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Nick Seaver

@nickseaver.website

anthropology, algorithms, attention | he/him | The conversation is characterized by Nick's use of language, but the content of the discussion remains unknown.

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Latest posts by Nick Seaver @nickseaver.website

sovereignty alert

06.03.2026 02:31 πŸ‘ 4 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0

it was pretty fun, though I think a couple other areas might have more tightly fit with my actual diss project!

05.03.2026 19:18 πŸ‘ 3 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

1. Number
2. Classification
3. Anthropology of Computing

(first one resulted from me telling my advisor that I wanted to do one on quantification, and he said, "no... number." "Numbers?" "No, number." And that was how I taught myself some basic philosophy of math.)

05.03.2026 18:42 πŸ‘ 11 πŸ” 0 πŸ’¬ 2 πŸ“Œ 3

so wild to see this in that format, looks great though

05.03.2026 14:02 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

I would not have guessed dice towers were this old

05.03.2026 13:49 πŸ‘ 54 πŸ” 17 πŸ’¬ 2 πŸ“Œ 0

Okay as a longtime user of obsidian and hater of the file explorer, the plugin that finally made it work like I expect is Notebook Navigator. (Which is quickly becoming an everything plugin, worryingly, but that’s the way of these things.)

05.03.2026 13:32 πŸ‘ 7 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
"MOLON LABE" styled like the dunkin donuts logo

"MOLON LABE" styled like the dunkin donuts logo

sorry for the cursed image, but

05.03.2026 13:17 πŸ‘ 6 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

so Important

04.03.2026 21:20 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
β€œTechnology” has a long and problematized relationship with progress, efficiency, and
efficacy. Sleek trains rushing through the countryside, the blinding reach of the electrical
grid, or the instantaneous messages of networked communication are its shiny avatars.
Contraptions, by contrast, are technical devices that barely work. They seem too complex,
too circuitous, too labor intensive. They are frequently ad hocβ€”as unrepeatable and
unreliable as Rube Goldberg’s fantastical machines. They push the received wisdom about
technology’s defining features to the limit. Like the aesthetic β€œgimmick” theorized by
Sianne Ngai, the contraption is a category charged with normative judgment. Contraptions
may work, but they don’t work right. While the contraption is commonly associated with
vernacular or retrograde alternatives to high technology, many β€œhigh tech” devices reveal a
contraption-like character on close inspection: AI chatbots, internet protocols, and
helicopters come to seem both over- and under-engineered the more attention is paid to
them.

This session invites STS scholars to think with the figure of the contraption: What
alternatives to popular ideas about technology do these complicated and unruly objects
offer? What is it about the present moment that pushes the contraption back into public
thought? How does the normativity of contraption judgments manifest in everyday life?

How do people come to perceive and evaluate technical complexity in social life? Work in
this area may draw on theories of gimmicks, hacks, kludges, workarounds, tricks, bricolage,
and other complex or informal technical activities.

β€œTechnology” has a long and problematized relationship with progress, efficiency, and efficacy. Sleek trains rushing through the countryside, the blinding reach of the electrical grid, or the instantaneous messages of networked communication are its shiny avatars. Contraptions, by contrast, are technical devices that barely work. They seem too complex, too circuitous, too labor intensive. They are frequently ad hocβ€”as unrepeatable and unreliable as Rube Goldberg’s fantastical machines. They push the received wisdom about technology’s defining features to the limit. Like the aesthetic β€œgimmick” theorized by Sianne Ngai, the contraption is a category charged with normative judgment. Contraptions may work, but they don’t work right. While the contraption is commonly associated with vernacular or retrograde alternatives to high technology, many β€œhigh tech” devices reveal a contraption-like character on close inspection: AI chatbots, internet protocols, and helicopters come to seem both over- and under-engineered the more attention is paid to them. This session invites STS scholars to think with the figure of the contraption: What alternatives to popular ideas about technology do these complicated and unruly objects offer? What is it about the present moment that pushes the contraption back into public thought? How does the normativity of contraption judgments manifest in everyday life? How do people come to perceive and evaluate technical complexity in social life? Work in this area may draw on theories of gimmicks, hacks, kludges, workarounds, tricks, bricolage, and other complex or informal technical activities.

STS folks, I'm organizing an open panel on CONTRAPTIONS for 4S this year, following up on a lovely panel at last year's AAA meetings. You should submit something if you got it! www.4sonline.org/accepted_ope...

