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#FloridaKeys
Posts tagged #FloridaKeys on Bluesky
Been in a 3rd floor room in Islamorada last couple of days, and our next door neighbor has been a family of ospreys. Dad stands watch while little Ozzie tries to learn how to fly.
#floridakeys
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Smathers Beach, Key West, FL 3/26
#florida #keywest #floridakeys #beach #landscape #photography
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Please join us in congratulating our top agents for sales for the month of February 2026. Visit cbflkeys.com/Agents to find out more about them. #FloridaKeysRealtor #ColdwellBankerSchmitt #FloridaKeysRealEstate #floridakeys
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Of Course I Lived at the only place in the Florida keys with a #Buddha statue.
#FloridaKeys. #Photography
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Key West | @drjimcarey | Flipboard
News about Key West and the Florida Keys, by Dr. Jim Carey, formerly of Caribbean Computers at 1110 White St., Key West.
http://dlvr.it/TRRmdh
#KeyWest #FloridaKeys #Travel #Vacation #ExploreFlorida #IslandLife #BeachVibes
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We'll be holding Florida Keys Open House events on Saturday, March 7 & Sunday, March 8 between the Middle Keys and Key West. Please visit cbflkeys.com/open for details and directions. Don't hesitate to contact our listing agents with any questions in advance. #floridakeysrealestate
#floridakeys
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Posting from the Florida Keys. I implore the imaginary gods to restore FL to some sense of normalcy! #Floridakeys #Florida #photography #bluesky
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A small, bustling outdoor market scene is centered on a vendor’s table crowded with delicate glass sculptures. The clear glass figures — slender necks, arched backs and looping tails — catch and scatter the afternoon light, turning edges into tiny, bright highlights and reflections that make the pieces look almost alive. They sit atop a neat pyramid of black, velvet-covered boxes; the black fabric is patterned with crisp white, hand-drawn-style outlines and motifs that echo the shapes of the glass, adding a graphic contrast to the fragile, transparent objects. To the left a man with glasses and a patterned shirt leans in over the display, focused on arranging or explaining a piece, while a young boy in a blue cap watches intently behind him and another man in a teal shirt browses at the right. A small metal tin on the table, likely for tips, and a few casual items around the stall reinforce the informal, artisan feel of the setup. In the background, the soft blur of passersby and warm, sunlit architecture suggests a lively market day — a mix of craft, conversation and quiet concentration around a collection of finely made, luminous objects. A street vendor Ryan Stimers displays his intricate wire sculptures on a tiered stand.
A delicate wire portrait of a dog sits against a deep black background, the thin metal lines tracing a surprisingly expressive face with nothing more than loops and contours. The head and ears are rendered in a bright silver wire: a single continuous outline suggests the shape of the skull and the alert, slightly tilted ears, while tighter coils and small circles form the eyes and the dark nose. The eyes, made from concentric loops, give the piece a watchful, soulful look despite its minimalism. Beneath the head the artist has built a simple, warm-toned collar and stand from copper or brass wire: two concentric rings create a neck and base and a small heart-shaped charm hangs at the front, adding a touch of whimsy and personality. The metal catches the light, producing thin gleaming highlights that make the wire read like a line drawing lifted off the page and turned into three-dimensional space. In the lower right corner a small inset photograph of a real dog shows the inspiration: a tan, dark-muzzled canine with perky ears and big brown eyes, wearing a bright blue collar. The sculpture translates the dog’s defining features — the dark mask around the muzzle, the ear shapes, the attentive gaze — into a few economical strokes of metal, preserving the subject’s expression and character while remaining airy and elegant. The overall effect is charming and intimate: the piece reads as both sculpture and sketch, a loving, pared-down likeness that captures mood and identity rather than literal detail. The contrast between the metallic lines and the velvety black backdrop keeps the eye focused on the contours, letting small touches like the heart charm speak softly about affection and care.
A delicate, handmade wire figure occupies the center of the photograph, held up by a bare hand at the left edge of the frame. The body of the figure is formed from a single continuous line of silver-colored wire that traces a stylized, almost sketch-like outline: a slight head tilt, a narrow torso, one leg straight and the other bent as if in mid-step or balancing. The posture reads like a dancer or tightrope walker — arms spread wide, chest open, an expression of movement captured in minimalist metal. Clutched in the figure’s right “hand” is a contrasting ring of warm, gold-toned wire fashioned into a circular motif. Small flame-like curls arc above the top of the ring, giving it the appearance of a sun or a hoop rimmed in fire. Inside that circle, a few horizontal gold wires suggest texture or detail, so the element reads like a symbolic object rather than a literal prop. The left side of the composition shows the real human hand holding the piece by a thicker coil of wire, fingers pinching the metal; that hand anchors the small sculpture to the physical world and highlights its scale. A wooden ruler at the bottom of the image gives a sense of size: the figure is only a few inches tall, a careful, tiny work of wire art. The backdrop is a matte black fabric that absorbs light and isolates the subject, making the silvery and golden wires gleam where the light hits them. Highlights run along the curves of the metal, and soft shadows fall onto the cloth, reinforcing the three-dimensionality of the piece. Overall the image has an intimate, handcrafted quality. The line-work of the wire provides both economy and expressiveness: with a few loops and bends the artist has suggested gesture, balance, and a small narrative tension — a human form poised between motion and stillness, offering or holding up a radiant emblem. The contrast of metals, the visible human hand, and the quiet, dark background combine to make the tiny sculpture feel both fragile and animate.
