Serif typography is facing a familiar problem. Many modern revivals either stick too closely to historical models or modernize them so much that they lose their personality. In both cases, editorial designers often end up with typefaces that almost work, but not quite. Willy Caslon, designed by Juan Bruce and the Latinotype team, takes a different path. Instead of forcing a choice between tradition and modernity, it reinterprets the English Caslon tradition in a way that feels relevant for today’s reading habits. The result is a serif family that fits the real needs of editorial design. It carries a clear voice, supports comfortable long-form reading, holds its presence on screens, and still feels like a thoughtful design decision rather than just another revival.
Willy Caslon Font Family by Latinotype weandthecolor.com/willy-caslon...
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