Math couture
#piDay
#MathFashion
#PromptShare in ALTs of original
#aiart #AIイラスト #AIGen #synthart ##AIArtistCommunity #QP
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#MathFashion
Posts tagged #MathFashion on Bluesky
Maths In Motion
Inspired by @nevyn79.bsky.social for his #piDay
#MathFashion
#aivideo
#grok
#aiart
Tagging:
@brett-baudin.bsky.social @rimshotgraphix.bsky.social, @susaretow.bsky.social, @poisoninthepen.bsky.social, @pleasureparagonart.bsky.social, @nerdboxai.bsky.social, @jestermc.bsky.social,
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#QP Math Fashion for π day!
π ✨ π ✨ π ✨ π ✨ π ✨ π ✨ π
Inspired by @nevyn79.bsky.social and @icyvelvet.bsky.social ✨
#MathFashion #PiDay #Midjourney #AiArt #AiCouture
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#QP #piDay
#aiart #art #MathFashion #pi
Dressed for math?
🏷️ @antoniablt.bsky.social @miragreen.bsky.social @joyaz.bsky.social @jestermc.bsky.social @thenekrom.bsky.social @theway2377.bsky.social @gbloodforge.bsky.social @fruitsandfrost.art @ddmxx.bsky.social @sirachosur.bsky.social
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#QP #piDay
#aiart #art #MathFashion #pi
Dressed for math?
🏷️ @spicycreations.bsky.social @cryptorobertkai.bsky.social @pleasureparagonart.bsky.social @clarak222.bsky.social @pleasureparagonart.bsky.social @guruscorpion.bsky.social @novanighting.bsky.social @zambera.bsky.social @ongajin.ai
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#AmberbyNevyn
Inspired by me for #piDay
#MathFashion by @icyvelvet.bsky.social
#PromptShare in original post
Nice idea. Adapted prompt to put Amber in 😉
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#AmberbyNevyn
Inspired by me for #piDay
#MathFashion by @icyvelvet.bsky.social
#PromptShare in original post
Nice idea. Adapted prompt to put Amber in 😉
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Maths In Motion
Inspired by @nevyn79.bsky.social for his #piDay
#MathFashion
Tagging: @nevyn79.bsky.social @cindyfcreations.bsky.social @aistudio.bsky.social @lsantos42.bsky.social @cyberpopdreams.bsky.social
@sshahhasmi.bsky.social
Come and play?
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![A breathtaking gown comprised entirely of mathematical symbols, worn by a stunning ethereal figure who stands in a void of deep cosmic indigo. The dress is a masterpiece of symbolic couture—every inch of its structure woven from countless floating, interlocking mathematical notations rendered in luminous gold, silver, and soft white.
The sweetheart neckline is formed by a delicate curve of elegant integral signs (∫) that sweep across the bust, their elongated forms creating a soft, romantic contour. Above them, a cascade of Greek letters—π, Σ, Φ, Ω—drift like precious gems across the collarbone.
The bodice is a complex tapestry of equations in motion: Euler's identity weaves across one side, its components—e, i, π, 1, 0—each rendered in gleaming gold, connected by threads of silver light. Partial derivatives (∂) curl like lace, while summation symbols (∑) create structural support. Square root symbols (√) arch gracefully, forming the dress's architecture.
The cutout design reveals strategic glimpses of the form beneath through negative spaces defined by the gaps between symbols. At the waist, an opening is framed by parentheses ( ) and brackets [ ], the skin visible through the mathematical void. At the hip, another cutout is bordered by infinity symbols (∞) that curve sinuously, their endless loops emphasizing the opening.
The skirt is asymmetrical—one side cascades to the floor in a waterfall of descending equations: Fibonacci sequences, calculus notations, and algebraic formulas tumbling downward like mathematical lace. The other side rises dramatically, revealing a long elegant leg, the hem formed by a bold line of equal signs (=) and less-than/greater-than symbols (< >) creating a sharp, geometric edge.