A small, handcrafted metal cake topper sits against a soft white backdrop. Two slender palm trees, finished in warm gold, rise on either side — their fronds fanning outward in delicate, serrated wirework. Each tree is supported by a tightly coiled spiral trunk that gives a sense of springy texture and vertical motion. Between the palms, a pair of intertwined names is rendered in flowing cursive formed from silver wire. The script loops and curls with romantic flourishes: hearts and sweeping tails thread through the letters, creating a compact, lyrical centerpiece. The names sit above a simple circular base of wire that anchors the whole piece and casts gentle, feathery shadows on the surface below. The contrast of cool silver and warm gold, plus the contrast between the airy script and the more structural spiral columns, gives the object both elegance and whimsy. Light glints along the metal, picking out subtle highlights and the handcrafted character of the bends and twists. Overall it reads as a personalized, celebratory ornament — intimate and decorative, with a playful tropical twist.
Sunset Celebration Vendor
Ryan Stimers's Arts and Crafts
www.etsy.com/shop/TheWire...
In the picturesque setting of Key West and the Florida Keys, they have been living and joyfully creating Twisted Art Sculptures for a considerable period.
#KeyWest #ArtsAndCrafts #WireSculptures #FloridaKeys
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Key-cophony: Sooty terns on Garden Key. Turn it up to 11. lone.earth/w/vihgGo12KF... #drytortugas #floridakeys #fortjefferson #gulfofmexico #birds #nature (Trying out PeerTube as an alternative to the other one.)
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The piece of art depicting Key West and the Florida Keys, known as "Walk to Beach" was created by the artist Noah Browning. This painting captures the beauty and essence of the region through its vibrant colors and detailed imagery. A wooden walkway leads to a pristine beach, framed by towering palm trees. The turquoise waters of the ocean stretch out to the horizon, shimmering under a bright blue sky. The scene evokes a sense of tranquility and relaxation, inviting viewers to escape to a tropical paradise. The lush greenery and the gentle sway of the palm trees create a serene atmosphere, perfect for a day of sunbathing, swimming, or simply enjoying the beauty of nature.
The artist Noah Browning created a piece of art called "Quite Day" which depicts Key West and the Florida Keys in vibrant colors and detailed imagery, capturing the beauty and essence of the region. A lone palm tree stands tall against a serene backdrop of a blue sky, wispy clouds, and a calm, blue ocean. The sandy beach stretches out in the foreground, creating a peaceful and idyllic scene. The silhouette of the palm tree against the sky emphasizes the tranquility of the moment, suggesting a sense of solitude and relaxation. The image captures the beauty of a tropical paradise, inviting viewers to imagine themselves basking in the sun and enjoying the gentle sea breeze.
Noah Browning is the artist who created the piece of art "Things looking Up" which shows Key West and the Florida Keys. This painting's vivid colors and intricate imagery perfectly convey the area's beauty and spirit. A low-angle shot captures the lush, green fronds of palm trees against a vibrant blue sky. The sun shines through the leaves, casting a warm glow on the scene. The sky is dotted with fluffy white clouds, adding depth and dimension to the image. The towering palm trees create a sense of tranquility and escape, evoking images of tropical paradise.
The artist Noah Browning produced the piece of art titled "Sunset" which features Key West and the Florida Keys. The vivid colors and finely detailed imagery in this painting perfectly convey the region's beauty and spirit. The image captures a breathtaking sunset scene with two sailboats silhouetted against the vibrant orange sky. The larger sailboat dominates the foreground, its sails fully unfurled and catching the last rays of the setting sun. The smaller sailboat, positioned in the distance, adds a sense of perspective and scale to the composition. The sky is ablaze with an array of fiery orange hues, creating a dramatic backdrop for the majestic ships. The silhouette of the sailboats against the fiery sky evokes a sense of tranquility and adventure. The image is a testament to the beauty of nature and the allure of the sea.
Noah Browning's Photographer
www.noahbrowning.photography
For many years, this artist has been enveloped in the dynamic culture of Key West and the Florida Keys, and their Photography vividly reflect that journey.
#KeyWest #Art #Photography #Photographer #FloridaKeys
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A Portuguese man-o-war floating in clear seawater, attended by a half-dozen man-o-war fish.
Once more unto the fortress, dear friends! #drytortugas #floridakeys #fortjefferson #gulfofmexico. Many more pix at flic.kr/s/aHBqjCLXvR.
