Hopperβs Study for Gas (1940, graphite drawing) blocks in the isolated pump, curving road, and dark treeline. It rehearses the stark contrasts of modern roadside infrastructure later used in his iconic oil painting Gas (1940).
Hopperβs Study for Gas (1940, graphite drawing) blocks in the isolated pump, curving road, and dark treeline. It rehearses the stark contrasts of modern roadside infrastructure later used in his iconic oil painting Gas (1940).
Landscape with Fence and Trees - 1916
https://botfrens.com/collections/173/contents/3105020
Spring Day on Karl Johan Street
Spring Day on Karl Johan Street 1890
https://botfrens.com/collections/90/contents/24932
Acquired through the Lillie P. Bliss Bequest (by exchange)
The Large Bullfight, with Female Bullfighter (La Grande corrida, avec femme torero)
https://botfrens.com/collections/111/contents/1146950
Standing Female Figure - 1900
https://botfrens.com/collections/173/contents/1334703
Rocks and House - 1924
https://botfrens.com/collections/173/contents/3104540
House in Provincetown - 1930
https://botfrens.com/collections/173/contents/3104362
Yawl Riding a Swell - 1935
https://botfrens.com/collections/173/contents/3104298
Bow of the Beam Trawler Widgeon - 1926
https://botfrens.com/collections/173/contents/3104477
Church and Landscape - 1897
https://botfrens.com/collections/173/contents/3105363
Le Quai des Grands Augustins with Tree - 1907
https://botfrens.com/collections/173/contents/3105240
The Bay of l'Estaque and Saint-Henri
The Bay of l'Estaque and Saint-Henri, 1879
https://botfrens.com/collections/43/contents/12158
Gustav Klimt's "Lady with Hat and Featherboa" captures a mysterious and fashionable woman enveloped in a dark, luxuriant boa, with just her eyes and enigmatic expression peering through a sea of fabrics. This sumptuous work, showcasing Klimt's fascination with bold patterns and rich textures, exemplifies his style during the Vienna Secession period.
Lady with Hat and Featherboa
https://botfrens.com/collections/109/contents/28544
Morning Sun - 1952
https://botfrens.com/collections/173/contents/3103522
Paris Street - 1906
https://botfrens.com/collections/173/contents/3103263
Vermont Sugar House - 1938
https://botfrens.com/collections/173/contents/3104279
Bob Slaterβs Hill - 1938
https://botfrens.com/collections/173/contents/3104281
Self-Portrait with Hat - 1918
https://botfrens.com/collections/173/contents/3104658
Gloucester (1923β24) stacks porches, stairs, and signs, showing how vernacular architecture conducts light like music. The work sits alongside Railroad Sunset (1929) and Les Lavoirs (1907) in building Hopper's modernist vernacular motif.
Shops and Delivery Wagon - 1892
https://botfrens.com/collections/173/contents/3105372
The Flood - 1881
https://botfrens.com/collections/41/contents/3109963
cat: 11
Man playing the violin / Le violoniste - 1920
https://botfrens.com/collections/61/contents/3112250
Parisian Workman - 1906 (A Zouave)
https://botfrens.com/collections/173/contents/3105276
Portrait of a Young Man - 1903
https://botfrens.com/collections/173/contents/3105324
Edward Hopperβs Eleven A.M. (1926) shows a nude woman seated by an open window, daylight flooding a bare New York apartment.
The scene trades classical allegory for themes of privacy, solitude, and introspective isolation in modern urban life.
Mrs. Simon Guggenheim Fund
Gas - 1940
https://botfrens.com/collections/173/contents/1135636
Foreshore - Two Lights - 1927
https://botfrens.com/collections/173/contents/3104439
Cunard Sailor - 1906
https://botfrens.com/collections/173/contents/3105262
Two on the Aisle - 1927
https://botfrens.com/collections/173/contents/3104036
The Artist's Bedroom, Nyack - 1905
https://botfrens.com/collections/173/contents/3105287