Rochelle Hudson by Gene Kornman, 1936. #botd
06.03.2026 09:08
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Rochelle Hudson by Gene Kornman, 1936. #botd
Closeup of Lupino on telephone with wide-eyed expression; Cochran at right looks at her intently.
Ida Lupino and Steve Cochran in a promotion for “Private Hell 36” (Filmakers, 1954)
Olivia de Havilland, Nancy Coleman, and Ida Lupino, 'Devotion' (1946, directed by Curtis Bernhardt).
Nazimova working out with dumbbells
Closeup of Lupino on telephone with wide-eyed expression; Cochran at right looks at her intently.
Ida Lupino and Steve Cochran in a promotion for “Private Hell 36” (Filmakers, 1954)
Screen shot of a man and woman in the 1930s sitting at a diner table engaged in intense discussion.
Tonight’s movie selection is “Hi, Nellie” (1934) starring Paul Muni and Glenda Farrell. Love these fast-talking '30s films
Ginger Rogers photographed by John Miehle for Follow The Fleet (1936).
Fay Wray by Melbourne Spurr, 1933.
Photo-illustration of Lupino in glamorous pose holding cigarette in holder. Image gradually fades into white background away from her face.
Ida Lupino portrait for “The Hard Way” (1943)
Today's Star Of The Day: Glenda Farrell
A favorite photo of Jean Harlow #BOTD, posing with her ‘Platinum Peony’ outside the California Hacienda exhibit at the Chicago World’s Fair, June 15, 1933. Glowing.
With Ida Lupino in ‘The Sea Wolf’ (1941)
John Garfield, Actor, #BornOnThisDay in 1913, in New York City
Photo has the yellowed old-paper tint. Mackaill's hair is down, she is looking at the camera and holding what appears to be a silk shawl around her shoulders (and not much else)
A striking fan-magazine portrait of actress Dorothy Mackaill, 1923. She was #BornThisDay in 1903, in Kingston upon Hull, U.K. Much of her silent work is lost, but SAFE IN HELL (1931) is brilliant and easy to find.
John Garfield was born today in 1913. #botd ❤️
Ida Lupino behind the camera -- Lupino's "The Hitch-Hiker" is screening March 7th at the Casket Cinema -- tickets on sale at https://www.eventbrite.com/e/picturegoer-film-club-presents-the-hitch-hiker-1953-tickets-1979125449496
So many great ones to choose from but these are my top three:
Ladies in Retirement (1941), Moontide (1942), Road House (1948)
Ida Lupino. #WomenInNoir
A legend in front of and behind the camera, she's a #filmnoir force that credits singer, director, writer, and producer to her resume. During her 48-year career, she appeared in 59 films and directed 8.
What's your favorite?
Glenda Farrell
Small dog sits on a dresser while Lupino and Bogart embrace.
Ida Lupino and Humphrey Bogart, with Zero the dog, in “High Sierra” (1941)
Found 35mm roll of film from the set of 1955 Big Knife with Jack Palance and Ida Lupino.
www.espressobuzz.net/Found/JoeFra...
Quite a find!
Small dog sits on a dresser while Lupino and Bogart embrace.
Ida Lupino and Humphrey Bogart, with Zero the dog, in “High Sierra” (1941)
The Trump administration is trying to build its border wall through Texas' Big Bend National Park, waiving 28 environmental, historical, and archeological laws to expedite construction.
These laws must be enforced and American public lands must remain in public lands. Period.
Smarty?
Talarico! I was there today at the San Antonio rally. An energized and enthusiastic standing-room only crowd.
Ida Lupino, c1937.
"Ida cools off in a grey and white pajama, with a scarlet scarf matching her fingernails. Her shoes are made of canvas." ⬇️
Glamour photo of Farrell in low cut evening gown, perched on arm of a small chair.
Glenda Farrell, ca. late 1930s
Lupino and Tone facing each other in profile. Lupino’s hands resting lightly on Tone’s chest.
“CAST AS ACTRESS AND DIRECTOR are Ida Lupino and Franchot Tone in ‘Award,’ the play to be staged on Four Star Playhouse…. Miss Lupino portrays a Hollywood actress with ambitions to become a stage star. Tone portrays a Broadway director.”
“Award” was first aired on June 30, 1955
The American people rightly do not want a war with Iran.
President Trump’s war is not smart, it is not legal, it is not morally right, and it is not in our national interest.
Cagney and Clarke sitting across from each other in a train compartment. Cagney’s keg reached across the aisle, resting on the cushion next to Clarke. Clarke suggestively has her fingertips on Cagney’s knee.
James Cagney and Mae Clarke in “Lady Killer” (1933).