Skip Bolden 💙🎬🎞️

Anne Gwynne strikes a... weird pose in a sarong while the rest of the cast look worried.

Starring Lon Chaney Jr - Weird Woman - Released on this day in 1944

Portraits of Harry Belafonte and Sidney Poitier in cowboy duds.

BTD - Harry Belafonte - Buck and the Preacher - 1972 - Italian poster

Barry Lyndon

Marisa Berenson
'Barry Lyndon'

"Zelda’s gowns changed torch singer, Joyce Bryant’s career. When Zelda met Joyce, she was wearing bouffant, ‘sweet’ dresses... Once Ms. Bryant adapted the... gowns by Zelda Wynn Valdes, her career took off."

—OUR WORLD, 1953
Joyce Bryant at the Copacabana
📸: Philippe Halsman

Yes, please. Ms. Diahann Carroll would have *slayed* in her own lavish-costume-studded-big-budget-4-hour-CLEOPATRA-feature-film.

📸: Steve Schapiro, 1975

Green letters on a light background reading… “You are still an artist you pursued another career for financial stability. You are still an artist is you have a survival job and make art when you can. You are still an artist if you haven’t created in a while. You are still an artist if you only make art as a hobby.”

In case there's a Creative Soul out there that needs a little reminder... 🌟Remember this...

Sunday! Sunday Sunday!!

Writer-director Armand Weston helms a hardboiled, adults-only neo-noir inspired by Robert Montgomery’s Lady in the Lake! EXPOSE ME, LOVELY (1976) screens in 35mm next Saturday, March 14th, at midnight! Must be 18+ with ID for admission.

How Fritz Lang’s Metropolis Created the Blueprint for Modern Science Fiction (1927) A vast, miserable proletariat squanders its days in meaningless toil. Society is under the control of ultra-wealthy business magnates. In order to pacify the underclass, the ruling class pins its hope...

How Fritz Lang’s Metropolis Created the Blueprint for Modern Science Fiction (1927)

These were the tests from an old 1 MP Fuji digital camera. @faesings.bsky.social gave this to me as a movie prop, but after replacing the battery, it is a viable camera, and a prop.

#oldcamera #camera #1mp #digital #prop #viable #useable

Frustrating setups, obvious reveals, and some generic dialogue. HIGHEST 2 LOWEST begs the question: was this remake of an adaptation worthwhile?

Listen here:
🎧Podbean: meanstreetspodcast.podbean.com
🎧Apple: tinyurl.com/cr2jumx4
🎧Spotify: tinyurl.com/2ve7fa82

#highest2lowest #SpikeLee

The Getaway (1972) Directed by Sam Peckinpah

Weird Science (1985) Written and directed by John Hughes starring Anthony Michael Hall, Ilan Mitchell-Smith, Kelly LeBrock and Bill Paxton.

Close Encounters of the Third Kind (1977) Directed by Steven Spielberg

Any fans of the 1987 film Monster Squad?

Alternative movie poster of the day 🎥😍

Creature from the Black Lagoon (1954)

By Timothy Pittides

The Mummy (1999) 🎥

Directed by Stephen Sommers

#FilmSky

#Last4Watched Whadda ya think?

@216-eliot-ness.bsky.social @karlbrunjes.bsky.social @echotopia.bsky.social @mikeymcfilms.bsky.social @jdiggs67.bsky.social @lainydelaney.bsky.social @tadool.bsky.social @gemini53.bsky.social @robgasper.bsky.social @smithkevin.bsky.social

#filmsky 📽️

“What must be admired most in Adrian’s fashions is their construction; he is an architect, balancing proportions and studying every line. His approach is original and frequently unconventional, but that is what makes the viewing of an Adrian collection exciting.”

—Virginia Pope, on designer Adrian

Photographed by: Horst P. Horst VOGUE November 1, 1948

Katharine Hepburn in gown by Adrian for BREAK OF HEARTS (1935)

Portrait of Audrey Hepburn wearing a silk taffeta gown by Adrian. Photographed by: Richard Rutledge VOGUE March 1, 1952

Model, Jean Patchett, in gown by Adrian. 📸: John Rawlings VOGUE 1948

One of my favorite designers.

Born Adrian Adolph Greenburg in Naugatuck, CT March 3, 1903 . . . Remembering:

Gowns by . . . . . . . . . . #Adrian

"Adrian had a profound effect both on my professional and personal life. He put the ruffles in the right places and showed me how to dress..."

—Joan Crawford, ref. Lawrence J. Quirk: The Films of Joan Crawford, 1968

via: joancrawfordma.tripod.com/StatCounter/...

Joan Crawford.
Gown by Adrian.
📸 by George Hurrell.

LETTY LYNTON
1932
Director: Clarence Brown

Fashion in film is always an inspirational thing for me. The fashions (by Adrian) AND the execution in staging (by Vincente Minnelli) in Mervyn LeRoy's LOVELY TO LOOK AT (1952) (based on ROBERTA) are amongst some of the best fashion in cinema moments. And one of my faves to watch.

#gownsbyadrian

Carefree (1938) #filmsky

Happy birthday to Oscar-winner Rachel Weisz! #filmsky

Gerry Mulligan Sextet

"Night Lights"

Gerry Mulligan-baritone sax, piano
Art Farmer-trumpet
Bob Brookmeyer-trombone
youtu.be/Wf02V8AtMag?...
#Jazz #JazzSky #Music #MusicSky #NowPlaying

Gene Barry and Matthew Rhys:

The first murderer and last murderer on Columbo.

Director Sergio Leone and actor and filmmaker Clint Eastwood — Leone dressed in a dark-coloured T-shirt, light-coloured trousers and light Stetson-style hat, Eastwood in costume, dressed in a light shirt, dark jeans and dark neckerchief — captured standing together, Eastwood in profile, Leone facing the camera as he points ahead, Eastwood meeting his gaze while a crew member secures a horse behind them, a little girl visible in the background along with crew members and a vehicle in the distance, in a medium-length black-and-white shot taken on location in Spain during a break from filming A Fistful of Dollars (1964)

Director Sergio Leone and Clint Eastwood between takes during filming of A Fistful of Dollars (1964)