Throughout the gown, tiny superscripts and subscripts glitter like sequins. Prime numbers dot the fabric like scattered stars. Set theory brackets cup the curves. Matrix brackets form structural panels.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:hniqgwgf72g4fhwwnfej5bng/bafkreibqcmrkw6gtceqj6mpvhi7zyqxazx6rksh6tgilzljzpmppt3wqke)
A breathtaking gown comprised entirely of mathematical symbols, worn by a stunning ethereal figure who stands in a void of deep cosmic indigo. The dress is a masterpiece of symbolic couture—every inch of its structure woven from countless floating, interlocking mathematical notations rendered in luminous gold, silver, and soft white. The sweetheart neckline is formed by a delicate curve of elegant integral signs (∫) that sweep across the bust, their elongated forms creating a soft, romantic contour. Above them, a cascade of Greek letters—π, Σ, Φ, Ω—drift like precious gems across the collarbone. The bodice is a complex tapestry of equations in motion: Euler's identity weaves across one side, its components—e, i, π, 1, 0—each rendered in gleaming gold, connected by threads of silver light. Partial derivatives (∂) curl like lace, while summation symbols (∑) create structural support. Square root symbols (√) arch gracefully, forming the dress's architecture. The cutout design reveals strategic glimpses of the form beneath through negative spaces defined by the gaps between symbols. At the waist, an opening is framed by parentheses ( ) and brackets [ ], the skin visible through the mathematical void. At the hip, another cutout is bordered by infinity symbols (∞) that curve sinuously, their endless loops emphasizing the opening. The skirt is asymmetrical—one side cascades to the floor in a waterfall of descending equations: Fibonacci sequences, calculus notations, and algebraic formulas tumbling downward like mathematical lace. The other side rises dramatically, revealing a long elegant leg, the hem formed by a bold line of equal signs (=) and less-than/greater-than symbols (< >) creating a sharp, geometric edge. Throughout the gown, tiny superscripts and subscripts glitter like sequins. Prime numbers dot the fabric like scattered stars. Set theory brackets cup the curves. Matrix brackets form structural panels.
The entire dress glows with soft internal light, each symbol legible yet artistic, precise yet flowing. The figure wears her dark hair swept dramatically to one side, a single earring shaped like the golden ratio (φ) catching light. Her expression is serene, powerful—a goddess of mathematics made manifest. The background is a soft fade from deep violet to midnight blue, with faint ghost equations drifting in the distance like mathematical nebulae. Single spotlight from above creates dramatic highlights on the golden symbols and deep shadows between them. Pure hyperrealistic rendering. Every symbol perfectly formed. Mathematical accuracy meets haute couture.
Inspired by @nevyn79.bsky.social for his #piDay
#MathFashion
#PromptShare in ALT 1 (half) & rest of prompt in ALT 2 🤦🏻♀️
Tagging: @nevyn79.bsky.social @cindyfcreations.bsky.social @aistudio.bsky.social @lsantos42.bsky.social @cyberpopdreams.bsky.social
@sshahhasmi.bsky.social
Come and play?
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Me wearing the look I submitted to the 2025 Math + Fashion show at Bridges Eindhoven. From top to bottom: a purple, blue, and teal polygonal quilted top I machine-sewed and hand embroidered, an aqua camisole, a two-thirds-circle skirt printed with a hyperbolic tiling outlined in purple that fades from teal to purple, aqua tights, white and silver platform shoes by United Nude. I’m also wearing a bead crochet bracelet in white, green, blue, and purple. My arms are spread wide to show off the bell sleeves of the top. Behind me is part of a mural by Carrie Patterson, Ash Scherer, and community art students from St. Mary’s College of Maryland. Spoonflower printed the fabric for the top and the skirt. The polygons for the top are printed on cotton jersey fabric, while the skirt panels and the fabric for the waist and pockets are on a cotton/linen blend.
Another submission photo for my look in the Bridges Eindhoven Math + Fashion show this July. I’m standing in front of a different section of the mural with my arms spread diagonally and a huge, open-mouthed grin. I think that Ariel Webster, the photographer, caught me in the middle of laughing at something. The top is stitched out of two-layer polygons that are like pillows without stuffing: purple dodecagons (12-sides), teal octagons (8-sided), and medium blue squares. There are also some cut-off slices of polygons to make the hemline and cuff-lines a little less unruly. I hand stitched these together to make a cropped top with flared sleeves, then hand embroidered the dual tiling in white running stitch. A decorative embroidered star appears in the center of each polygon, marking a vertex of the dual tiling. The tiles outlined in white are approximations of 30 45 90 hyperbolic triangles, the same triangles that appear in the Poincaré disk tiling in the skirt.
More post-Bridges posting: my Math + Fashion show outfit. The skirt and top feature two renditions of one triangle tiling in the hyperbolic plane. I coded the Poincaré disk tiling in Processing and @spoonflower-social.bsky.social printed it on fabric.
#bridgesmathart #mathart #mathfashion
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Hypercubes! While we can't see a four-dimensional object in our three-dimensional world, you can catch a glimpse of the fourth dimension with #hypercube jewelry by @hanusadesign.#mathjewelry #geekchic #geekgifts #mathfashion
shop.momath.org/3d-printed-hyp… shpws.me/QbYO
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