K-Devices TATAT
k-devices.com/products/tat...
02.03.2026 20:58
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I came off the M5 at Old Barn on Tues night. There are some fresh tags on the concrete traps across that exit and discarded Nos canisters littered about by the fencing but otherwise it looks abandoned.
inharmoni city
#klein
#sleepwithacane
Those satisfactions are permanent.
thermionic
The Lacquer Cut
contrapuntal inversion
Very High Frequency
The Unconsoled
Phenethylamines I Have Known and Loved
U+00b1
#SpaceAfrika
oh man, a landmark guide to Free Jazz & Improv labels, originally published in 2014, newly expanded to 428 pages covering 185 labels operating in free/spiritual jazz, improvisation & related areas of the avant-garde, experimental and modern composition
boomkat.com/products/fre...
Supremely foundational and fully singular screwed-pop x concrète im/perfection from one of the very best to ever do it - originally issued in 2000 and now expanded to a 34 track opus that's now two hours + 15 mins long
boomkat.com/products/cou...
This hits.
I’ve fantasized about a document of Hüsker Dü that conveys their visceral rush and emotional depth - and with good sound balance. This record is a welcome thing but I’m not sure it meets all of my criteria.
The best I’ve found to date is this:
youtu.be/_BqEseT9b_Y?...
Jimmy Melia!
Endless Cigarette
nervy clack feels
Discerning stuff, this.
Does he also want us to tug our forelock, or perhaps, prostrate ourselves in front of him?
This is imperialism.
The crossfader is a MIDI controller - way-out!
Both visceral and cognitive.
Gosh
I happened upon a critique of your early work by Stockhausen today.
Which is not an unremarkable occurrence.
I was reading Wire 141, Nov 1995.
I gather it was contrived by Radio 3 and Dick Witts, rather than it being the case that Karlheinz was bang into Scanner.
Do you remember this, Robin?
