León Ferrari, La Civilización Occidental y Cristiana, 1965 (Museo Nacional de Bellas Artes, Buenos Aires, Argentina)
@jnswndlf
Born in Cologne. Raised in Berlin. I learned to love in Paris. Architect by training, designer by choice. #photography #graphicdesign Photography: www.jnswndlf.com Graphic design: www.jenswindolf.de Fotoapp: https://the.fotoapp.co/jnswndlf
León Ferrari, La Civilización Occidental y Cristiana, 1965 (Museo Nacional de Bellas Artes, Buenos Aires, Argentina)
Statt „Fuck KI“ kann man auch einfach „Fucki“ sagen.
A large mound of pale golden sand dominates the foreground, its eroded face revealing layered texture. To the right, a stack of rough-cut limestone or concrete blocks rises against a hazy overcast sky. In the foreground, tire tracks are pressed into the flat sandy ground. The overall palette is muted warm beige and grey, evoking an industrial or quarry setting.
A large mound of pale golden sand dominates the foreground, its eroded face revealing layered texture. To the right, a stack of rough-cut limestone or concrete blocks rises against a hazy overcast sky. In the foreground, tire tracks are pressed into the flat sandy ground. The overall palette is muted warm beige and grey, evoking an industrial or quarry setting.
Hamburg
#filmphotography #filmisnotdead #analog #hamburg #photography
jenswindolf.de/tools/minima...
#Poetry #MicroPoetry #Words #Writing #CreativeWriting
John Baldessari. I Will Not Make Any More Boring Art, 1971
"When you die, you can't see sunsets."
—Hayao Miyazaki
Both — and the tension between them is what makes work interesting.
Finally @bandcamp.com embeds. F*ck Apple and Spotify.
#music
Schön!
Minimalist poster with two overlapping pentagon shapes—one large warm brown in front, one black behind—on a light textured background. The word “To” appears top left, “fu” top right split across two lines, forming “Tofu.” Bottom left reads “Finest Tofu since 1981.” Bottom right shows the Soya Kang logo.
Something I made for a tofu manufacturer, including the logo at the bottom right.
#graphicdesign #minimaldesign #posterdesign #branding #visualidentity #typography #geometricdesign #designinspiration
1989 Haus 1 der ehemaligen Zentrale des Ministeriums für Staatssicherheit (MfS, Stasi), Berlin Interior view of a mid-century room with warm wooden built-in cabinets and an open glass-paneled door. The floor features light herringbone parquet, partially covered by a gray patterned rug. Through the doorway, a second room with turquoise walls, a wooden wardrobe, and a vintage wall-mounted radio is visible.
1989 Haus 1 der ehemaligen Zentrale des Ministeriums für Staatssicherheit (MfS, Stasi), Berlin Mid-century kitchen interior with turquoise wall tiles and white upper cabinets. A white oven with round control knobs is set between pale cabinet fronts, partially concealed by floral-patterned curtains. Matching sheer and patterned curtains hang by a window on the left. Brown floor tiles and a dark countertop complete the scene.
1989
Haus 1 der ehemaligen Zentrale des Ministeriums für Staatssicherheit (MfS, Stasi), Berlin
More on my website: jnswndlf.com/1-9-8-9/
#filmphotography #filmisnotdead #analog #hamburg #photography
So bury me in wood
And I will splinter
Bury me in stone
And I will quake
Bury me in water
And I will geyser
Bury me in fire
And I'm gonna phoenix
—Bill Callahan
Say Valley Maker
#music
The most interesting portfolio of post-Sonic Youth projects belongs to drummer Steve Shelley. Here are some of the highlights.
Hello babies. Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. On the outside, babies, you've got a hundred years here. There's only one rule that I know of, babies-"God damn it, you've got to be kind.“
—Kurt Vonnegut
It cannot be said often enough.
I love her music!
Close-up of a weathered yellow wall with a single window. The glass is dirty and fogged, reflecting pale sky and warm light; rust stains and screws frame the window, with a few bare twigs blurred in the foreground.
Hamburg
#filmphotography #filmisnotdead #analog #hamburg #photography
Let it collapse.
Which year was the photograph taken?
Man sammelt hierzulande höchstens Schlagzeilen.
Die Schäden bleiben bei denen hängen, die keine sind.
Colorful abstract drawing of a human face composed of grid patterns and expressive lines. The eyes are red and green, the face is structured with pink and blue cross-hatching, and the features appear stylized, geometric, and slightly asymmetric.
Even though Mariola Brillowska, alias Die Frau in Blau (The woman in blue), did not draw this picture as a portrait of me, it does resemble me.
#drawing #portrait #art #mariolabrillowska
Mariola Brillowska aka die Frau in Blau hat bei mir etwas repariert. Danke!
m.soundcloud.com/mariolabrill...
#spokenword #poetryaudio #soundpoetry #germanpoetry #voiceandtext #soundcloud #audioart #mariolabrillowska
Black-and-white charcoal drawing of a dark, roughly trapezoidal field with a lighter rectangular area in the center, showing strong texture and visible pencil strokes.
Black-and-white photograph of a square patch of dark soil placed directly on a smooth concrete floor inside a bright, empty interior space.
Soil
Romi Kröner, 2026
Two images, one operation. A charcoal field becomes a square of soil. What is abstract in drawing is executed in space. No metaphor—just material, framing, and displacement.
#drawing #pencildrawing #soil #conceptart #art #photography
Pencil drawing on white paper. Two small, vertical seed-like shapes float near the top. Below them sits a dense, rounded cluster made of many short, repeated pencil strokes, resembling compressed material or rough concrete texture.
Concrete Seeds
Romi Kröner, 2026
A seed as a unit of growth under pressure. Nature translated into structure: aggregate, repetition, permanence. Growth beginning in resistance.
#drawing #pencildrawing #sketch #concreteseeds #conceptart #minimalism #texture #art
@susannerell.bsky.social @spiritusloci.bsky.social
Thank you! It wanted to be a number.