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US citizen among four dead in Cuba speedboat shootout. Here's what we know #CubaSpeedboatShootout #UnitedStates #Havana #FloridaKeys
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Key West | @drjimcarey | Flipboard
News about Key West and the Florida Keys, by Dr. Jim Carey, formerly of Caribbean Computers at 1110 White St., Key West.
http://dlvr.it/TR9d5J
#KeyWest #FloridaKeys #Travel #Vacation #ExploreFlorida #IslandLife #BeachVibes
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A small fleet of sailboats drifts on a liquid mirror of color as the sun slides toward the horizon. The largest boat sits slightly off-center, its mast a thin, dark line that punctures the sky; two more vessels, smaller and more distant, sit like quiet punctuation marks along the far edge of the water. The sun itself is a glowing disk half-hidden behind a bank of clouds, casting a fierce, golden core that softens into blazing oranges and pinks as it bleeds upward and outward. The sky is a dramatic gradient — a deep, almost cobalt blue at the very top that gives way to rich violets and then to the molten warmth around the setting sun. Wisps and puffs of clouds catch that light with luminous rims, their undersides painted in burnt sienna and coral. That same palette is echoed and fractured across the water: each small ripple takes a slice of color, so the surface becomes a shifting tapestry of turquoise, copper, and rose. Where the sun’s brightest beam meets the hull of the nearest boat, the reflection elongates into a trembling, vertical streak of white and gold. Brushwork feels confident and expressive; strokes suggest movement rather than precise detail, so the scene reads as both realistic and slightly idealized. The boats are rendered in silhouette and soft shadow, enough to convey structure — hulls, cabins, taut lines — without distracting from the overall atmosphere. A tiny signature sits unobtrusively in the lower right, a reminder of human authorship, but it’s the interplay of light and water that dominates. Overall, the composition conveys a hush of late-day calm and a kind of warm melancholy: the day’s heat folding into evening, the horizon a thin, cool line that separates the active sky from the reflective sea. It’s the kind of image that makes you breathe a little slower and watch the colors deepen.
A warm, exuberant sunset fills the scene, the sky a riot of saturated color that sweeps from molten gold and tangerine at the horizon into bands of magenta, violet and turquoise higher up. Thick, confident brushstrokes — almost sculptural in places — give the clouds a kinetic, streaked quality, as if the sky itself is still moving and mixing its pigments. In the foreground a cluster of rounded, shadowed rocks anchors the composition, their deep blues and purples letting the luminous sky sing more loudly. A graceful palm frond arcs in from the right, its long, feathery leaves painted with quick, multi-hued strokes that catch flashes of green, blue and purple; the frond both frames the view and lends a tropical intimacy, like leaning under a canopy to watch the day end. The water reflects the sunset’s colors in streaks and shimmers, cool blues fractured by warm reflections. Several sailboats dot the midground — a few sails bright white, others tipped with red — their slim forms tilting gently, implying a light, steady breeze. Beyond them a low bridge or causeway runs across the scene, silhouetted against the glowing horizon and providing a horizontal counterpoint to the vertical flutter of sails and palm fronds. Overall the painting feels alive and celebratory: bold color, expressive strokes, and a composed layering of foreground, middle ground and horizon create a sense of depth and movement. It’s a sunset that’s as much about the sensation of color and atmosphere as it is about the place itself — warm, breezy, and quietly electric.
A single, slightly leaning palm tree dominates the foreground, its rough, warm-brown trunk textured with confident brushstrokes and small highlights where the sun catches the bark. From that trunk fan long, feathered fronds that arch gracefully across the top of the scene; each leaf is rendered in lively streaks of green and yellow, some edges bright with sunlight, others washed into cooler shadow, creating a sense of movement as if a soft breeze is stirring them. Beneath the palm, a narrow strip of pale, buttery sand meets gently lapping water. The sand carries subtle gradations — warm creams near the base of the tree, more golden and sunlit toward the shoreline — and the tree’s shadow is cast as a soft, bluish sweep across it. Where land becomes sea, the surf is calm: thin lines of foamy white and pale aqua suggest barely perceptible waves breaking and retreating along the beach. The ocean itself is a study in blue and green. Close to shore the water is a translucent turquoise, then deepens through bands of verdant teal to a rich, almost ultramarine blue at the horizon. Delicate horizontal strokes and subtle color shifts give the surface a shimmering texture, with darker bands hinting at changes in depth or gentle ripples. Far off near the skyline, two small white sailboats are pinpointed as tiny, bright triangles, adding scale and a quiet sense of distance to the composition. Above, the sky is a clear, warm blue, lighter toward the horizon, suggesting midday sun and crystalline air. Overall the scene feels tranquil and luminous — an inviting, sun-drenched moment that balances the solidity of the palm with the endless calm of sea and sky.
Robert Korhonen's Art
pixels.com/profiles/rob...
My experiences in Key West and the Florida Keys sparked my creativity, leading me to create these Acrylic Painting.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
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The Winter Star Party in the Florida Keys last week was a great time. Every night was clear, the talks were interesting, and the people friendly! Highly recommended! ✨ 🔭 🌴 💙
#astronomy #telescope #astrophotography #floridakeys
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A hand holds a simple kraft cardstock earring card displaying a pair of glossy teardrop earrings. Each earring is a translucent resin teardrop, about an inch and a half long, fading from a bright sea-green/turquoise near the top into a clearer, pale edge. Inside the resin are tiny gold flakes that catch the light and a delicate, black, branching pattern that looks like a dried leaf skeleton or coral — fine veins that fan across each teardrop and give the pieces an organic, slightly vintage feel. The tops attach to small round silver discs and thin silver jump rings, so the teardrops dangle freely. The resin surface is smooth and reflective; you can see subtle highlights and a couple of tiny bubbles embedded in the material. In the background are shelves and craft supplies, slightly out of focus, placing these as handmade jewelry likely photographed in a studio or workshop. The overall impression is oceanic and natural, with a handcrafted, artistic quality. Key West's own Rachel Burrows highlights her craftsmanship with a piece she created, titled Jewelry which is featured in her arts and crafts collection in the picturesque Florida Keys.
