The Garden of Armida (detail), John Collier (British, 1850-1934)
The Garden of Armida (detail), John Collier (British, 1850-1934)
Jean-Pierre Gibrat
Sharon Tate, The Fearless Vampire Killers (1967)
#sundaymood
Black Angel of Death with wings crouches over a bearded gravedigger stuck in a cemetery ditch
Death and the Gravedigger
#Art by Carlos Schwabe, 1900
Seiichi Hayashi, 1982
Seiichi Hayashi, 1982
simple magic
Bonjour
(Julie Christie)
a softer time that didn't exist
casually artistic color photo of Lindsay Roan by Matteo Lonardi; she is seated indoors illuminated by bright sunlight wearing only a white sweater and at least one gray-blue thigh-high sock
It is obvious that the only interesting people are interested people, and to be completely interested is to have forgotten about βI."~Alan W. Watts, The Wisdom of Insecurity
color 1970s photo of Gillian Duxbury sitting in a straight chair in gauzy natural light, wearing only red thigh-high stockings and a feather boa; I think this was taken by Bob Guccione, but image search provides zero matches to confirm
Soledad Miranda in THE DEVIL CAME FROM AKASAVA (1971), JesΓΊs Franco
#SoledadMiranda #JessFranco #EdgarWallace #CCC #FrancoFebruary
Delphine Seyrig
"Ce nβest pas une femme, cβest une apparition"
Elizabeth Taylor, 1950. #botd
Art by β’ Larry Elmore
Iβve found a good groove.
A vampiric woman rises from her coffin as the clock strikes midnight.
Good morning!
(art by Emanuele Taglietti)
[E]golessness is a flexible identity. It manifests as inquisitiveness, as adaptability, as humor, as playfulness. It is our capacity to relax with not knowing, not figuring everything out, with not being at all sure about who we are, or who anyone else is, either.~Pema Chodron
Β© Elise Wouterss
flip my switch
the answer almost always is to just start
Night Lights #oilpainting #art
here to hide from reality
Alan Feltus, βGuest Bedβ (2001), oil on linen, 79.4 x 109.9 cm.
joy from different angles
Jean-Claude GΓΆtting
Suffering that is not understood is hard to bear, while on the other hand it is often astounding to see how much a person can endure when he understands the why and the wherefore. ~CG Jung, CW 18
The Kiss, by Jan van Beers
Monica Vitti