And backgrounds are a massive part of my work so I'd want to see
What you could do with the buildings, rubble, texture, etc, etc but, as I say, the figures look strong and would be great under good colour.
If I had any suggestions as to where there might be a positive direction to look at, it would be the textures. Not an easy thing to master but little things like the rumble on the single splash are a bit fuzzy. These pages show strong work in the figures but none really have backgrounds to offer
These are very good. Has a Von Grawbadger feel, by no means a bad thing. Faces are the to pencils and mine work makes sense, also a nice fluid line that still sticks to the corners, as it were without being unduly soft. I'm impressed.
Just because someone is talented at a specific thing, it doesn't make them a universally 'correct' voice on all matters. Something my wife reminds me of frequently.
I suspect everywahn and I suspect nowahn...
Destinations are important, but what's most important is enjoying the journey.
It's easier on the digestive system.
The Old Fashioned. One of the greatest cocktails ever.
Superb work
as a long time pro who has had various mental health problems over the the decades and a sketchy relationship with deadlines for much of it, I've learned something: the blank page is exciting and if you don't feel like working, have a bowl of Secret Ingredient soup. The best solution to any problem.
It's our TOP 10 @GhostMachinePro.bsky.social List These Collections & Issues make great gifts for anyone including yourself! Great stories from legendary creators Geoff Johns @1moreGaryFrank.bsky.social @BryanHitch.bsky.social Jason Fabok & more! https://youtu.be/3JZUEc2JF-w?si=Kj5vzIuDLKbE6vbi
I noticed it too but fortunately I have another couple of cases being delivered from m'cellars
Getting ready for Xmas.
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Should anyone have an itch they need scratching, I have an open commission list. Please check the link for details. www.comicartfans.com/mp/hitch-com...
continuing my binge of Galactica. S 3 now. Bloody hell this is a hell of a show. benchmark TV.
thanks Marc
I get that. My five boys are 15-30 so it's not as attention heavy these days at all. Plus I'm not writing, lettering or colouring. I like the rapid turnaround so it keeps my energy high. If I was doing every page several times I worry I'd stagnate.
no. It's rarely necessary as he either seems to know exactly what I want or has something better. I just trust him.
Didn't really hit me until the last 6 years or so. What I did was shift focus into just completing within whatever time I set and trusting to experience and skill. Then when that became habit, improvement built from that became natural but always delivering on any schedule I needed.
TO be fair, it's a little of a day and nearly 40 years...
Drew that in just over a day...
Variant cover for Sisterhood issue 5. If you've missed it, a collection of the series and Devour by Maytal and Leila will be coming soon. They make a terrific team and very well worth your dimes.
Been rewatching the 200o's Galactica again. Damn good show.
new home and link to the gallery for the bespoke pieces I've created for sale. I'll be adding more new work as I go and a commission list is now open. Contact bill@comiartfans.com if you want to place an order!
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Guess what?
Buyers are picking up copies of key characters of @ghostmachinepro.bsky.social as a result of the Redcoat development.
I've seen sales for folks from Geiger, Rook, and Redcoat this week just to name a few.
@bryanhitch.bsky.social
@ghostmachinefans.bsky.social
kicked off the morning with Christopher Tin's The Drop That Contained The Sea.
Tonight is definitely a Dvorak 8 evening. Colin Davis and the LSO. 1998/9 (was there for this recording and 'twas a lovely evening rounded off with a joyous Mozart piano concerto payed by Alfred Brendel.)
we've certainly talked about it in due course.
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