A warm, cozy little vignette: ten pairs of handcrafted earrings are neatly pinned to rustic kraft display cards and fanned out over a thick, cream-colored crocheted mat. The overall palette is earthy and autumnal — rich browns, deep ambers, warm golds, cream and a few darker chocolate tones — and the photo has a soft, sepia-tinted glow that amplifies that vintage, bohemian feeling. Each card holds a distinct, tactile design. Some pieces are long and linear, with slender metal bars, hammered spikes or tapered wooden sticks dangling beneath small stone or clay beads. Others are chunkier: round marbled discs, smooth wooden beads, and short stacked cylinders that give a slightly tribal, handmade character. A few pairs mix tiny pearl-like beads with geometric charms — little brass triangles and diamond-shaped metal pendants — creating contrast between soft, organic shapes and crisp geometry. Close inspection reveals varied textures: glossy resin or polished stone catches the light on a couple of round studs, matte clay beads offer a subdued counterpoint, and the metal components show subtle patina and hammer-marked surfaces. The kraft cards themselves are decorated with a simple ink illustration and looping script, adding to the artisanal market-stall vibe. Overall the arrangement reads like a thoughtfully curated collection of boho accessories — warm, tactile, and quietly sophisticated — inviting the viewer to reach out and feel the different weights and finishes. Meet Rachel Burrows, a Key West artisan who reveals her wonderful pieces of Jewelry which is included in her arts and crafts collection from the stunning Florida Keys.
A tidy, feminine assortment of fashion earrings is arranged on small kraft-paper display cards and set against a soft, white textured blanket. The lighting is warm and gentle, giving the metals a honeyed glow. About a dozen cards hold matching pairs — a coherent palette of warm gold tones, creamy pearls and pale marbled resin, with sparkling clear crystals catching the light. The styles range from tiny, glinting studs to longer, elegant drops. Some pieces are simple circular or bar studs; others combine delicate chains, teardrop pendants and slim geometric bars for a layered look. Several pairs feature faux pearls with a soft luster, while others show marbled beige-and-white inlays that read like tiny slices of stone. Faceted crystal accents and cluster studs add a vintage-glam sparkle, and a few designs include hammered or brushed metal textures for subtle contrast. Each earring pair is pinned to a neat kraft card—some cards stamped or printed with small motifs and a cursive “love” on one—so the collection reads like a boutique display or a curated gift set. The overall effect is gentle, elegant and versatile: wearable day-to-night pieces with a cohesive neutral, slightly romantic aesthetic. In Key West, crafter Rachel Burrows presents her impressive works of Jewelry showcasing her artistic skills as part of his collection in the Florida Keys.
Five pairs of dangle earrings are casually arranged on rough, speckled gray stone, each pair fastened to a small rectangular kraft-card backing. The cards’ warm brown paper contrasts with the cool, granular surface beneath, and bright sunlight picks out glints on metal and facets, throwing tiny shadows that emphasize each piece’s shape. Top left is a pair of deep cobalt-blue beads — smooth, richly colored spheres strung on simple silver wire that catches the light. To the right of those sits a delicate pale-lilac pair: translucent, faceted teardrop beads gathered beneath filigree caps, giving them a soft, almost floral look. Near the center is a pair of clear crystal drops: long, faceted teardrops suspended from minimalist silver hooks so they read as clean and elegant. Another pair shows slender silver elements — narrow, slightly hammered or textured leaf- or feather-shaped pieces that hang with a quiet, organic simplicity. The bottom-most card holds the boldest statement: a clustered chandelier of deep green glass beads mixed with tiny gold-toned accents and little dangling charms, layered and slightly tangled so they spill outward with movement. Overall the collection feels handmade and eclectic: a mix of polished faceted stones, textured metals, and simple wirework, arranged in an unpretentious, sunlit display that invites the eye to move from subtle shimmer to bright color. Rachel Burrows, a talented crafter from Key West, shares her latest creation of Jewelry which is part of her arts and crafts collection in the beautiful Florida Keys.
Rachel Burrows
www.instagram.com/rachelburrow...
They have called Key West and the beautiful Florida Keys home for some time, pouring their creativity into making toys.
#KeyWest #ArtsandCrafts #Jewelry #FloridaKeys
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Florida Keys man accused of attacking relative with broom, threatening her with knife. The #FloridaKeys between #KeyLargo and #KeyWest is sparsely populated, yet it has a higher than average amount of mostly redneck initiated violent attacks.
www.local10.com/news/local/2...
