinformation — DIGSUM We have an open position for a postdoc to come work with us at Umeå University to study how disinformation and misinformation are created and spread through digital platforms, and how they may affec...

We are looking for a postdoc for our research group in digital sociology within DIGSUM. The research is about how false information is created and spread across digital platforms, and how it can affect public opinion and undermine democracy. Spread the word! www.digsum.org/digsum-feed/...

Researching Digital Media and Society Hello, would you like to continue browsing the SAGE website?

Order your inspection copy of mine and @simonlindgren.bsky.social’s newest book “Researching Digital Media and Society”, here:

Håller helt med! Vi har ett extensivt kapitel som hanterar forskningsetiken, även om den såklart är skriven för en internationell publik. Man kan beställa ett gratis inspektionsex här: uk.sagepub.com/en-gb/eur/re...

The request had already been sent in but please order an inspection copy for free here: uk.sagepub.com/en-gb/eur/re...

The request had already been sent in but please order an inspection copy for free here: uk.sagepub.com/en-gb/eur/re...

🚀 Thrilled to launch "Researching Digital Media and Society" by DIGSUM's @moaerikssonkrut.bsky.social & @simonlindgren.bsky.social ! A must-read book for exploring digital methods. Perfect for undergrads seeking practical insights. 📖 #DigitalResearch #NewBookAlert www.digsum.org/digsum-feed/...

Researching Digital Media and Society We live in an increasingly digitised society. In an age of digital identities, rapid developments in Artificial Intelligence and ever more sophisticated software available, our methods for researching...

Does anyone teach a course where mine and @simonlindgren.bsky.social's new book would be a suitable course text so that our publisher can send you an inspection copy? Let us know!

I loved to hear it, thanks you guys! 🥰

The post-pandemic university is a platform university, says @drmarkcarrigan.bsky.social and a potential crisis is the drive towards increased automation of knowledge #arc23

And I’m already messing up the hashtag - #arc23

Can we actually build AI that make us obsolete as human beings? Depends on what we mean by an imagined humanity itself. Starting off w/ our first panel of #arc2023 at Humlab, Umeå uni.

Thanks, good to know!

Just in time, I submitted my reviews for #ICA24, but when can we expect to get our acceptance (or rejection) letters you reckon? 🙏

How many hours each semester do I waste by not being able to save my ScholarOne passwords and having original logins for each journal or conference..!