A reddish-brown hen, possibly a Rhode Island Red or similar breed, stands in the upper right quadrant of the frame, looking toward the left. Its feathers are a rich ginger hue with darker black speckles around its neck and a dark tail. The bird's legs are partially obscured by the deep, churned-up earth. The entire foreground and background consist of a saturated, muddy field filled with deep footprints, tire ruts, and clumps of wet clay. Small, shallow puddles of murky water are scattered throughout the uneven terrain, reflecting the overcast, flat light of the sky. The texture of the ground is thick and viscous, dominating the composition and creating a somber, rural atmosphere.

Chickens are hard to photograph. They’re never paying attention to me and move way to fast…

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A fluffy, cream-colored puppy, possibly a Great Pyrenees or Maremma Sheepdog, is fast asleep and lying on its side amidst a thick pile of golden-brown hay. The puppy’s fur is heavily matted with dark mud and dirt, especially along its legs and paws, suggesting it has been working or playing outdoors. Its eyes are closed in a peaceful expression, with its dark nose tucked near the straw. The lighting is soft and natural, highlighting the contrast between the pup's light fur and the textured, spindly stalks of the hay. In the background, a wire livestock fence is partially visible, indicating a farm or barn setting. The overall mood is one of quiet, exhausted contentment.

It must be exhausting to be a cow dog.

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A lone, leafless deciduous tree stands as the central focus in a wide, flat landscape blanketed in pristine white snow. The tree’s dark, intricate branches are finely detailed against a bright, pale blue sky that occupies the upper two-thirds of the frame. The sun, positioned high and slightly off-center, casts a soft glow across the horizon and creates a faint, thin shadow extending from the base of the trunk. In the distant background, a few much smaller, spindly saplings break the horizon line. A long, wispy white cloud stretch horizontally across the left side of the sky, adding a sense of stillness and immense scale to the cold, tranquil scene.

I hope this is the last picture I take this year that includes snow.

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A rustic wooden building, a sugar shack for maple syrup production, sits in front of a dense forest of bare, wintry trees. The structure is made of light-colored vertical wood planks with a dark, corrugated metal roof. A smaller raised section of the roof, or cupola, features an open rectangular vent. Two tall, shiny silver metal chimneys rise from the roofline. A dense, voluminous cloud of bright white steam erupts from the right chimney, caught in a slight breeze and drifting toward the left. The lighting is bright and clear, suggesting a cold, sunny day. The composition is a medium shot focusing on the roof and the heavy steam rising into the pale blue and grey sky visible through the branches.

Visited my first sugar shack. It was warm but didn’t smell like sugar. However, the maple syrup was something else. I see pancakes in my future.

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A top-down, slightly angled view of several wet, muddy dog paw prints tracking across a light gray concrete surface. The floor is composed of long, narrow planks separated by thin, dark grout lines or gaps that run diagonally from the top left to the bottom right. The mud is a rich, earthy brown color, appearing thick and textured in some spots with smaller splatters and flecks of dirt radiating from the main prints. Sunlight hits the surface from the side, casting soft shadows in the shallow grooves of the concrete and highlighting the damp, reflective texture of the fresh mud. Small bits of debris, like tiny pebbles and dried leaf fragments, are scattered near the tracks, suggesting a recent trip from the outdoors onto a clean porch or walkway.

It’s not exactly warm yet, just barely above freezing, and the mounds of snow are creating a lot of mud.

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A vintage cylindrical Perfection oil heater stands in a snowy corner formed by a light purple stucco wall. The heater is primarily white enamel with decorative cross-shaped ventilation cutouts at the top and base. A silver metal plaque on the front reads Perfection Oil Heater. Significant rust is visible on the round iron base and the middle trim ring. A thin layer of snow rests on the heater's flat lid and around its base, where several dried brown oak leaves are scattered. Behind the heater, dark green evergreen branches and bare brown twigs fill the background. The lighting is flat and overcast, emphasizing the cold, wintery atmosphere.

The heater is struggling.

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Three vertical strands of a handmade garland hang against an off-white wall, casting soft, blurred shadows to the left. The garland consists of fluffy, irregular white popcorn kernels interspersed with dark, shriveled dried cranberries or raisins. The organic textures of the bumpy popcorn and wrinkled fruit are sharp and detailed. At the top of the frame, the strands appear to be attached to a cluster of dried flowers in shades of tan and cream. The lighting is soft and directional, coming from the right, which emphasizes the three-dimensional depth of the food items against the flat surface of the wall.

This is just some popcorn hanging on the wall from like 3 years ago. uxbrad.com/activity/202...