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I may or may not have wrote this article just to use these emojis: 🤖🪸🐠🪸🦀🪸
#CoralReef #Conservation #Florida #FloridaKeys #AI #MachineLearning
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A bright, painterly still life: a terracotta pot sits at the lower edge of the canvas, from which long, arching green leaves unfurl in sweeping, rhythmic bands. The leaves are rendered in vibrant greens and deep teals, with broad, confident brushstrokes that create a sense of movement curling outward and back into the composition. Rising above the foliage are several orange-red, trumpet-shaped flowers—six prominent blooms and a few buds—each with a warm yellow center and visible stamens. The flowers are the focal point, their warm hues striking against the cool, turquoise-to-emerald background. The overall palette is saturated and joyful, the contrast between the warm blossoms and the cool leaves/background giving the painting a lively, almost tropical energy. The handling is loose and expressive rather than photographic: you can see the painter’s confident strokes and the way colors blend at the edges. The composition feels balanced and upward-moving, with the flowers’ stems leading the eye rhythmically from pot to bloom. A small signature appears in the lower right corner, anchoring the work. Overall, the image conveys cheerfulness and vitality—an exuberant, stylized celebration of a flowering houseplant.
A tightly composed bouquet of calla lilies fills the frame, their long, elegant forms rising like white trumpets from a cluster of deep green and teal foliage. The trumpet-shaped blooms curl gently at their tips, each petal rendered with soft gradations of white and pale green that suggest a cool, satiny surface. The leaves are broad and layered, painted in overlapping strokes of emerald, blue-green and teal that give them depth and a slightly architectural rhythm. The background is a warm, coral-red field that contrasts sharply with the cool greens and bright whites, pushing the flowers forward and lending the piece an almost decorative intensity. Vertical stems converge toward the lower center, creating a sense of upward movement and unity; the negative space between leaves and blooms forms dark, leaf-shaped pockets that add visual contrast and keep the composition lively. Brushwork appears confident and slightly stylized rather than hyperreal — areas of blended shading sit beside clearer, more graphic edges — giving the painting a contemporary, slightly poster-like quality. A small signature in the lower left anchors the scene and hints at the artist’s hand. Overall, the image feels elegant and composed: a study in contrast, balance and the sculptural beauty of a simple floral motif.
Three luminous fish glide across a roiling wash of blues and greens. The artist uses bold, curved brushstrokes to suggest water in motion — layers of teal, cerulean and darker blue swirl and ripple around the swimming forms, giving the scene a sense of depth and current. The fish themselves are rendered in bright lemon-yellow and soft aquamarine. Their elongated bodies are edged in yellow, with dappled blue and white markings along the flanks that catch the light. Their tails and fins are long and slightly translucent, painted with confident, sweeping strokes that emphasize movement. Two of the fish overlap so their tails cross, creating a dynamic X-shape that draws the eye across the composition, while a third follows close behind, slightly lower and more recessed. Each fish has a distinct, rounded eye picked out in white and dark pigment, which gives them a lively, alert expression. The texture of the paint is visible — areas of thicker color and quick, energetic marks suggest scales and reflections rather than spelling them out in fine detail. Overall the piece feels impressionistic and vibrant: more about the sensation of underwater life and motion than scientific exactitude. In the lower right corner a small signature is visible, suggesting the personal touch of the artist. The mood is buoyant and serene, as if catching a brief, sunlit moment beneath the surface.
A warm, tranquil seascape unfolds across the canvas, bathed in the soft glow of a setting sun. The sky is a patchwork of pastel clouds — bands of pink, peach, and lavender drifting against a pale blue — and the sun sits low near the horizon, a pale, mellow disk that turns the clouds into a glowing ribbon. That golden light spills across the scene, tinting the air with a peaceful, late-afternoon hush. On the blue-green water, gentle ripples carry reflections of the sky’s colors. In the foreground, a smaller two-masted sailboat rides the calm swell, its sails partially furled and its hull rendered in muted tones that make it feel solid and close. Further back, a larger, more distant ship with full sails is silhouetted against the sunset, its tall masts and billowing canvas creating a dramatic, almost romantic contrast with the softer colors around it. To the left, a solitary, slim sail cuts the horizon, suggesting more vessels beyond the frame. A few seabirds wheel through the air, tiny dark shapes that add life and movement to the otherwise quiet scene. The brushwork is gentle and suggestive rather than hyper-detailed, emphasizing color and mood over strict realism; the overall effect is contemplative and nostalgic, a scene that invites you to imagine the faint sound of wind in the rigging and the slow, steady rhythm of waves. In the lower corner the artist’s hand is hinted at by a small signature, grounding the scene as a crafted moment of memory rather than a photograph.
Nancy Henning
www.nancyhenning.com
Enriched by years of living amidst the stunning beauty of Key West and the tranquil Florida Keys, this artist's Acrylic Painting artfully convey the breathtaking essence of their environment.
#KeyWest #Art #AcrylicPainting #Paintings #FloridaKeys
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Great time first three days at Winter Star Party in Florida Keys! #astronomy #FloridaKeys #telescope
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Join one of the events across Florida, today Wednesday Feb 18th!!! #resist
#Floridakeys
#Carrollwood
#PalmBay
#LandOLakes
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A quiet, airy watercolor of a shoreline unfolds across the page in soft, horizontal bands. At the top a pale, almost translucent sky bathes the scene in cool light; the clouds are gently suggested by faint, feathered washes and a few barely-there pencil marks that give the impression of distance. The sea takes up the middle ground in layered swathes of blues and aquamarines — deeper indigo farther out, graduating into lighter, greenish-blue nearer the shore — with thin, irregular white lines and softened edges that suggest the gentle breaking of waves and the foam they leave behind. The foreground is a warm, sandy expanse rendered in washed ochres and pink-tinged beige. The artist uses sparing, textured strokes and a little granulation to imply wet sand, scattered pebbles or seaweed, and shallow tidal pools. Near the center I see a small, darker cluster of marks — a handful of stones or driftwood — which anchors the composition and provides a focal contrast to the otherwise fluid horizontals. Tiny, distant birds are indicated as simple, dark flecks along the horizon, adding to the sense of scale and stillness. Technically, the painting relies on the translucency of watercolor: overlapping glazes, wet-on-wet blending, and occasional sharper strokes for detail. The overall mood is calm and contemplative — an unhurried moment at the water’s edge, washed in gentle color and light. There’s a small signature and date in the lower-left corner, a final, unobtrusive human touch to the serene scene.