04.03.2026 20:57 πŸ‘ 36 πŸ” 15 πŸ’¬ 3 πŸ“Œ 2

and like LLMs it would work better if people were more judicious about managing context

04.03.2026 17:01 πŸ‘ 4 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0

the best part is that it’s usually both like and about LLMs

04.03.2026 16:57 πŸ‘ 7 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0

watching people have arguments on here is slowly breaking my brain, the amount of argument-shaped things that don’t make any sense at all, it’s like a psyop

04.03.2026 16:54 πŸ‘ 26 πŸ” 1 πŸ’¬ 2 πŸ“Œ 1

When we talk about Baby Boomers not getting off the stage: In 1997, the US president was born in 1946.

In 2007, the US president was born in 1946.

In 2017, the US president was born in 1946.

And next year in 2027? The US president will have been born in 1946.

03.03.2026 20:10 πŸ‘ 10588 πŸ” 3216 πŸ’¬ 196 πŸ“Œ 242

or even anthropological literature on β€œpersons”! (I do worry a little that critiques of anthropomorphism are like critiques of β€œbad” metaphors in computing, which sometimes reduce to hostility to the idea of metaphor in the first place)

02.03.2026 22:55 πŸ‘ 7 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

attention to detail

27.02.2026 23:58 πŸ‘ 2 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
the title screen for GODZILLA VS MEGAGUIRUS

the title screen for GODZILLA VS MEGAGUIRUS

good evening

27.02.2026 23:51 πŸ‘ 5 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

I’ve had conversations with anthropologists and am reading the literature for fun, but nothing serious. (yet? still have three more to go before we’ve seen all of the godzilla ones)

27.02.2026 23:50 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

robert eggers direct a kaiju movie

27.02.2026 23:45 πŸ‘ 6 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

Claude code can write shortcuts if you give it some to look at, though it’s a little balky.

24.02.2026 23:25 πŸ‘ 0 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0

you're on a panel with a former undergrad student of mine!

24.02.2026 12:24 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
View of Technically white: Emoji skin-tone modifiers as American technoculture | First Monday

firstmonday.org/ojs/index.ph...

23.02.2026 18:22 πŸ‘ 4 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
Post image Post image

Current weather conditions, Somerville MA near Porter square. Cc @weatherishappening.com

23.02.2026 13:27 πŸ‘ 26 πŸ” 4 πŸ’¬ 2 πŸ“Œ 0

only this couch! trying to avoid the fate of the other couch, which has holes in it from digging 😭

23.02.2026 12:39 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0
a very stern-looking greyhound, wearing a charming blue sweater and sitting up on the ground next to a couch with pillows arranged on it defensively

a very stern-looking greyhound, wearing a charming blue sweater and sitting up on the ground next to a couch with pillows arranged on it defensively

the face of someone who's very mad she's not allowed on the couch

23.02.2026 11:54 πŸ‘ 30 πŸ” 1 πŸ’¬ 2 πŸ“Œ 0

yes! we already have things to teach! we have phds in them! they are the whole point of this enterprise!

21.02.2026 11:30 πŸ‘ 22 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0
a black framed pencil drawing on cream paper, of a pair of small pencil squiggles, with some illegible lettering along the bottom

a black framed pencil drawing on cream paper, of a pair of small pencil squiggles, with some illegible lettering along the bottom

a closeup of two pencil squiggles

a closeup of two pencil squiggles

in my stairway at home, I have a drawing of this performance! (by Morgan O'Hara, who does these "live transmission" sketches of people's body movements)

20.02.2026 13:08 πŸ‘ 5 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

I'm not going to go to bat for AI overviews, but this quote from the article is just fantasizing. "it usually worked well" and you "had a good chance of clicking through to a credible health website"? Did a pro-ana website write this?

20.02.2026 11:08 πŸ‘ 12 πŸ” 2 πŸ’¬ 2 πŸ“Œ 0

"excuse me sir, there must be some mistake- i voted to create the camps, not live in the zone of interest" is like every trump voter

19.02.2026 05:31 πŸ‘ 9775 πŸ” 2475 πŸ’¬ 106 πŸ“Œ 33

Long Beach excellence!!

19.02.2026 01:01 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Preview
Sounding Human An expansive analysis of the relationship between human and machine in music. Β  From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That ...

Basically immediately! More on this in @deirdrelough.bsky.social’s book: press.uchicago.edu/ucp/books/bo...

18.02.2026 16:53 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0