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An orange metal utility sign stands in the foreground on the left, displaying a warning about buried fiber optic cables and a 'call before you dig' message. The sign is weathered and mounted on a rusted post. The ground is completely covered in a thick layer of bright white snow, showing soft textures and faint footprints. A long, dark shadow from the sign stretches across the snow toward the center. In the background, a narrow, snow-dusted path or driveway leads toward a distant line of power poles under a crisp, vibrant blue sky. To the right, a small grey shed and a house with a wooden fence are partially visible behind bare, snow-dusted trees and shrubs. The lighting is bright and direct, suggesting a cold but sunny winter morning, creating sharp contrasts between the white snow and the dark skeletons of the leafless trees.

There’s a theme in all of these photos I’ve taken over the last couple weeks. Snow. There’s so much of it.

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A retro-style gumball machine stands centered on a bright blue, textured wooden ledge against a neutral grey wall. The machine features a transparent rectangular globe that is currently empty. Inside the globe, a white sign displays a cartoon boy blowing a pink bubble, with the text BUBBLE GUM and 25¢ printed in bold letters. A red and white VEVOR brand label is affixed to the lower front of the clear plastic. The base of the machine is a glossy navy blue with polished chrome accents on the coin mechanism and the dispensing flap. To the left, a weathered white wooden post with a blue painted bottom section is visible. The lighting is even and flat, highlighting the reflective surfaces of the chrome and the plastic globe.

Has inflation effected the price of gumballs in the last 25 years? I can’t tell because the ones in this machine look they’re from 25 years ago…

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A steep, weathered wooden staircase leads upward between two buildings under a clear, bright blue sky. Each of the dark wood treads is topped with a layer of fresh, white snow, creating a repetitive striped pattern of brown and white. The staircase features a simple wooden handrail on the left side, also dusted with snow. To the right, the flat, textured surface of a pale yellow building occupies much of the foreground, showing slight cracks and weathered patches. On the left, another yellow building stands in the background with visible windows and a white chimney. The lighting is bright and crisp, casting soft shadows across the snowy steps and highlighting the grainy texture of the wood. The composition is a low-angle shot, looking straight up the stairs, emphasizing the height and the narrow alley-like space between the structures.

Yeah, so the next few days are going to be a joy to get around.

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A dense, heavy fog blankets a suburban street at night, creating a hazy and atmospheric mood. The primary light source is a bright, circular yellow streetlight positioned centrally in the upper frame, emitting long horizontal lens flares and a soft, golden glow that dissipates into the mist. In the foreground, a dark metal mailbox stands near a wet sidewalk and a chain-link fence. To the left, the silhouette of a house with glowing windows is visible through the haze, alongside utility poles and wires. The asphalt road on the right is damp, reflecting the yellow light and showing faint yellow and white traffic lines. In the distance, the fog shifts from a warm yellow to a cool, eerie blue hue where secondary lights catch the mist. The overall composition is centered on the light, with the vanishing point of the road obscured by the thick, opaque atmosphere.

Walking outside late last night and the fog was ominous.

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The view looks upward from a low angle at the thick, gnarled trunks and sprawling branches of a deciduous tree in winter. The bark is textured with peeling, mottled patches of brown, gray, and tan. Several main limbs converge at a central point, sprouting thinner, vertical branches that reach toward the top of the frame. Small, dark, dried seed pods or berries cling to the ends of the finer twigs, creating a delicate silhouette against the background. The sky is a bright, clear blue, filled with soft, white and light gray cumulus clouds. The lighting is bright and natural, casting sharp details on the rough bark and highlighting the complex network of branches.

This looks like it’s cold right? Because it is.

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A light-maned horse stands partially obscured in the shadows of a red wooden stable, visible through a square window framed by weathered wood and chicken wire. Sunlight highlights the tips of the horse’s mane while the rest of its face remains dimly lit, creating a contrast between the bright exterior and the dark interior of the stall. The worn red paint and rustic textures emphasize the aged character of the barn.

There's a horse in there.

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A steep, snow-covered hillside leads into a dense, pitch-black forest. Bare, leafless trees rise vertically from the slope, their trunks stark against the darkness. Rocks and dead underbrush scatter across the ground, some partially buried in the snow. The scene is lit by an artificial, almost blinding light, giving the forest an eerie, foreboding feel as the woods fade into total darkness beyond the beam's reach.

As much as I would love to live in the middle of nowhere, this is what it looks like at night. I don’t know what could be out there.

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A chaotic, towering structure made from dozens of silver-painted bicycles stands in an outdoor urban setting. The bikes are interlocked and welded together in all directions, forming a tangled geometric sculpture. Sunlight highlights the metallic sheen of the spokes and frames, while a scattering of dry brown leaves lines the pavement below. In the background, hints of red buildings, fencing, and fall-colored trees peek through the dense mesh of wheels and frames.

What is this? Just a tower of bikes that don’t seem to serve a purpose. Guess it’s art then. uxbrad.com/activity/202...

