Aloy walks carefully towards the camera through tall desert grass. Surrounding Aloy in the background is a ruined brick archway, where the top of the arch is missing and the left side is worn down to just a pillar.

Aloy poses smiling crouched down in the foreground, on the left side of the image. On the right side a large mechanical structure is jutting out of the ground, it's hard to tell exactly what the structure is but it is shaped like a point with multiple larger sections along the length, almost like vertebrae. The sky is full of clouds lit with bright orange highlights by an evening sun.

Aloy is submerged in a deep pool, only her head is peeking out of the water and she is smirking playfully. Large cliffs can be seen in the background, partially obscured by mist, although generally the weather appears clear and sunny.

Aloy crouches in bushes facing away from the camera, surveying a camp in the distance on the other side of a small lake or slow river. The scene is lit in a light orange, suggesting the sun is low in the sky. The camp seems to have been built around a massive deactivated machine with large tendrils and legs extending past the frame of the photo. The camp is mostly on the ground beneath the machine, but wooden scaffolding has also been built up to some sections of the machine, where tarpaulins are used overhead to create shade.

Horizon Forbidden West: Lots of Orange

Sam stands in a pool with water up to his waist, cradling BB in his arms and looking down at BB's pod. Sam is wearing his protective coverall with two golden pieces of "chiral" equipment strapped to his shoulders. The background is out of focus, but shows a large snow-capped mountain range

Same strikes a comedic dancing pose whilst walking across a ladder laid horizontally over a flowing river. The river appears to be flowing quickly as spray can be seen rising from it where it hits numerous rocks sticking out of the water. The landscape in the background transitions from a healthy green grass to a darker sand that looks volcanic, the entire area is covered in small rock formations.

Sam lifts BB high above his head whilst standing in thigh-high water, in front of a huge waterfall. Spray from the waterfall fills much of the rest of the scene, although some rock formations can be seen in the foreground and around Sam.

Sam poses crouched on one knee with a thumbs up to the camera, looking impressed by the "inverted" (upside-down) rainbow behind him. Sam is heavily laden with equipment and parcels to be delivered. The surrounding area is covered in volcanic sand and ash, and black "strands" can be seen in the distant sky, suggesting there are BTs in the area.

Looking forward to Death Stranding 2 so I can take more holiday style snaps

A man in a staw hat bows infront of a large spherical rock enclosed in a cirular rope with tassels. Objects like this are known as Iwakura, a stone that is seen to be Yorishiro, an item that attracts or contains Kami (spirits). The rock is half lit by a rising sun, with vegetation and bamboo trees in the background slighty shaded in a light blue mist.

Jin Sakai and Masako Adachi look out over a strong sunset, the sky is tinted a light green fading up to blue, with gentle pink and orange clouds streaking across. In front of them, down a hill lies a forest and in the far distance a red Maple tree can be seen perched at the top of a rocky outcrop, between Jin and Masako in the photo.

A landscape view across a field of violet flowers, followed by a row of trees and finally behind that a field of pampas grass. The sun is low in the sky, casting the pampas grass in light but the violet flowers mostly in shade.

A deer and a doe run away from the camera over a small hill towards a forest. The deer has large antlers and both have spotted coats. Light from the low sun can be seen spilling through the trees, lighting the mist rolling across the screne. Close to the camera there are some dark violet flowers, out of focus due to the aperture used.

Ghost of Tsushima: Light and Nature

The exterior of a circular building in Star Wars Outlaws, in a desert-like area with some greenery. The sky is a light blue with heavy cloud on the horizon. Alien birds swirl around the top of the building. The building exterior is made of light metallic panelling from the ground up to the roof, which is made of a matte metal that has been painted green, although in spots the underling copper colour can be seen. On the roof of the building sits a large sign, the same height as the building again. It appears to be constructed from old space ship parts, four engines sitting beneath a large tail fin, on which a neon sign in an alien language is attached. The entrance to the building is covered by a crude metal awning, with red fabric sheets providing shadow from the harsh sunlight. Around the building there are some parked speeders, people going about their business and a few large resting animals.

The Trailblazer (the ship that Kay Vess steals in Star Wars Outlaws) sat utop a landing pad, with the entrance walkway extended down to the pad. In the background a large planetoid looms over the horizon, bathed in a dark orange light. Only the rear half of the ship can be seen, and focus is placed on the greeble detailing of the ships panels and engines.

The interior of a flooded cave, lit by luminous red rock formations that make up much of the walls and roof of the cave. Due to their luminescence the red rocks are reflected well in the water. Natural sunlight also feeds in through small holes in the roof, where hanging vines can be seen running from wall to wall.

Kay Vess jogs away from the camera silhouetted against a rectangular tower on the planet of Tatooine. On both sides of the tower are smaller buildings with domed roofs, all of which are brightly lit orange by the setting twin suns. The buildings are all constructed from pourstone.

Star Wars Outlaws 😍

A view from underground through a circular opening in the roof, the room is constucted from concrete with a repeating pattern of rectangles cut in to the stone. Natural sunlight is streaming through the opening, bouncing warm light around the space. The opening is covered with iron bars and some sparsely laid sheets of metal.

An orange radar with a circular scanner sits in the corner of a room, only lit by light from the radar. The room appears to be some kind of bunker, with fuze boxes and control consoles surrounding the radar along with other electrical equipment. On the left side of the radar is a lone dining chair next to a sack of food.

An open door lights a hallway with natural light. The wall is split and cracked, painted half green and half white with a horizontal line splitting the two halves. On the floor are piles of leaves and long-since lain mats. Through the door a small courtyard can be seen with puddles on the ground reflecting the light, along with the boots of one man and the head of another, perhaps they had an altercation with the virtual photographer. Further in the distance there is a weapon laid on the floor, and finally behind that a chainlink iron fence separating the courtyard from the wilderness beyond.

The interior of a factory building where the entire ground floor is underwater by around a foot, the water appears dark and shows a near-mirror reflection of the room. Leaves float in the water and wooden storage boxes are sat in one corner. The boxes appear to have a large blood stain on them, although the origin of it is unclear. Rusted pipes run all the way around the room, serving some unknown purpose. Vertical concerte pillars hold up the roof, two are visible in the middle of the room with X shaped metal support structures connecting them to each other and then to a third pillar just outside of the image. The support structures are painted yellow but are showing signs of wear. A metal gantry painted the same faded yellow arches across the middle of the room between the pillars, leading to two openings in the far wall that were once windows, white light from an overcast day pours through these openings, and in the distance two birds can be seen. A metal staircase leads to the gantry just in front and to the right of the camera.

Stalker 2: Some Interiors