Rebecca Marona's Art
pixels.com/profiles/reb...
The time I spent in Key West and the Florida Keys truly inspired me to create these lovely watercolor paintings. I consider myself 'Blessed' to have this skill.
#KeyWest #Art #Watercolor #Paintings #FloridaKeys
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A luminous, dreamlike underwater scene: two jellyfish float through a wash of turquoise and deep sea blue, their translucent bells glowing with swirls of pink, lavender, aqua and white. The larger jellyfish dominates the left side of the composition, its dome rendered with layered, almost opalescent strokes that suggest internal color and light. The smaller one follows behind, echoing the same palette on a more delicate scale. Their tentacles trail in long, graceful ribbons and fine, hairlike filaments that curl and weave across the canvas. Some lines are swift and confident, like ribboning brushstrokes; others are thin and frenetic, like filigree—together they create a sense of slow, balletic motion as if the artists captured a single gentle drift. Tiny flecks and dashes of gold, coral and white scatter around the creatures, hinting at plankton, a school of small fish, or simply the shimmering particles in the water catching the light. The background graduates from deep cobalt at the top left into brighter tropical greens toward the right, suggesting changing depths or currents. Along the bottom, a bold band of warm coral and sandy ochre anchors the scene, giving contrast to the cool upper palette and providing a sense of seafloor texture. The overall effect is vibrant and alive—an impressionistic, slightly surreal portrait of marine life that feels both tranquil and exhilarating, as if watching bioluminescence pulse softly in a warm ocean night.
A warm, sunlit seascape painted in bright, playful strokes: a single, stately palm stands slightly left of center, its fronds rendered in lively swaths of green and purple that catch the light like ribbons. The beach is a wash of soft golds and pale pinks, textured so you can almost feel the grain of sand underfoot. In the foreground a small flock of chickens — vivid roosters with rust-red combs and iridescent tail feathers, accompanied by a few hens — peck and strut, their lively poses giving the scene a cheerful, domestic energy. The horizon melts from a buttery orange near the waterline into a cool turquoise and then into a broad, cloud-flecked sky where blues and lavender mingle; the brushwork in the clouds is loose and airy, suggesting a gentle breeze. Off in the distance, a tiny cluster of palms on a low island anchors the view and adds depth. Overall the painting feels bright and breezy, a whimsical, tropical moment captured with textured, expressive strokes — the artist’s watermark “Nancy Adams Art” is visible across the center.
The scene reads like a quiet promise of a perfect day on the water. From a low vantage point — the tip of a small boat or kayak jutting into the frame — your eye is led out across glassy, turquoise-blue sea. The water is almost luminous, painted in layers of sea-green and aquamarine that fade into paler, sun-washed blues toward the horizon; delicate ripples and subtle reflections give it depth and a sense of stillness. To the left, a short rocky jetty breaks the smooth surface, crowned by a single, slightly windswept palm and a tiny open pavilion or gazebo. The palm’s fronds arch gracefully and cast a soft reflection on the water; the pavilion’s white structure reads like a little island refuge, bright against the saturated colors around it. Farther out, the horizon is low and calm, with a few wispy clouds drifting across an intensely blue sky. The brushwork feels fresh and painterly — broad, confident strokes that suggest texture on the water and the roughness of the rocks, with softer blending in the sky. Light is the picture’s protagonist: sunlit highlights on the water and the building make the scene feel warm and inviting, while the cool shadows anchor the composition. A faint watermark runs across the center of the image, and a small artist’s mark appears in the lower-right corner, but they don’t distract from the tranquil, almost meditative atmosphere. Overall, the painting conveys a lazy, sun-drenched quietness — an invitation to drift and simply be.
A luminous underwater scene unfolds across the canvas, dominated by a large sea turtle gliding serenely toward the viewer. The turtle’s shell is a mosaic of warm browns, rusts and amber highlights, edged with cooler purples and teal reflections that pick up the surrounding water’s color. Its head and flipper are rendered with intricate, scale-like patterns — pale lines and speckles that catch the streaming light — giving the animal a tactile, almost jewel-like presence. The water around the turtle is a riot of aquamarine, turquoise and lime-green, layered in translucent washes and swirls that suggest sunbeams breaking through the surface above. Those shafts of light streak diagonally across the composition, illuminating suspended particles and little schools of fish that dart away in tiny flashes of scarlet and gold. To the left, a smaller turtle recedes into the midground, adding depth and a sense of companionship. Beneath them the seafloor is hinted at with rolling beds of kelp and colorful coral clusters — purples, rose-pinks and deep blues — painted in loose, expressive strokes that contrast with the more detailed rendering of the turtles. The whole piece feels fluid and energetic: brushstrokes and drips mimic currents, and the layering of translucent pigments conveys the constantly shifting light and motion of the ocean. There’s also a subtle human mark across the center — a faint watermark reading “© Nancy …” — that overlays the scene without completely disrupting the visual flow. Overall, the image balances realism with a dreamlike palette and painterly movement, evoking a peaceful, almost celebratory moment under the sea.