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A vast cranberry field stretches out with dense rows of red cranberries carpeting the muddy ground. The berries form uneven, wave-like mounds that contrast sharply with the earthy soil beneath. In the background, the red fades into pale grass and golden stubble, leading to a tree line at the horizon. The entire scene has an autumn harvest feel, with natural textures and colors blending under overcast light.A vast cranberry field stretches out with dense rows of red cranberries carpeting the muddy ground. The berries form uneven, wave-like mounds that contrast sharply with the earthy soil beneath. In the background, the red fades into pale grass and golden stubble, leading to a tree line at the horizon. The entire scene has an autumn harvest feel, with natural textures and colors blending under overcast light.

I thought I had discovered a cranberry bog but I think I found where they collect them after harvest. This seemed to be the remnants.

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Clusters of dried corn stalks are bundled and stacked upright across a harvested field, forming cone-shaped mounds. The golden-brown husks contrast with the remaining green patches of grass and a line of trees under a mostly cloudy sky. The scene evokes a strong autumnal, post-harvest atmosphere.

I did a lot of corn themed things recently, walking through the fields to harvest them, shucking and and making feed for livestock, and, my favorite part, making corn husk dolls. uxbrad.com/activity/202...

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A massive gray elephant-shaped building with smooth, paneled skin and white tusks stands beneath a bright blue sky. The elephant's round eye is rimmed with orange, and its body curves outward with lifelike folds around the ears and trunk. Atop its back is an ornate, reddish-brown structure resembling a small house or viewing platform, complete with decorative trim and a balcony. The perspective from below emphasizes the scale and whimsical architecture of the structure, known as Lucy the Elephant.

If you’ve never seen Lucy, she’s a 6 story tall elephant on the Jersey Shore, and America’s first roadside attraction. If you haven’t been to see her it makes for a good side quest.

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A weathered tree stump with jagged, radiating edges resembles a rough starburst or spider shape. The cracked wood is deeply split and darkened with age, with patches of green moss nestled in the crevices. A single curled leaf rests in the center, contrasting against the worn, gray wood. Bits of bark and soil fill the surrounding area, while soft dappled sunlight highlights the texture and depth of the decaying stump.

There once was a very large tree here and now it’s just remnants.

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A cluster of withered black-eyed Susans, their petals mostly gone, reveals blackened seed heads atop thin, reddish-brown stems. Some remaining petals are curled and faded to a burnt orange, barely clinging on. The surrounding leaves show signs of decay with purple spotting and crisp edges. The plant stands amid patchy grass and damp concrete, capturing a quiet moment of seasonal transition and natural decline.

I take a good number of pictures of dead flowers. This is one of them.

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A fenced pedestrian walkway leads down a flight of stairs toward a rocky river, framed by a metal cage of chain-link fencing. The concrete beneath is marked with bold white graffiti that reads 'Justice 4 All Melanin March' alongside red spray-painted designs. In the distance, train bridges stretch across the water and a city skyline peeks through on the right. The river flows briskly over scattered rocks and leafless trees, with a bright blue sky and fluffy clouds above.

Walking down by the river.

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A close-up of a giraffe leaning forward over a wooden barrier, its face filling much of the frame as it curiously peers toward the camera. Its large, expressive eyes and ossicones are clearly visible. Behind it, a second giraffe stands in a sandy, enclosed zoo habitat surrounded by wooden fences and a building with a steep roof. The scene is lit by natural daylight, with trees and a blue sky in the background.

This has to be the most friendly giraffe I’ve met. Was it because I had food? Likely, yes.

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I think I saw this truck on the road one evening.

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Dense evergreen ground cover fills the frame, its short, needle-like foliage forming a thick, textured carpet of varying shades of green. Several fine, silken spider webs are spread across the surface, nearly invisible except where they catch the light. Toward the bottom of the image, some of the needles are dry and brown, hinting at seasonal change or age. The foliage appears undisturbed, with the webs gently clinging between branches like morning mist.

You know who doesn’t get Labor Day off? A whole lot of people, actually. And spiders.

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Painted blue seashell with the word 'PEACE' sits atop a jagged tree stump in the woods.

I found peace. But I left it for someone else. uxbrad.com/activity/202...

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A small, light brown frog sits on a textured, purplish asphalt surface, partially casting a dark shadow to the left. The frog’s skin blends closely with the ground, and its body is oriented upward in the frame. The surface is rough and uneven, with patches of gravel and debris embedded in it. Harsh light accentuates the frog's contours and the deep crevices in the pavement. The frog's size, in comparison to the visible granules of the asphalt, suggests it's very young, just barely not a tadpole.

I’ve been seeing this tiny frog almost every night. If not them, then a sibling of his. I just want it to be my friend [...] uxbrad.com/activity/202...

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