Su Raiplay, prego, non c'è di che.
Un film da recuperare, anche il relativo racconto da cui è tratto.
Lui qui si supera, notevole anche la fotografia 🖤
#smallthingslikethese
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#SmallThingslikeThese
Posts tagged #SmallThingslikeThese on Bluesky
Título: Cosas pequeñas como estás /Small Things Like These.
Género: Drama, Religión, Familia.
Crítica: "Una pequeña película sobre esos reformatorios religiosos tanto de menores como mujeres y como intentaban "reformar" pero causando traumas de por vida".
Nota: 6/10
#SmallThingsLikeThese
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Small Things Like These is a quiet and beautiful film that covers a really difficult subject. And it's one that can linger with you long after it's over.
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#SmallThingsLikeThese: The Smile of Hope One Can Take With Them Into a Better Tomorrow ★★★★★ The nuns have a finger in every pie. brendanjohnanthony.substack.com/p/small-thin...
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Having witnessed that cost of looking away, the question of #SmallThingsLikeThese is not whether change will come, but whether you carry forward the weight of what you know… simply for the smile of hope that Sarah can take with her into a better tomorrow. boxd.it/cEW2V1
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The smallest acts of humanity light the spark, #SmallThingsLikeThese in the life of another are an impact that can change the world, and though it does not immediately resolve the institution it confronted, the spell of inevitability sustaining it is broken… one life, one world.
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What Bill offers Sarah, in that hauntingly beautiful denouement, is the continuation of compassion, not an act of rebellion, but an act of remembrance. In choosing to save her, #SmallThingsLikeThese remembers that grace survives only when it is carried, hand to hand, across time.
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Sarah is not, however, a symbol of suffering, she is a normal girl, a living interruption, her quiet humanity fracturing the ability of Bill to compartmentalise the horrors of his past, #SmallThingsLikeThese testifying to the cost of silence… and the courage to simply endure it.
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And Zara Devlin paints the heartbreaking portrait of that girl, one bound within the institution of abuse perpetuated by the convent… evil at the hands of saints, and while her moments in #SmallThingsLikeThese are few, Sarah carves into your soul with that pain of the voiceless.
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The choice Bill at last makes, to act for this girl, despite the warnings, the social communion, the fear for his family… #SmallThingsLikeThese enlightens that space where kindness ceases to be comfortable, where to look away, is to betray the very mercy that once sustained you.
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The abhorrence of #SmallThingsLikeThese is that the Mother Superior truly believes she is right, that harm is justified if it preserves the system… the representation of an institution so convinced of its own righteousness, that it no longer recognises cruelty as cruelty at all.
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Emily Watson smiles when required and never has to raise her voice, because the system already speaks for her… #SmallThingsLikeThese feels the entirety of institutional authority through her, the quiet comprehension that the survival of its village is entwined with her approval.
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And the presence of the Devil himself in #SmallThingsLikeThese, the Mother Superior, possessed with the terrifying calm of institutional authority by Emily Watson, not because she is overtly cruel, but because she is calm in her power, arriving not as threat, but as polite order.
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The village may not actively choose harm, but it does choose comfort, where silence is mistaken for civility, and civility becomes violence by omission. The true horror of #SmallThingsLikeThese is in how easily atrocity can coexist with warmth, manners… those neighbourly smiles.
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And that silence… #SmallThingsLikeThese paints not only the cruelty of the institution, but the normalcy surrounding its village. Complicity here is communal, ritualised, almost choreographed, upheld within politeness, a shared agreement not to disturb the comfort of daily life.
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#SmallThingsLikeThese comprehends how their survival was never guaranteed by justice, only the goodness of another, and Bill feels that in his soul without ever needing it explained. When he eventually must stand before suffering, his soul remembers what silence almost cost them.
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The ethereal Michelle Fairley paints no saint, nor saviour, but the affirmation of #SmallThingsLikeThese that goodness has forever survived in the hands of the ordinary. In offering dignity, she interrupts the silence of the institution, simply long enough for a life to continue.
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The mercy of #SmallThingsLikeThese is inherited, his mother, once an unmarried pregnant woman in Ireland, which should have consigned her erasure to a Magdalene laundry, was spared by a rare kindness, taken in by a soul offering her the dignity of giving birth without punishment.
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#SmallThingsLikeThese is not another burden of winter placed upon the soul, but its confrontation with the hidden cruelties of Ireland itself, the Magdalene laundry that held women and girls not for violence, but for being human… and the haunted memory of his own mother awakens.
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That courage, however, is a specific kind of harrowing, and #SmallThingsLikeThese asks for it with the demand that he confront the very institution that shaped his life, shaped the village itself… to find a young girl imprisoned in that cold dark of the convent he delivers coal.
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There is something in the way #SmallThingsLikeThese reframes courage as something soft held within, a masculinity that may not defeat injustice, but refuses to look away from it. In a world that equates silence with stoicism, the gentleness of Bill becomes its own quiet defiance.
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Cillian Murphy is iridescent in his quiet painting, a dismantling of the traditional cinematic masculinity with a radical warmth. The strength Bill holds lies within courage, care… heroism born from listening rather than control, and it is #SmallThingsLikeThese that forge a man.
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The moral awakening of #SmallThingsLikeThese is past as prologue, haunted through the ache of obligation, a kindness unreturned becoming a debt that eviscerates his soul, something learned long before it was chosen… a quiet mercy gifted to him when he was at his most vulnerable.
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Following his Academy Award win, with infinite possibility, Cillian Murphy chooses to paint his, perhaps, finest performance in #SmallThingsLikeThese. Bill Furlong holds this understated gravitas… some illustrations simply transcend the medium of film, they carve into your soul.
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My mind is often inundated with incessant thoughts, doubts, and anxieties that make peace seem… inconceivable, and yet, the deliberate testament of #SmallThingsLikeThese silenced that noise through its truth within the quietly kind immediacy of this portrait from Cillian Murphy.
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I found myself unexpectedly calm within the macabre lament of #SmallThingsLikeThese, asphyxiated by its meditative reflection of the soul, a profundity that held this celestial ability to entrance you in a stillness so beautifully rare, that I will carry it with me… forevermore.
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The horrors of the Magdalene laundries were known, and that lived in the soul… in what was not said. Adapted from the elysian words of Claire Keegan, #SmallThingsLikeThese is historical trauma as atmosphere, the deafening silence of 1980s Ireland, where the past demands justice.
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And that quiet within #SmallThingsLikeThese is deafening, a haunting meditation on morality and the silent cost of complicity in its atmospheric painting of both the physical cold of its harsh winter, and the metaphorical shadow upon the hidden sins of a village bound by silence.
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In the quiet of an Irish wintry village, the weight of silence within #SmallThingsLikeThese is heavier than coal, a macabre dance of its dust and the falling snow, where a man is haunted by the ache of what it means to be kind in a world imprisoned by its indifference. ★★★★★
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