Nancy Adams
www.nancyadamsart.com
Drawing from years of experience in the stunning Key West and the tranquil Florida Keys, this artist captures the beauty of their surroundings through exquisite watercolor paintings.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
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A bold, retro-style roadside sign dominates the composition, glowing as if lit by neon and marquee bulbs against a deep, tropical evening sky. The iconic diamond-shaped sign reads, in layered typefaces, “WELCOME” set in round, illuminated discs across the top, a cursive “to Fabulous” beneath it, and the large, blocky red letters “KEY WEST” centered on the plate with “FLORIDA” in smaller blue text at the bottom. A starburst emblem crowns the top of the sign, radiating warm reds and golds that reinforce the vintage, celebratory feel. Perched on either upper corner of the sign are two vividly colored parrots that give the image a playful, island mood. On the left sits a scarlet-toned parrot with bright red plumage and accents of blue and yellow; on the right is a blue-and-gold macaw with brilliant azure wings and a golden chest. Their curved beaks and feather textures are rendered with painterly brushstrokes, and they appear lively and watchful, lending the scene a sense of tropical life. Palm fronds frame the lower sides of the image, their green leaves silhouetted against the glowing backdrop and suggesting warm breezes and late-night humidity. The lighting is warm and saturated — yellows, reds and oranges from the sign contrast with the cool teals and indigos of the night sky, creating a luminous halo effect around the whole composition. The painterly surface shows visible strokes and blended washes, indicating this is an illustration or painted print rather than a photograph. Overall, the picture reads as a joyful, slightly nostalgic postcard for Key West: theatrical, colorful, and sun-soaked even at night, with a festive energy amplified by the parrots, palm trees, and the classic, friendly welcome of the sign. A small watermark or artist signature appears in the lower right corner, indicating this image is a reproduced fine-art piece.
A warm, tropical sunset fills the scene with saturated color. The sun, low on the horizon, spills molten oranges and golds into a sky streaked with pinks, purples and deepening blues. Those colors bleed down into the ocean, where the water alternates between deep teal and brilliant turquoise. A succession of rolling waves catches the light; translucent crests curl and break into foamy white ribbons that chase one another toward a pale, narrow beach. The shoreline curves gently away to the right, guiding the eye to a small, shadowed promontory. There, a trio of tall palm trees leans slightly toward the sea, their dark silhouettes punctuating the luminous sky. In the foreground, lush tropical foliage — broad green leaves and clusters of small red blooms — frames the scene and adds depth. The sand closest to the water has a wet sheen, reflecting hints of sky color, while the surf’s edge leaves delicate scalloped patterns. Overall the painting balances motion and calm: the ocean’s restless energy in the breaking waves contrasts with the serene, lingering light of the sunset and the quiet watchfulness of the palms, creating a peaceful, slightly wistful atmosphere.
A close-up painting of a macaw fills the frame with bold, exuberant color. The bird’s head and upper chest dominate the composition: a scarlet-orange breast melts into golden yellow near the neck, while a splash of bright green crowns the top of the head and a sweep of cobalt-blue traces the outer edge of a raised wing. The parrot’s thick black beak is rendered with crisp, confident strokes, contrasting against the pale, almost porcelain patch of face marked by those distinctive zebra-like black lines around the eye. The eye itself is small but lively, giving the bird a wary, curious expression. The background is a soft, sunlit wash of yellow-green that makes the warm feathers pop, and the artist’s brushwork ranges from smooth blends on the belly to more textured, expressive strokes along the wing and head, adding a tactile sense of plumage. Overall the painting feels vibrant and proud—alive with the macaw’s personality and the artist’s delight in color and form. A small signature sits near the lower left, and a faint “fineart america” mark appears in the lower right.
A warm, luminous seascape unfolds across the canvas. A low, golden sun hugs the horizon, spilling a broad, shimmering path of light across gently rippling water. The waves curl and fold in layered arcs toward the shore, each crest picked out with bright, foamy highlights and hints of turquoise against deeper blue-green troughs. Above, the sky is a dramatic study in color: deep cobalt and indigo mingle with streaks of violet, while broad swaths of orange, coral and molten gold fan out from the sun, their edges feathered into soft, textured clouds. A diagonal band of cloud catches and scatters the light, adding motion and depth to the upper sky. On the right, a small, dark headland rises as a silhouette, topped by a cluster of tall, slender palm trees. Their fronds are delicate, almost filigreed against the blaze of sunset, and they anchor the composition with a quiet, tropical stillness. The painter’s brushwork alternates between broad, sweeping strokes for the sky and more rhythmic, energetic strokes for the surf, giving the scene both a serene calm and a lively sense of movement. Overall, the image evokes the hush of late day — warm, reflective, and subtly electrified by the last bright breath of sunlight.
Rachel Michelle's Art
rachel-michelle.pixels.com
My adventures in Key West and the Florida Keys inspired me to bring my feelings to life with these watercolor paintings. Ocean Blue Galleries of Florida. I love flamingos and parrots.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
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#steeldrums #steelpan for your ceremony and cocktail hour. 305-926-7251 Got a new review from a bride. Check it out! walkerdoug.wixsite.com/doug-walker #beachwedding #floridakeys #weddingplanning #weddingplanners #Boatshow
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A man sits on a low, foldable camping chair tucked into the shallow shadow of a building corner, working intently on a small board or sketchpad balanced in his lap. He is bald and wearing glasses, a short-sleeved patterned shirt and blue jeans, one foot planted on the pavement as he leans forward. In his right hand he holds a small brush or pen, making careful, deliberate marks; his left hand steadies the surface he’s working on. Scattered around his feet are art supplies — a palette with dabs of paint, tubes and small containers, a case or box open beside him, and a few finished or in-progress cards or pieces laid out on the concrete. The scene feels quiet and focused: the ordinary city sidewalk, the worn curb and a pale peach-colored wall providing a backdrop, while the artist concentrates on the fine work in front of him. A passerby’s legs and white sneakers are visible at the edge of the frame, emphasizing the public, improvised nature of the workspace. Overall it reads as a small moment of concentration and craft captured amid everyday urban life.
The photo shows a densely packed display of small, brightly colored rectangular images arranged in neat vertical columns. Each column is made up of a stack of tiny panels — roughly the size of stamps or comic vignettes — set against a white backing with slim dividers between the rows. The little pictures are vivid: saturated yellows, reds, blues and greens dominate, and many of the panels contain tiny figurative scenes or graphic shapes that read like miniature cartoons or decorative labels. The whole display is photographed at an angle, so the columns recede diagonally across the frame and the image is slightly tilted; there’s a soft blur at the edges and a bit of glare on the surface that suggests a protective plastic or glass covering. On the left edge a narrow strip with darker markings (numbers or ticks) runs alongside the columns, and the bottom corner reveals another sheet with similarly small images, hinting this is one of several racks. The overall effect is a lively mosaic of repeating color and pattern — compact, busy, and cheerful — inviting you to lean in and inspect the tiny, detailed illustrations one by one.
A compact, overflowing stall of hand-painted wares fills the frame with an immediate burst of color. Dozens of small tiles and plaques are arranged like a patchwork mural across the back wall and shelving — bright panels of turquoise, sunflower yellow, tomato red and leafy green set off lively motifs: stylized birds with proud crests, darting fish, blooming flowers and geometric patterns. Each piece shows the uneven edges and visible brushstrokes of something painted by hand, so the repetition feels charmingly individual rather than factory-perfect. The display is dense and rhythmic: rows upon rows of rectangles create a mosaic effect, while shelves beneath hold an assortment of other crafts — little ceramic bowls and pots glazed in warm tones, tiny painted figurines, and stacks of flat painted tiles. In the foreground a roll of paper towels and a scattering of what look like beaded necklaces or chains lie across a white counter, grounding the riot of color in the ordinary clutter of a working market stall. Textures are obvious even in the photo: glossy enamel catches the light on many surfaces, contrasting with the matte roughness of unglazed clay and the worn paint of a small white wooden shelving unit. The overall impression is lively and intimate — a friendly jumble of souvenirs and keepsakes that invites you to come closer, pick up a tile and feel the brushwork under your fingertips. Sunlight or bright ambient light enhances the saturation, throwing tiny highlights on the tiles and deepening the shadows in the crevices between objects. It feels like a seaside or festival market setting, the sort of place where colors and patterns compete to catch your eye and where every piece seems to tell a small, handcrafted story.
A small, open-air souvenir stand sits like a bright little island on the sidewalk, its white folding display racks fanned out to show dozens of postcards and small prints. The right-hand panel is a neat mosaic of colorful postcards — rows of tropical scenes, kitschy retro art and bright tourist images — while the center panel seems filled with black-and-white or monochrome prints, giving a contrast between color and calm. A few larger prints and postcards are propped against the base of the stand, leaning toward the street. On top of the counter and tucked into cubbies are an assortment of trinkets: small packaged items, maybe keychains or magnets, and a scattering of other souvenirs. The display feels compact and deliberate, every inch used to catch a passerby’s eye. A silver SUV is parked at the curb beside the stand, its door and window reflecting light and a slice of the street. Beyond the kiosk, the city sidewalk continues — a pedestrian in dark clothes walks away from the camera, and sunlit storefronts and palm trees can be glimpsed further down the block. The scene is suffused with bright daylight; the pavement and the low shadows suggest a warm, lively moment in a busy, tourist-friendly stretch of town. Overall it reads as a cheerful, slightly cluttered snapshot of street commerce — small, organized chaos that invites someone to stop, browse and pick up a colorful keepsake.
Pecoo Street Vendor
400 Block Duval Street
Over the years, this artist has fully embraced the colorful spirit of Key West and the Florida Keys, translating that vibrant journey into exquisite Acrylic artworks.
#KeyWest #Art #AcrylicPainting #Painting #FloridaKeys
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